{"id":255,"date":"2022-04-16T22:46:09","date_gmt":"2022-04-16T22:46:09","guid":{"rendered":"https:\/\/smajoris.space\/4-downtempo\/"},"modified":"2022-05-24T08:00:20","modified_gmt":"2022-05-24T08:00:20","slug":"4-downtempo","status":"publish","type":"page","link":"https:\/\/smajoris.space\/?page_id=255","title":{"rendered":"4. Downtempo"},"content":{"rendered":"\n

Downtempo<\/em><\/strong> – este o categorie larg\u0103 de muzic\u0103 electronic\u0103, caracterizat\u0103 de un sunet atmosferic \u0219i beat-uri de tempo lent.<\/p>\n\n\n\n

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\n\t\t\t\t\t\t\tSubgenuri\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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  1. 1. Dub<\/a>
  2. 2. Acid Jazz (derivat din Funk)<\/a>
  3. 1.1. – 2.1. Downtempo<\/a>
  4. 1.2. – [1.1. – 2.1.].1. Trip Hop<\/a>
  5. 2.2. Nu Jazz<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n
    <\/div>\n\n\n\n

    1. Dub<\/strong><\/h2>\n\n\n\n
    Gen Muzical Electronic<\/td>Dub<\/em><\/strong><\/td><\/tr>
    Alte Denumiri<\/td>Reggae Dub, Ambient Dub<\/td><\/tr>
    Sfera \/ Scena<\/td>Downtempo<\/em><\/strong><\/td><\/tr>
    An Apari\u021bie<\/td>late 60s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

    Muzica Dub<\/em><\/strong> este \u00eentr-un fel gen, \u00eentr-un fel limitare \u00een produc\u021bia muzical\u0103.<\/p>\n\n\n\n

    \u00ce\u0219i are numele de la tehnica de produc\u021bie timpurie, cunoscut\u0103 drept “overdubbing”, unde produc\u0103torii obi\u0219nuiau s\u0103 \u00eenregistreze \u0219i re-\u00eenregistreze piese muzicale pe deasupra altora, \u0219i unele peste altele, la aparatele cu band\u0103, cu bobin\u0103-la-bobin\u0103 (\u00eentreab\u0103-i pe bunicii t\u0103i dac\u0103 nu \u0219tii ce-i aia).<\/p>\n\n\n\n

    Era comun \u0219i obi\u0219nuit pentru sesiunile de demo \u0219i repeti\u021bii, s\u0103 foloseasc\u0103 aceea\u0219i rol\u0103, bobin\u0103, acela\u0219i tambur, pentru sute de lu\u0103ri \u0219i \u00eencerc\u0103ri, takes, \u0219i versiuni, pentru a salva \u0219i economisi bani. \u00cenregistr\u0103rile nu erau niciodat\u0103 perfecte, iar efectele reziduale ale \u00eenregistr\u0103rilor anterioare se scurgeau \u0219i ap\u0103reau \u00een \u00eenregistr\u0103rile urm\u0103toare, produc\u00e2nd un efect de fantom\u0103, neclar, pe care produc\u0103torii aveau s\u0103-l priveasc\u0103 \u0219i considere drept caracteristici sau features (\u0219i nu bug-uri sau defecte).<\/p>\n\n\n\n

    Dubbing-ul sau dublarea, a devenit, \u00een cele din urm\u0103, sinonim cu a \u00eenregistra o pies\u0103 audio, un audio track, peste altceva (ca \u0219i ADR \u00een filme, sau dublarea din desenele animate \u0219i limbile str\u0103ine). Dar \u00ee\u0219i are originile \u00een produc\u0103torii Reggae<\/em><\/strong>, care erau pur \u0219i simplu mult prea s\u0103raci \u0219i mult prea ieftini pentru a cump\u0103ra o alt\u0103 band\u0103.<\/p>\n\n\n\n

    C\u00e2t despre startul oficial al muzicii Dub<\/em><\/strong>, exist\u0103 o poveste interesant\u0103 \u00een spate. Ei bine, interesant\u0103 pentru oamenii c\u0103rora le pas\u0103 de aceast\u0103 muzic\u0103.<\/p>\n\n\n\n

    Totul a \u00eenceput cu o presare nefinisat\u0103 \u0219i neterminat\u0103 a The Paragon – On The Beach, care a scos \u0219i a l\u0103sat la o parte vocile, de-a lungul \u0219i \u00een timpul imprim\u0103rii unei pl\u0103ci Dub<\/em><\/strong>, \u00eenapoi \u00een 1968.<\/p>\n\n\n\n

    \"\"\/
    Cum ar ar\u0103ta t\u0103ierea unei pl\u0103ci Dub<\/em><\/strong>. O plac\u0103 Dub<\/em><\/strong> este un disc din acetat, unic \u0219i ieftin, care are o durat\u0103 de via\u021b\u0103 limitat\u0103 de vreo 50 de ascult\u0103ri, p\u00e2n\u0103 se degradeaz\u0103, de obicei folosit\u0103 pentru demo-uri, etichete albe, versiuni nelansate, masteriz\u0103ri alternante, rul\u0103ri de teste, \u0219i lans\u0103rile ini\u021biale ale single-urilor, \u00eenainte ca versiunea final\u0103 s\u0103 apar\u0103 pe vinil.<\/figcaption><\/figure><\/div>\n\n\n\n

    Conform legendei, un operator de sistem de sunet (Rudolph “Rudy” Redwood, fani de triviale) a luat single-ul presat gre\u0219it \u0219i l-a pus s\u0103 c\u00e2nte la una din acele petreceri jamaicane legendare, care te pr\u0103jeau (de unde au venit Rap <\/em><\/strong>\u0219i Dancehall<\/em><\/strong>), cu ni\u0219te interac\u021biune a audien\u021bei, care c\u00e2nta \u00eempreun\u0103. \u0218i, desigur, a dobor\u00e2t casa \u0219i a bubuit pere\u021bii, altfel, altminteri, noi nu am \u0219tii de aceast\u0103 buc\u0103\u021bic\u0103 de folclor, ast\u0103zi.<\/p>\n\n\n\n

    Asta a atras aten\u021bia lui Bunny Lee, un produc\u0103tor pentru renumita \u0219i faimoasa cas\u0103 de discuri jamaican\u0103, Treasure Isle. Sim\u021bind \u0219i mirosind un trend fierbinte, hot, Bunny l-a abordat pe inginerul de sunet al studio-ului, Osbourne Ruddock, despre a face mai multe astfel de piese instrumentale, de Reggae<\/em><\/strong>, Rocksteady<\/em><\/strong>, \u0219i Ska<\/em><\/strong>.<\/p>\n\n\n\n

    Deja expert \u0219i priceput tehnic cu echipamentele \u0219i sculele de studio, Mr. Ruddock a f\u0103cut table \u0219i board-uri de amestec, de mixaj, personalizate, custom, pentru a ob\u021bine \u0219i a primi impactul maxim de la efectele de echo, delay \u0219i phase, ceea ce el afi\u0219a \u0219i \u00een propriile show-uri cu sisteme audio, de sunet. El rareori a avut mult\u0103 oportunitate de a le explora poten\u021bialul \u00een studio-ul de \u00eenregistr\u0103ri, c\u0103ci o astfel de \u0219mecherie ca pu\u021bin mai mult dec\u00e2t o noutate. Procesul de \u00eenregistrare \u00een acele zile mereu a pus \u00een eviden\u021b\u0103 \u0219i a amplificat, \u00eentotdeauna, c\u00e2nt\u0103re\u021bii \u0219i muzicienii, niciodat\u0103 produc\u0103torii.<\/p>\n\n\n\n

    Cu succesul nea\u0219teptat al acestei unice \u0219i singulare versiuni presate gre\u0219it, accidental, oricum, cu toate acestea, lui Ruddock i s-a aprins becule\u021bul deodat\u0103, brusc, \u00een mod subit, \u0219i i s-a dat lumina verde \u0219i unda verde pentru a face tot felul de lucruri interesante cu instrumentalele. El nu a dezam\u0103git, cre\u00e2nd o matrice de single-uri \u0219i piese dubbed, pentru sistemele de sunet \u0219i audio jamaicane, concurente, cu multe noi single-uri cer\u00e2nd atingerea \u0219i touch-ul s\u0103u special, pe p\u0103r\u021bile secundare, pe b-sides.<\/p>\n\n\n\n

    Eventual, \u00een cele din urm\u0103, remix-urile unice ale lui Ruddock erau la a\u0219a cerere, \u00eenc\u00e2t el \u0219i-a creat propriul s\u0103u studio. Acolo el s-a jucat cu aparatura nou\u0103 \u0219i veche, la un asemenea nivel \u0219i grad, \u00eenc\u00e2t consola lui de mixing a devenit, \u00een esen\u021b\u0103, propriul s\u0103u instrument electronic, manipul\u00e2nd piese \u0219i track-uri \u00een orice mod \u0219i orice fel a considerat el potrivit, cu un control de precizie. Al\u021bi produc\u0103tori proeminen\u021bi jamaicani aveau cur\u00e2nd s\u0103-i \u00eenve\u021be meseria \u0219i trucurile, iar Mr. Ruddock le-a ar\u0103tat acestora calea, schimb\u00e2nd pentru totdeauna felul cum instrumentalele de Reggae<\/em><\/strong> erau create. El este considerat ca fiind unul dintre cei mai influen\u021bi produc\u0103tori, \u0219i nu doar din istoria muzicii jamaicane sau istoria muzicii electronice, ci din toat\u0103<\/em> istoria muzicii.<\/p>\n\n\n\n

    Osbourne Ruddock a fost numele lui, dar \u00eei po\u021bi spune King Tubby.<\/p>\n\n\n\n

    \"\"\/
    King Tubby l\u00e2ng\u0103 sistemul s\u0103u de sunet mobil, cas\u0103 de discuri, cas\u0103, \u0219i dub\u0103 \/ furgonet\u0103 de \u00eenghe\u021bat\u0103.<\/figcaption><\/figure><\/div>\n\n\n\n

    Putea muzica Dub<\/em><\/strong> s\u0103 fie inventat\u0103 mai devreme \u0219i altundeva, \u00eentr-un alt loc? Posibil, dar nu a f\u0103cut-o. Acele efecte cavernoase de echo \u0219i delay, tr\u0103g\u00e2nd \u0219i sco\u021b\u00e2nd \u00een mod proeminent la suprafa\u021b\u0103, \u00een prim-plan, ritmurile de tobe \u0219i bas (‘riddims’), creeaz\u0103 ceva de genul unei disonan\u021be temporale \u00een\u0103untrul con\u0219tiin\u021bei tale, sun\u00e2nd de parc\u0103 tu c\u0103l\u0103re\u0219ti acel reverb, dincolo de limitele \u0219i circumferin\u021bele Dancehall<\/em><\/strong>, \u0219i \u00eenafar\u0103, c\u0103tre cele \u00eendep\u0103rtate ale cosmosului. De asemenea, fumai prea mult.<\/p>\n\n\n\n

    \u00cent\u00e2mpl\u0103tor, fumatul de ganja sau marijuana are un efect similar, a\u0219a c\u0103 cele 2 au o rela\u021bie confortabil\u0103, una cu alta. Nu zic c\u0103 trebuie <\/em>s\u0103 fumezi ni\u0219te mari mari, ca s\u0103 ob\u021bi muzic\u0103 Dub<\/em><\/strong>, dar precum amfetaminele cu NRG<\/em><\/strong>, \u0219i tranchilizantele de cai cu Dubstep<\/em><\/strong>, ajut\u0103.<\/p>\n\n\n\n

    Din moment ce media de muzic\u0103 tradi\u021bional\u0103 rar d\u0103dea 2 bani pe ceea ce f\u0103cea Jamaica pe atunci, \u00een acele vremuri, Dub<\/em><\/strong> a r\u0103mas blocat pe insul\u0103, pe tot parcursul anilor ’70. Dar odat\u0103 ce rockerii British Punk<\/em><\/strong> \u0219i New Wave<\/em><\/strong> au \u00eenceput s\u0103 fure \u0219i s\u0103 plagieze esteticele Reggae<\/em><\/strong> \u0219i Ska<\/em><\/strong>, \u00een muzica lor (vorbesc serios, care-i faza cu asta), deodat\u0103, a\u0219a, brusc, o abunden\u021b\u0103 de ‘versiuni Dub<\/em><\/strong>‘ au \u00eenceput s\u0103 apar\u0103 \u0219i r\u0103sar\u0103 \u00een magazinele de \u00eenregistr\u0103ri. Este greu s\u0103 \u00eei faci pe oamenii albi s\u0103 le plac\u0103 ceva, dac\u0103 nu \u00eent\u00e2i al\u021bi oameni albi \u00eel plac.<\/p>\n\n\n\n

    P\u00e2n\u0103 \u00een acest punct, King Tubby se retr\u0103sese din produc\u021bie, dar \u00eentre cele 2 na\u021biuni de insul\u0103, o gr\u0103mad\u0103 de pisici noi i-au c\u0103lcat pe urme: Lee ‘Scratch’ Perry, Sly & Robbie, Prince Jammy, Mikey Dread, Mad Professor, Jah Alchemist, Doctor Petty Bobbie, Rude Examiner, Duke Tutor, Errol The Irie Instructor, Lenny ‘Dub<\/em><\/strong>‘ Lecturer, Terrance Teacher, Dubplate Assistant, Sammy Souljia Sensei, \u0219i Scientist.<\/p>\n\n\n\n

    P\u00e2n\u0103 la finalul anilor ’80, \u0219i cu apari\u021bia samling-ului, muzica Dub<\/em><\/strong> a explodat din moment ce nu mai trebuia s\u0103 se bazeze pe casete st\u00e2ngace de bobin\u0103-pe-bobin\u0103. Dub<\/em><\/strong> – care a fost odat\u0103 un proces laborios de \u00eenregistrare \u0219i re-\u00eenregistrare – a fost redus la simplitatea de o ap\u0103sare de buton, la nivelul de produc\u021bie. Noi subgenuri s-au folosit de efecte trippy, cavernoase, care au mers foarte bine \u00een camerele de lini\u0219tire, relaxare \u0219i chill-out, pline de \u021bip\u0103tori droga\u021bi p\u00e2n\u0103 peste cap, deoarece desigur c\u0103 a f\u0103cut-o.<\/p>\n\n\n\n

    \u00cen scurt\u0103 vreme, multe scene aveau s\u0103 aib\u0103 propriile subgenuri speciale Dub<\/em><\/strong>, incluz\u00e2nd, dar nu fiind limitate la House<\/em><\/strong>, Techno<\/em><\/strong>, Psy Trance<\/em><\/strong> \u0219i \u00een cele din urm\u0103 IDM<\/em><\/strong>, Drum n Bass<\/em><\/strong> \u0219i UK Garage<\/em><\/strong> (cu rezultate mixe, amestecate). De dragul consecven\u021bei, mai ales chestii care re\u021bine c\u0103 tradi\u021biile muzicii jamaicane se \u00eencadreaz\u0103 \u00een \u0219i sub aceast\u0103 linie, cu c\u00e2teva exemple ale sub-genului Ambient Dub<\/em><\/strong>, al \u00eenceputului anilor ’90, aruncat pe aici pentru o bun\u0103 m\u0103sur\u0103. Dac\u0103 vrei s\u0103 auzi exemple de cum Dub<\/em><\/strong> a influen\u021bat alte genuri, nu vei avea de c\u0103utat prea departe.<\/p>\n\n\n\n

    Dub<\/em><\/strong> \u00eenc\u0103 mai continu\u0103 chiar \u0219i \u00een ziua de ast\u0103zi, unii produc\u0103tori \u00eemping\u00e2nd efectele de reverb p\u00e2n\u0103 la limitele exterioare \u0219i extreme ale caracterului practic, iar al\u021bii p\u0103str\u00e2nd lucrurile simple precum a f\u0103cut-o King Tubby, exact ca brownies f\u0103cute \u00een oala de acas\u0103 (a\u0219a cum le f\u0103cea mama). \u00cen unele moduri, Dub<\/em><\/strong> este Blues<\/em><\/strong> al Muzicii Electronice: Pionierat de c\u0103tre oamenii negri, influen\u021b\u00e2nd \u0219i fiind cooptat de oamenii albi, \u00een lucruri mai de succes, re\u021bin\u00e2ndu-\u0219i totu\u0219i simplicitatea ei fundamental\u0103, dup\u0103 to\u021bi ace\u0219ti ani.<\/p>\n\n\n\n

    Trebuie s\u0103 o respec\u021bi pentru asta.<\/p>\n\n\n\n

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    Amprente sonore – Dub <\/em><\/strong>– Downtempo<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n

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    \n
    1. Transcend – 2001<\/li>
    2. Centry Meets The Music Family – Release The Chains<\/li>
    3. Roman Stewart – Herbalist (12 Inch)<\/li>
    4. The Upsetters – Lover’s Skank (Spanglers Clap)<\/li>
    5. The Orb – Lost And Found<\/li>
    6. Lee ‘scratch’ Perry With Dieter Meier – Maxi Merlin<\/li>
    7. Abyssinians – Tenayistillin (12 Inch)<\/li>
    8. D’ubserver – Dial 999<\/li>
    9. Blaminack – In Your Hand<\/li>
    10. Ethnician – U.S.S.<\/li>
    11. Aggrovators – A First Class Dub<\/li>
    12. Sugar Minott & Black Roots Players – Lovers Dubbers<\/li>
    13. Grey Area – Avon Dub<\/li>
    14. Hugh Mundell – Jah Fire Will Be Burning (12 Inch)<\/li>
    15. Black Uhuru – Leaving To Zion<\/li>
    16. Mystica Tribe – Global Village<\/li>
    17. The Spit Brothers – Roll And Tumble (Bakir & Dubsworths Vip mix)<\/li>
    18. Itals & Trinity – In A Dis Ya Time (Ready Done) (12 Inch)<\/li>
    19. Aldubb – Out Of Nothingness<\/li>
    20. A. Pearson – No More War (12 Inch)<\/li>
    21. Scorn – The End<\/li>
    22. Sandoz – Spiritual Vibe<\/li>
    23. Winston Jarrett – Greedy Girl (12 Inch)<\/li>
    24. Original Rockers – Push Push (The Underwater World Of Jah Cousteau)<\/li>
    25. Scientist Meets Roots Radics – Miss Know It All<\/li>
    26. Barrington Spence – I Wonder Why Jah (12 Inch)<\/li>
    27. Solaroid – Travelinside<\/li>
    28. Gregory Isaacs – Leggo Beast<\/li>
    29. The Merkin Dream – 14 Barnes Dub Explosion<\/li>
    30. Cocoa Tea – Heathen<\/li>
    31. Grand Phabao – Anoub Head Yudu<\/li>
    32. Rockers All Stars – You Never Know (Dub)<\/li>
    33. Tes La Rok – Living Fire<\/li>
    34. I Wayne – Free The People<\/li>
    35. Iration Steppas vs Dennis Rootical – Untitled<\/li>
    36. Wayne Jarrett – King Tubby’s Satta Dread (12 Inch)<\/li>
    37. Notty-D – Fyah Mon Dub<\/li>
    38. Jah Hugh – Downpresser Man (12 Inch)<\/li>
    39. Manasseh Meets The Equaliser – Spirit Dance<\/li>
    40. Sly & Robbie – Dub Glory<\/li>
    41. Dubatak feat Ruben Da Silva – High Grade<\/li>
    42. The Dub Syndicate – Humourless Journalist Works To Rules<\/li>
    43. Augustus Pablo – Jah In The Hills<\/li>
    44. Superpulse – Towards The Edge<\/li>
    45. Junior Reid – If I & If I Dub<\/li>
    46. Robert Emanuel & Ranking Simeon – Don’t Get Weary (12 Inch)<\/li>
    47. Ub40 – I Got You Babe (Dub Version)<\/li>
    48. Ganja Beats – The Herb Is Good<\/li>
    49. Junior Delgado & Jah Bug – Warrior (12 Inch)<\/li>
    50. Junior Brown – Forward Up (Extended)<\/li>
    51. Junior Delgado – Famine (12 Inch)<\/li>
    52. Sly & The Revolutionaries – Cocaine<\/li>
    53. Gregory Isaacs – Night Nurse (Cottonbelly mix)<\/li>
    54. Ziontek – Key To Another World<\/li>
    55. Johnny Clarke – Stop Them Jah (12 Inch)<\/li>
    56. Bill Laswell – Cybotron<\/li>
    57. Johnny Osbourne – Little Lover (Discomix) (12 Inch)<\/li>
    58. Wayne Jarrett – Garden Of Eden<\/li>
    59. Ish Dub & Juan Cano – Good Bye South Africa<\/li>
    60. Earl Zinger – Song 2wo<\/li>
    61. The Deadbeats – Just Another Day<\/li>
    62. Sacred System – Galactic Zone<\/li>
    63. Cottonbelly – Edge Test 1<\/li>
    64. Shinehead – Billy Jean<\/li>
    65. Salmonella Dub – Dub Survivor<\/li>
    66. Horace Andy – Gunshot (12 Inch)<\/li>
    67. I-Cube – Le Dub<\/li>
    68. Jazzanova – Keep Falling (Forss mix)<\/li>
    69. Robert Emanuel & Ranking Simeon – Jah Is My Light (12 Inch)<\/li>
    70. El Bib – Cosmic Dub<\/li>
    71. Joe Gibbs & The Professionals – Freedom Call<\/li>
    72. Errol Dunkley & I Roy – Created By The Father (12 Inch)<\/li>
    73. Junior Reid – Jail House (12 Inch)<\/li>
    74. Yabby U, W Wade & Horace Andy – Beware Dub & Undi (12 Inch)<\/li>
    75. Zion Train – Love Revolutionary (Dub Creator mix)<\/li>
    76. Skull Mystik – Y Dub<\/li>
    77. Augustus Pablo – Suki Yaki<\/li><\/ol>\n<\/div><\/div>\n\n\n\n
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      1. Lee ‘scratch’ Perry & The Upsetters – I Am A Madman<\/li>
      2. Pulshar – Dub By The River<\/li>
      3. High Plains Drifter feat Goldspot Productions – Sholay (Epic mix)<\/li>
      4. Jc Lodge – Telephone Love<\/li>
      5. Eek-A-Mouse – Christmas A Come (12 Inch)<\/li>
      6. Kultura – Lew Ja I Ja Dub<\/li>
      7. Dennis Brown – Revolution<\/li>
      8. Dub Syndicate – Adam & Eve<\/li>
      9. Jah Mason – Rumours Of War<\/li>
      10. Port Brasta Crew – Smoke Dub<\/li>
      11. U Black – Dread Pan Some (12 Inch)<\/li>
      12. Mikey Dread & Earl 16 – Original General<\/li>
      13. Uffe Meets J.A.H.N.O. – Broken Dub<\/li>
      14. Clint Eastwood & General Saint – Matty Gunga Walk (12 Inch)<\/li>
      15. Ras Command – Education<\/li>
      16. Automaton – Astral Altar Dub<\/li>
      17. Wayne Wade & Al Campbell – Five Man Army (12 Inch)<\/li>
      18. Prince Alla & Phillip Frazer – Black Rose (12 Inch)<\/li>
      19. Bob Marley – Exodus (Bill Laswell Ambient Dub Translation)<\/li>
      20. Ini Kamosa – Trouble You A Trouble Me (12 Inch)<\/li>
      21. Horace Andy – Musical Episode (12 Inch)<\/li>
      22. 2 Badcard – Sergio Mendez, Pt. 1<\/li>
      23. Jah Shaka & Junior Brown – Fly Me Away Home (12 Inch)<\/li>
      24. Visti And Meyland – Major Tom<\/li>
      25. Ripton Hilton – Creation (12 Inch)<\/li>
      26. Tapper Zukie – Man A Warrior<\/li>
      27. Paul Blackman – Earth, Wind And Fire<\/li>
      28. Jagwar Ma – Did You Have To Float On<\/li>
      29. Wailing Souls – War<\/li>
      30. Johnny Osbourne – Budy Bye<\/li>
      31. Bud Bongo – Dub One<\/li>
      32. Original Rockers – Sexy Selector<\/li>
      33. Ruddy Thomas – Dry Up Your Tears (12 Inch)<\/li>
      34. Johnny Clarke – Young Rebel (Fyah mix) (12 Inch)<\/li>
      35. Zion Train – Arise<\/li>
      36. Earl Sixteen – Changing World<\/li>
      37. Jayes – Give Me The Right (12 Inch)<\/li>
      38. Prince Jammy & The Aggrovators – Out Of Order<\/li>
      39. Lion Youth – Rat A Cut Bottle (12 Inch)<\/li>
      40. Cottonbelly – Intense Dub<\/li>
      41. Glen Brown & Ranking Joe – Destiny<\/li>
      42. Rod Taylor – If Jah Should Come Now (12 Inch)<\/li>
      43. Granule – Withered In My Knapsack<\/li>
      44. Journeyman – 50cc Part 1<\/li>
      45. Willy Williams – Armagideon Man (12 Inch)<\/li>
      46. Prince Jammy – Fist Of Fury<\/li>
      47. The Crystalites – Concentration (Version 3)<\/li>
      48. Rhys Chatham & Martin Wheeler – Charm<\/li>
      49. Skintologists – Off The Klik<\/li>
      50. Max Romeo – Open The Iron Gate (12 Inch)<\/li>
      51. Mikey Dread & Rod Taylor – His Imperial Majesty (12 Inch)<\/li>
      52. Dreadzone III – Cause Fx<\/li>
      53. Patrick Andy & Ranking Barnabas – Woman Woman (Extended)<\/li>
      54. Dread & Fred – Warrior Stance<\/li>
      55. Razoof – Montego Bay (Trance Vision Steppers mix)<\/li>
      56. Mouse On Mars – Future Dub<\/li>
      57. Lion Of Joppa Soundsystem – Earth’s Rightful Ruler<\/li>
      58. Cirque De Soleil – Africa (Cottonbelly mix)<\/li>
      59. African Stone – Run Rasta Run<\/li>
      60. Mighty Travellers – South Africa (12 Inch)<\/li>
      61. Roots Radics – The Alien Aborts<\/li>
      62. Baroquedub – Wearing Nothing But Attitude<\/li>
      63. African Head Charge – Dervish Chant<\/li>
      64. African Head Charge – Some Bizarre<\/li>
      65. Insanity Sect – Late Night<\/li>
      66. Hypnotix – Her Last Will<\/li>
      67. George Nooks – I’ve Got To Dub<\/li>
      68. 12 From A Dozen – Space Talk<\/li>
      69. Barmy Army – Billy Bonds M.b.e.<\/li>
      70. Ashtech – While The Music Plays<\/li>
      71. King Tubby – Dreadlocks Dub<\/li>
      72. Truth, Fact & Correct – Babylon Deh Pon Fire (12 Inch)<\/li>
      73. Albert Malawi – Children Of The Emperor (12 Inch)<\/li>
      74. Alpha & Omega – Dub Unto Me<\/li>
      75. Sounds From The Ground – Ten Tons Of Dope<\/li>
      76. Prince Far I & Culture – Black Reggae Music (12 Inch)<\/li>
      77. Jah Glen – Save Our Nation (Extended)<\/li>
      78. Light Of Saba – Lambs Bread Collie (12 Inch)<\/li><\/ol>\n<\/div><\/div>\n<\/div><\/section>\n\n\n\n
        <\/div>\n\n\n\n

        2. Acid Jazz<\/strong> (derivat din Funk<\/a><\/strong>)<\/h2>\n\n\n\n
        Gen Muzical Electronic<\/td>Acid Jazz<\/em><\/strong><\/td><\/tr>
        Alte Denumiri<\/td>Jazzdance, Electro Swing, House Jazz, Funk Fusion<\/td><\/tr>
        Sfera \/ Scena<\/td>Downtempo<\/em><\/strong><\/td><\/tr>
        An Apari\u021bie<\/td>late 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

        Pentru a \u00een\u021belege istoria Acid Jazz<\/em><\/strong>, trebuie s\u0103 \u00een\u021belegi istoria Rare Groove.<\/p>\n\n\n\n

        Iar pentru a face asta, noi trebuie s\u0103 explor\u0103m fenomenul cultural al colec\u021biilor de vinil, mai precis, dup\u0103 cum \u021bine c\u0103tre scena Northern Soul<\/em><\/strong> care a r\u0103s\u0103rit \u00een \u021binuturile de nord, ale Britaniei anilor ’60. Vezi tu, acum 50 de ani, tineretul britanic, englez, s-a \u00eendr\u0103gostit de \u00eenregistr\u0103rile Soul<\/em><\/strong> americane … \u0219tii ce, d\u0103-o-ncolo. Doar mergi \u0219i cite\u0219te Last Night A DJ Save My Life dac\u0103 vrei s\u0103 afli \u0219i s\u0103 \u00eenve\u021bi despre acest m\u0103nunchi sau calup de istorie. Mergi \u0219i cite\u0219te-l chiar acum.<\/p>\n\n\n\n

        \"\"\/
        … de la o inim\u0103 fr\u00e2nt\u0103 …<\/figcaption><\/figure><\/div>\n\n\n\n

        Nu, serios. Mergi \u0219i cite\u0219te aceast\u0103 carte. Ghidul poate a\u0219tepta.<\/p>\n\n\n\n

        Deci, ca s\u0103 sumarizez totul, toat\u0103 chestia asta a dus la ceva numit mi\u0219carea Rare Groove, unde v\u00e2n\u0103torii obseda\u021bi de vinil \u0219i-au mutat aten\u021bia c\u0103tre a g\u0103si “acele groove-uri rare” care puteau fi folosite pentru sampling, cu un accent grav \u0219i puternic pe Funk<\/em><\/strong>, Soul<\/em><\/strong>, Disco<\/em><\/strong>, \u0219i Jazz<\/em><\/strong>.<\/p>\n\n\n\n

        \u00cen mod natural, cu c\u00e2t era mai rar groove-ul pe care l-ai dezgropat, pe at\u00e2t de mai boss erai \u0219i mai \u0219mecher, printre colegii t\u0103i de breasl\u0103, iar v\u00e2n\u0103torii aveau nevoie de prize, outlet-uri, pentru a se da mare cu artefactele lor pre\u021buite \u0219i pre\u021bioase, c\u0103tre audien\u021bele viclene \u0219i \u0219irete. \u00cen timp ce popular, \u00een niciun caz, nu se compara cu discotecile zilelor respective, exista suficient interes \u00een acest sunet de ‘club Jazz<\/em><\/strong>‘, \u00eenc\u00e2t c\u00e2teva case de discuri specializate au \u00eenceput s\u0103 promoveze dr\u0103cia, uneori cu re-edit\u0103ri, dar, majoritar, sus\u021bin\u00e2nd \u0219i \u00eencuraj\u00e2nd chestii mai noi, inspirate de vechile Rare Grooves.<\/p>\n\n\n\n

        Cea mai proeminent\u0103 dintre aceste case de discuri a fost una creat\u0103 de Eddie Piller \u0219i Gilles Peterson, \u00een 1987, numit\u0103 Acid Jazz. At\u00e2t de proeminent\u0103, de fapt, \u00eenc\u00e2t muzica pe care ei o jucau \u0219i o f\u0103ceau a fost etichetat\u0103 ca atare. N-are importan\u021b\u0103 \u0219i nu conteaz\u0103 c\u0103 Acid Jazz<\/em><\/strong> nu era chiar at\u00e2t de jazzy (avea mai mult \u00een comun cu Funk <\/em><\/strong>\u0219i Soul din scena Rare Groove), \u0219i a con\u021binut un pu\u021bin pre\u021bios acid.<\/p>\n\n\n\n

        Numele a fost un motiv al apari\u021biei \u00een UK a Acid House<\/em><\/strong> \u0219i dintr-o vin\u0103 a lor, eticheta a r\u0103mas. Imagineaz\u0103-\u021bi dac\u0103 asta se \u00eent\u00e2mpla cu alte genuri: Nume au derivat de la cele mai faimoase case de discuri sau label-uri. Acid House<\/em><\/strong> era cunoscut drept Trax. Atmospheric Jungle<\/em><\/strong> era cunoscut drept Good Looking. Westcoast Rap<\/em><\/strong> era cunoscut drept Death Row. Euro Deep House<\/em><\/strong> era cunoscut drept UMM. Ambient <\/em><\/strong>al anilor ’90 era cunoscut drept Fax +49-69\/450464.<\/p>\n\n\n\n

        \u00cen ciuda numelui, Acid Jazz<\/em><\/strong> (muzica) niciodat\u0103 nu s-a prins de cultura rave, precum restul muzicii electronice la finele anilor ’90. Mai degrab\u0103 s-a p\u0103strat pentru sine prin mansardele urbane, intersec\u021biile jazz, casele cafe, \u0219i alte enclave la mod\u0103 \u0219i elegante, prin cartierele interne ale Londrei.<\/p>\n\n\n\n

        \"\"\/
        Este totu\u0219i? Chiar este?<\/figcaption><\/figure><\/div>\n\n\n\n

        Acid Jazz<\/em><\/strong> ador\u0103 s\u0103 cread\u0103 c\u0103 este o muzic\u0103 dance culturalizat\u0103, de\u0219teapt\u0103, prelu\u00e2nd elemente de la muzica de \u0219old dovedit\u0103, precum obscurul \u0219i enigmaticul Funk <\/em><\/strong>\u0219i Soul<\/em><\/strong>, \u0219i contopindu-le cu muzica de \u0219old care cre\u0219tea \u00een popularitate, precum Deep House<\/em><\/strong> \u0219i Conscious Rap<\/em><\/strong>. \u0218i chiar dac\u0103 se bazeaz\u0103 pe o ma\u0219in\u0103 de drum, turntable, sau sampler pentru beat-urile sale, asta nu \u00eenseamn\u0103 c\u0103 nu poate s\u0103 bage \u0219i oricare dintre: trompet\u0103, saxofon, sau solo de pian. De fapt, cu c\u00e2t mai multe instrumente live include, cu at\u00e2t mai bine.<\/p>\n\n\n\n

        Asta probabil c\u0103 face Acid Jazz<\/em><\/strong> unul dintre cele mai pu\u021bin pure genuri de muzic\u0103 electronic\u0103, din acest Ghid, \u00eens\u0103 succesul s\u0103u, \u00een esen\u021b\u0103, a dat startul la \u00eentreaga scen\u0103 Downtempo<\/em><\/strong>. A fost de asemenea unul dintre cele mai bancabile genuri, pentru o bun\u0103 parte a anilor ’90. Acte precum The Brand New Heavies, Corduroy, Incognito, \u0219i Jamiroquai (\u0219i anume acel tip cu p\u0103l\u0103ria care putea s\u0103 danseze \u00eenapoi pe o band\u0103 transportoare), f\u0103c\u00e2nd stric\u0103ciuni serioase \u00een topurile din UK.<\/p>\n\n\n\n