{"id":261,"date":"2022-04-16T22:46:09","date_gmt":"2022-04-16T22:46:09","guid":{"rendered":"https:\/\/smajoris.space\/7-ambient\/"},"modified":"2022-10-15T22:21:46","modified_gmt":"2022-10-15T22:21:46","slug":"7-ambient","status":"publish","type":"page","link":"https:\/\/smajoris.space\/?page_id=261","title":{"rendered":"7. Ambient"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>Ambient <\/em><\/strong>&#8211; este un gen de muzic\u0103 care pune accentul pe ton \u0219i atmosfer\u0103 \u00een detrimentul structurii muzicale tradi\u021bionale sau ritmului.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\t\t\t\t<div class=\"wp-block-uagb-table-of-contents uagb-toc__align-center uagb-toc__columns-5  uagb-block-a91f9c97      \"\n\t\t\t\t\tdata-scroll= \"1\"\n\t\t\t\t\tdata-offset= \"100\"\n\t\t\t\t\tstyle=\"\"\n\t\t\t\t>\n\t\t\t\t<div class=\"uagb-toc__wrap\">\n\t\t\t\t\t\t<div class=\"uagb-toc__title\">\n\t\t\t\t\t\t\tSubgenuri\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"uagb-toc__list-wrap \">\n\t\t\t\t\t\t<ol class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#1-ambient-derivat-din-new-age\" class=\"uagb-toc-link__trigger\">1. Ambient (derivat din New Age)<\/a><li class=\"uagb-toc__list\"><a href=\"#11-dark-ambient\" class=\"uagb-toc-link__trigger\">1.1. Dark Ambient<\/a><li class=\"uagb-toc__list\"><a href=\"#111-drone\" class=\"uagb-toc-link__trigger\">1.1.1. Drone<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1. Ambient<\/strong> (derivat din <strong><a href=\"https:\/\/smajoris.space\/?page_id=259#new-age\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=259#new-age\">New Age<\/a><\/strong>)<\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%);color:#4d7263\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Ambient<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Ambient, Laptop Ambient<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Ambient<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 70s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Muzic\u0103 pentru gr\u0103dini lini\u0219tite japoneze \u0219i cascade curg\u0103toare \u00eentr-o lunc\u0103 \u0219i paji\u0219te \u00eenz\u0103pezit\u0103 \u00een timp ce tragi un pui de somn \u00een aeroport.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen timp ce sintetizatoarele f\u0103ceau pa\u0219i mari \u00een cluburile disco \u0219i sta\u021biile radio pop, snobii artistici ai lumii muzicii \u00ee\u0219i aveau propria chestie care implica claviaturi modulare \u0219i bucle de band\u0103 de studio pentru a crea &#8211; ba nu, a <em>picta <\/em>canvas-uri cu tonuri \u0219i timbre abstracte.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ideea, proeminent explorat\u0103 de admisul non-muzician Brian Eno, era de a lua muzica pentru care cineva nici m\u0103car nu acorda aten\u021bie, urm\u0103rind genul de no\u021biuni non-artistice de care erau \u00eennebuni\u021bi arti\u0219tii francezi la \u00eenceputul secolului 20. Eno c\u0103l\u0103torea pe c\u0103ile similare ale compozitorilor abstrac\u021bi contemporani precum John Cage dar lu\u00e2nd lucrurile c\u0103tre noul t\u0103r\u00e2m fierbinte al anilor &#8217;70 al electronicii de studio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eno f\u0103cuse c\u00e2teva \u00eenregistr\u0103ri f\u0103c\u00e2nd asta dar nimic nu i-a cristalizat ideile lui \u00een cea mai perfect\u0103 form\u0103, lipsit\u0103 de gre\u0219eli sau defecte, pur\u0103, ca \u0219i Music For Airports. Doar c\u0103 s-a \u00eent\u00e2mplat s\u0103 o eticheteze cu un titlu de concept catchy \u0219i atr\u0103g\u0103tor numit &#8220;Ambient&#8221;, care a fost un termen de marketing ce a creat at\u00e2ta dependen\u021b\u0103 \u00eenc\u00e2t revistele de muzic\u0103 retroactiv \u0219i pentru totdeauna au etichetat orice suna ca \u0219i aceast\u0103 muzic\u0103 ca <strong><em>Ambient<\/em><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/ambient.jpg\" alt=\"\"\/><figcaption>Cum ar ar\u0103ta <strong><em>Ambient<\/em><\/strong>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Sunetele dubioase, ciudate, parc\u0103 din alt\u0103 lume, \u0219i de pe alt\u0103 planet\u0103, din c\u00e2ntecele <strong><em>Krautrock<\/em><\/strong>? Oh, aia era <strong><em>Ambient<\/em><\/strong>! Excursiile minimaliste ale lui Terry Riley? Complet <strong><em>Ambient<\/em><\/strong>! Rock-ul spa\u021bial psihedelic al lui Pink Floyd? Okay, aia a fost <strong><em>Prog Rock<\/em><\/strong>, dar ar fi putut fi de asemenea <strong><em>Ambient<\/em><\/strong>! Iar apoi au existat scorurile variate de coloane sonore ce foloseau sintetizatoarele ca \u0219i umplutur\u0103 sonic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Ambient <\/em><\/strong>ar fi \u00eenceput ca fiind muzic\u0103 de art\u0103, dar b\u0103ie\u021bii au realizat \u0219i s-au prins repede c\u0103 avea un efect lini\u0219titor \u0219i odihnitor remarcabil, ademenind muzicienii mistici \u00een c\u0103utare de noi c\u0103i \u0219i metode de a g\u0103si pacea \u0219i medita\u021bia \u00eentr-o er\u0103 \u00eencerc\u0103toare (exista un deficit, o lips\u0103, o insuficien\u021b\u0103, de gaz \u0219i infla\u021bie mare, vezi tu. Iar toate filmele aveau finaluri mai de joas\u0103 vibra\u021bie, mai triste).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Asta a pornit Marile Lupte de Ambient (Great Ambient Wars) ale anilor &#8217;80 unde produc\u0103torii flirtau \u00eentre a face <strong><em>Art Ambient<\/em><\/strong> \u0219i <strong><em>New Age Ambient<\/em><\/strong>. Nu de parc\u0103 cuiva i-a p\u0103sat din moment ce majoritatea muzicii era a\u0219a de modest\u0103, simpl\u0103, relaxant\u0103, \u0219i ocazional neventilat\u0103, sufocant\u0103 \u0219i \u00eenchis\u0103, \u00eenfundat\u0103. Rareori a izbucnit din scene de ni\u0219\u0103 populate de soiuri preten\u021bioase.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-mixcloud wp-block-embed-mixcloud wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"After Airports, Before Orbs (A Collection Of Phase-1 Ambient Music)\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2FSykonee%2Fafter-airports-before-orbs-a-collection-of-phase-1-ambient-music%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe>\n<\/div><figcaption>Zilele timpurii ale <strong><em>Ambient<\/em><\/strong>, \u00eenainte s\u0103 se gentrifice.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Scena nu a primit \u0219i ob\u021binut prea mare interes dincolo de arta insular\u0103 \u0219i scenele <strong><em>New Age<\/em><\/strong>, p\u00e2n\u0103 c\u00e2nd rave-urile s-au \u00eent\u00e2mplat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Raverii ar\u0219i \u0219i termina\u021bi \u0219i obosi\u021bi, dans\u00e2nd tot weekend-ul au g\u0103sit <strong><em>Ambient <\/em><\/strong>ca fiind un r\u0103gaz \u0219i o pauz\u0103 mai reconfortant\u0103 \u0219i m\u00e2ng\u00e2ietoare, consolatoare. Un Doctor al Patterson amabil a \u00eenceput s\u0103 \u00eenv\u00e2rteasc\u0103 aceste vechi \u00eenregistr\u0103ri <strong><em>Ambient <\/em><\/strong>\u00een camere de rave chill. KLF le-a zis tuturor s\u0103 se <strong><em>Chill Out <\/em><\/strong>\u0219i The Orb a trimis oameni Adventuring Beyond the Ultraworld.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Ambient <\/em><\/strong>a fost suficient de mi\u0219to \u00eenc\u00e2t compila\u021biile retrospective de chestii seminale ale anilor&#8217;70, au invadat pia\u021ba, adesea \u00eemperecheate cu noi melodii ale anilor &#8217;90, care au ap\u0103rut cu un beat <strong><em>House <\/em><\/strong>sau <strong><em>Techno<\/em><\/strong>. Precum baladele <strong><em>Heavy Metal<\/em><\/strong> sau t\u0103ierile <strong><em>R&amp;B<\/em><\/strong> de pe \u00eenregistr\u0103rile <strong><em>Rap<\/em><\/strong>, fiecare produc\u0103tor a pus o melodie <strong><em>Ambient <\/em><\/strong>sau <strong><em>Chill Out<\/em><\/strong> pe albumele lor, d\u00e2ndu-se mare cu curiozitatea lor muzical\u0103 de parc\u0103 ar fi ai nabii de Beatles. De parc\u0103 ar fi ei s\u0103 onoreze Pionierii care niciodat\u0103 nu au intrat \u00een vreun club sau rave, dar nu au avut nicio problem\u0103 cu a-\u021bi pierde timpul cu sesiuni de sintetizatoare improvizante de ore lungi.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/weightless.mp4\"><\/video><figcaption>Cumva oamenii de \u0219tiin\u021b\u0103 \u0219i exper\u021bii au verificat asta \u00een mod obiectiv ca fiind &#8220;cel mai relaxant c\u00e2ntec din lume&#8221;. \u0218i prin oameni de \u0219tiin\u021b\u0103 m\u0103 refer la oameni care au ascultat 0 muzic\u0103 <strong><em>Ambient<\/em><\/strong>, c\u00e2t de c\u00e2t.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">(Marconi Union &#8211; Weightless)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen ciuda cre\u0219terii interesului ca muzic\u0103 de \u00eenclinare \u0219i cobor\u00e2re pentru raverii gaza\u021bi mental, <strong><em>Ambient <\/em><\/strong>niciodat\u0103 nu a v\u0103zut mult succes comercial, cu majoritatea lans\u0103ri venind de la case de discuri ultra-obscure cu limitate benzi cu tiraj, CD-uri, CDrs-uri, mini-CD-uri, CD3-uri, C-Beam-uri, \u0219i de asemenea ni\u0219te vinil-uri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103 o <em>mul\u021bime <\/em>de albume de <strong><em>Ambient<\/em><\/strong> p-acolo. Compozitorii <strong><em>Ambient <\/em><\/strong>au o medie \u00een jur de jum\u0103tate de duzin\u0103 de lans\u0103ri pe an, s\u0103rind la a lor urm\u0103toare simfonie de 4 acorduri, de 5 ore, zb\u00e2rn\u00e2it\u0103, de \u00eendat\u0103 ce anterioara lor compozi\u021bie de pad, de 5 tonuri, de 3 ore, p\u0103r\u0103se\u0219te studio-ul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Apoi Internetul a deschis larg u\u0219a c\u0103tre accesul mai u\u0219or la sintetizatoare soft (softsynths) \u0219i op\u021biuni de lansare proprie (self-release) iar scena <strong><em>Ambient <\/em><\/strong>a fost rapid inundat\u0103 cu <strong><em>Laptop Ambient<\/em><\/strong> unde orice lene\u0219 cu o dorin\u021b\u0103 de masturbare \u0219i frec\u021bionare improvizat\u0103 \u0219i juc\u0103u\u0219\u0103 putea scrie, \u00eenregistra, \u0219i lansa albume multiple \u00eentr-o singur\u0103 zi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sau uneori tot ce era nevoie era o singur\u0103 tehnic\u0103 precum piesa lui Justin Bieber care a fost \u00eencetinit\u0103 cu 800% \u0219i i-a fost dat un reverb sau vibra\u021bie puternic\u0103, serioas\u0103, \u00eentr-o senza\u021bie viral\u0103 <strong><em>Ambient <\/em><\/strong>at\u00e2t de popular\u0103 \u00eenc\u00e2t tehnica a fost smuls\u0103 pentru scenele de Slo-mo, \u00een anul 2012, pentru filmul Dredd.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/dredd.mp4\"><\/video><figcaption>Cersei Lannister chiar s-a l\u0103sat dus\u0103 de val.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Odat\u0103 refugiu pentru doar cei mai \u00eenclina\u021bi artistic din urm\u0103ritorii \u0219i follower-ii muzicii electronice, <strong><em>Ambient <\/em><\/strong>chiar nu are efectiv nicio barier\u0103 de intrare, ceea ce \u00eenseamn\u0103 c\u0103 a face surfing prin scen\u0103 este una dintre cele mai provocatoare perspective din toat\u0103 muzica, dar\u0103mite muzica electronic\u0103. Precum a \u00eencerca s\u0103 cite\u0219ti fiecare fir \u0219i subiect sau topic Reddit, este imposibil s\u0103 consumi m\u0103car 1 \/ 3 din produsele \u0219i output-ul anual <strong><em>Ambient<\/em><\/strong>. Exist\u0103 doar at\u00e2tea ore \u00eentr-o zi, doar c\u00e2teva ore \u00een zi, a\u0219a c\u0103 nu te obosi \u00eencerc\u00e2nd. Doar g\u0103se\u0219te o duzin\u0103 de produc\u0103tori, case de discuri, sau fluxuri radio care \u00ee\u021bi prind urechile \u0219i \u00ee\u021bi atrag aten\u021bia, iar aia ar trebui s\u0103 ajung\u0103 \u0219i s\u0103 fie suficient pentru toate nevoile tale de <strong><em>Ambient<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ca s\u0103 \u0219tii.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Ambient <\/em><\/strong>&#8211; <strong><em><strong><em>Ambient<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-bfe63a44 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-235ddce0\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\"><li>Brian Eno &#8211; An Ending (Ascent)<\/li><li>Claude Larson &#8211; Water<\/li><li>The Klf &#8211; Madrugada Eterna<\/li><li>Spacetime Continuum &#8211; A Low Frequency Inversion Field<\/li><li>Sage Taylor &#8211; Raintime Two<\/li><li>G.E.N.E. &#8211; Taste Of Dawn<\/li><li>Serge Blenner &#8211; Ambiance<\/li><li>Jochem Paap &#8211; Flm<\/li><li>Anugama &#8211; Io-The Moon Of Jupiter<\/li><li>Pulusha &#8211; Isolation, Part 1<\/li><li>Quosp &#8211; Deep Space<\/li><li>Mamonu &#8211; So Long And Thanks For The Chill&#8230;<\/li><li>Shiho &#8211; Sakura<\/li><li>Thought Guild &#8211; Lifepools<\/li><li>Laraaji &#8211; Meditation no. 2<\/li><li>Jon Mark &#8211; Mist On The Morning Hills<\/li><li>154 &#8211; Apricot<\/li><li>Ishqamatics &#8211; Bound To Earth<\/li><li>Mystical Sun &#8211; River Goddess<\/li><li>Nny &#8211; Ve.fe.re<\/li><li>David Parsons &#8211; Inward Journey<\/li><li>Hemisphere &#8211; In The Deep<\/li><li>36 &#8211; Inside<\/li><li>Tetsu Inoue &#8211; Karmic Light<\/li><li>Ole Hojer Hansen &#8211; The Dome<\/li><li>Emil Klotzsch &#8211; Sctl14<\/li><li>Space Ace &#8211; Sea Of Japan<\/li><li>Pleq &amp; Segue &#8211; The Seed<\/li><li>Vir Unis &#8211; The Undivided Flow<\/li><li>The Orb &#8211; Wireless MK2<\/li><li>Claude Young &#8211; Cryosleep Dream<\/li><li>Kanthor &#8211; Hegemony<\/li><li>Harold Budd &amp; Brian Eno &#8211; The Plateaux Of Mirror<\/li><li>Ron Boots &#8211; Silent Nature<\/li><li>Olan Mill &#8211; Somimes<\/li><li>Earthstar &#8211; Splendoured Skies And Angels<\/li><li>Hybrid Leisureland &#8211; Strawberry Planetarium<\/li><li>Dominic Woosey &#8211; The Oceans Of Infinity<\/li><li>Ken Davis &#8211; Endless Emotion<\/li><li>Seaworthy &#8211; Sleep Paths II<\/li><li>Software &#8211; Surfing Saturn<\/li><li>Ian Macfarlane &#8211; Lizard Strategies<\/li><li>Ariel Kalma &#8211; Source Fraiche<\/li><li>David Sylvian &#8211; The Wooden Cross<\/li><li>Between Interval &#8211; Aerolith<\/li><li>O Yuki Conjugate &#8211; Departure<\/li><li>Dronny Darko &amp; Protou &#8211; Life Beneath The Surface (3.8 Billion Years Ago)<\/li><li>John Epping &#8211; Introspection<\/li><li>Peter James &#8211; In The Face Of Loss<\/li><li>Jeff Greinke &#8211; Deep Inside<\/li><li>Michael Stearns &#8211; Sirens<\/li><li>The Fires Of Ork &#8211; Sky Lounge<\/li><li>Sense &#8211; View From The Peephole<\/li><li>36 &#8211; Sine Dust<\/li><li>Thom Brennan &#8211; Blue Depths<\/li><li>The Angling Loser &#8211; River Song<\/li><li>3 Phase &amp; Dr. Motte &#8211; Spacegenerator<\/li><li>Vidna Obmana &#8211; Weaving Cluster<\/li><li>Kevin Braheny &#8211; Ice Forests Of Orion<\/li><li>Irezumi &#8211; Untitled 6<\/li><li>Michael Brook &#8211; Andean<\/li><li>Sense &amp; Jesse Somfay &#8211; 3 Songs (Forever)<\/li><li>Robert Turman &#8211; Miao<\/li><li>Alio Die &#8211; Password For Entheogenic Experience<\/li><li>David Morley &#8211; Frozen<\/li><li>Sean Washburn &#8211; Welcome<\/li><li>Oophoi &#8211; Mah (The Healing Water)<\/li><li>Pete Namlook &amp; Higher Intelligence Agency &#8211; Secret Location<\/li><li>Ffwd &#8211; Hempire<\/li><li>The Ashes Of Piemonte &#8211; Ordained By Winter&#8217;s Fire<\/li><li>DJen Ajakan Shean &#8211; Crows Heading For Point Blank<\/li><li>Natural Calamity &#8211; Interzone Pt.2<\/li><li>Christopher Willits &#8211; The Weight Of Your Body On Top Of Me Makes Me Feel Like I&#8217;m Floating And Sinking<\/li><li>Helios &#8211; Sons Of Light And Darkness<\/li><li>Tetsu Inoue &#8211; Chill In Chill Out<\/li><li>Mkwaju Ensemble &#8211; Hot Air<\/li><li>Neuronium &amp; Vangelis &#8211; In London (The After Hours mix)<\/li><li>Pyramid Peak &#8211; Drifting Galaxy<\/li><li>Craig Padilla &#8211; Vostok<\/li><li>David Sylvian &amp; Holger Czukay &#8211; Plight (The Spiralling Of Winter Ghosts)<\/li><li>Gapfield &#8211; In The Air<\/li><li>Starforce 1 &#8211; Mirage<\/li><li>Ashra &#8211; Night Dust<\/li><li>Mir &#8211; Unterwasser<\/li><li>Dreams Of Dying Stars &#8211; Distant Void<\/li><li>Anthony Rother &#8211; Elixir Of Life (Part X)<\/li><li>Connect.ohm &#8211; Winter Sorrows<\/li><li>Golden Girls &#8211; Kinetic (Morley&#8217;s Apollo mix)<\/li><li>Spectrum Vision &#8211; Tunguska<\/li><li>Carbon Based Lifeforms &#8211; System<\/li><li>Steve Roach &#8211; Magnificent Gallery<\/li><li>Asm &amp; Sam Kdc &#8211; Lost Negatives<\/li><li>Harold Budd &#8211; Sandtreader<\/li><li>Zero Kama &#8211; Azure-Lidded Woman (Pregnant Womb Of Non)<\/li><li>Aerial Service Area &#8211; Eternal Infinity<\/li><li>Geodesium &#8211; The Ocean Of Space<\/li><li>Michel Genest &#8211; Radiant Rainbow Prism<\/li><li>Lunasol &#8211; Dawn<\/li><li>Shuttle358 &#8211; Isonpgn<\/li><li>Ron Boots feat Harold Van Der Heijden &#8211; Of Desolate Places And Urban Jungles<\/li><li>Dada &#8211; Yuuen &#8211; Inraku &#8211; Gaki<\/li><li>Robert Rich &#8211; Night Spinning Inward<\/li><li>Tom Opdahl &#8211; Epespidural Soup<\/li><li>Biosphere &#8211; Warmed By The Drift<\/li><li>Iasos &#8211; Helios And Vesta<\/li><li>Rolf Trostel &#8211; Two Faces<\/li><li>David Brunn &#8211; Crater Lake<\/li><li>William Aura &#8211; Ambience<\/li><li>Clem Leek &#8211; Greylings Manor<\/li><li>Biosphere &#8211; Decryption<\/li><li>Space &#8211; Saturn<\/li><li>Joel Vandroogenbroeck &#8211; Meditative Contemplation<\/li><li>Commodity Place &#8211; Soils<\/li><li>Data Rebel &#8211; Bernauer Strasse<\/li><li>Alpha Wave Movement &#8211; Distant Edens<\/li><li>Brian Eno &amp; J. Peter Schwalm &#8211; Rising Dust<\/li><li>Brian Eno &#8211; 1-1<\/li><li>Hybrid Leisureland &#8211; Traditional Drugs<\/li><li>Danna &amp; Clement &#8211; A Gradual Awakening<\/li><li>Temps Perdu &#8211; Eclipse<\/li><li>Netherworld &#8211; Virgin Lands<\/li><li>Ornament &#8211; Hypernicus<\/li><li>Malcolm Cecil &#8211; Crystal Lullabye<\/li><li>Milan Pilar &#8211; Steppe<\/li><li>Neuronium &#8211; In Aliens I Trust<\/li><\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-98d568e9\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"126\"><li>Divination &#8211; Erratta<\/li><li>Vidna Obmana &#8211; All Glanced In Mind<\/li><li>Robert Scott Thompson &#8211; Shimmer Upon The Mirror Pond<\/li><li>Sammy Osmo &#8211; Men Spreekt Over Atlantis<\/li><li>Harold Budd &#8211; Afar<\/li><li>Asura &#8211; Galaxies Pt. 1<\/li><li>Peter Ball &#8211; Toll<\/li><li>no. 9 Dream &#8211; Play Garden<\/li><li>Silence &#8211; Omid-Hope<\/li><li>David Lange &#8211; Star Rains<\/li><li>Parks &#8211; The Twilight<\/li><li>Roger Eno &#8211; Voices<\/li><li>Si Matthews &#8211; Celestial Orientation<\/li><li>Circular &#8211; Isroser<\/li><li>Asura &#8211; Oblivion Gravity<\/li><li>Lomov &#8211; Weidenfels<\/li><li>Jonn Serrie &#8211; And The Stars Go With You<\/li><li>Robert Slap &#8211; Eternal Om<\/li><li>Hyperwind &#8211; Terra Nullius<\/li><li>Harold Budd &amp; Brian Eno &#8211; An Echo Of Night<\/li><li>Emerald Web &#8211; Silver Tears<\/li><li>Robert Rich &#8211; Seascape<\/li><li>Ken Martin &#8211; Alien Detection<\/li><li>Stevie Be Zet &#8211; Man In The Machine<\/li><li>Celer &#8211; The Carved God Is Gone<\/li><li>Teddy Lasry &#8211; Ambre<\/li><li>Starseed Transmission &#8211; Alkaline Paradygm<\/li><li>God Body Disconnect &#8211; Perpetually Devoured<\/li><li>Virtual Vices &#8211; Virtual Vices<\/li><li>Steve Hillage &#8211; Garden Of Paradise<\/li><li>Adham Shaikh &#8211; Zero G<\/li><li>Moss Garden &#8211; Turino In Clouds<\/li><li>Possible Gardens &#8211; Memory Lagoon<\/li><li>J.D. Emmanuel &#8211; Visions During Movement<\/li><li>Porya Hatami &amp; Darren McClure &#8211; Slow Fall<\/li><li>Richard Burmer &#8211; Riverbend<\/li><li>The Orb &#8211; A Huge Evergrowing Pulsating Brain That Rules From The Centre Of The Ultraworld<\/li><li>Christian Gleinser &#8211; Electric Winter<\/li><li>David Parsons &#8211; Gangotri<\/li><li>Mick Chillage &#8211; Solitude<\/li><li>Pulsation &#8211; Pulsar<\/li><li>Dreamfish &#8211; School Of Fish<\/li><li>Stormloop &#8211; Into The Dawn<\/li><li>Tim Clark &#8211; Milky Way 1<\/li><li>Mer-A &#8211; Quasi-Stellar<\/li><li>Escape &#8211; Trip To Mars<\/li><li>Sarina &#8211; Jupiter I<\/li><li>Laurie Spiegel &#8211; Sound Zones<\/li><li>Andrew Heath &#8211; Still Point<\/li><li>David Sylvian &amp; Robert Fripp &#8211; Bringing Down The Light<\/li><li>Lingua Lustra &#8211; Eden<\/li><li>O. Lieb &#8211; Dimension X<\/li><li>Gel-Sol &#8211; Mourning Wok<\/li><li>Northumbria &#8211; Catch A Falling Knife I<\/li><li>Robert Rich &#8211; Somnium<\/li><li>Thom Brennan &#8211; Incense &amp; Rain<\/li><li>Coldcut &#8211; Autumn Leaves (Irresistable Force Mix Trip 1)<\/li><li>Bubble &#8211; Passing Safely<\/li><li>Sounds From The Ground &#8211; Chrome Horizon<\/li><li>Henrik B &#8211; Elektronik Kry<\/li><li>Edward Ka-Spel &#8211; Loop 1<\/li><li>Session Restore &#8211; Anchor<\/li><li>Alpha Wave Movement &#8211; Plasma Cloud<\/li><li>Alan Hawkshaw &#8211; Saturn Rings<\/li><li>Aythar &#8211; Endless Journey<\/li><li>Tim Hecker &#8211; Spectral<\/li><li>Audela &#8211; Levres Voilees<\/li><li>Exuviae &#8211; Primordial Surroundings<\/li><li>Shades Of Orion &#8211; Stranded On Rigeal 3<\/li><li>Ixohoxi &#8211; Seas Of Thought I<\/li><li>Marcello Giombini &#8211; Pisces<\/li><li>Craig Padilla &#8211; Ascension<\/li><li>Oophoi, Mathias Grassow &amp; Amir Baghiri &#8211; Upuaut<\/li><li>Deaf Center &#8211; Path To Lucy<\/li><li>Dogon &#8211; The Unknowable<\/li><li>State Azure &#8211; Vertigo<\/li><li>Gareth Davis &#8211; Filament<\/li><li>Roderick Julian Modell &#8211; Cool Watery Depths<\/li><li>Orange Crush &#8211; The Fields<\/li><li>Coyote Oldman &#8211; Rolling Earth<\/li><li>Hemisphere &#8211; Samadhi<\/li><li>Lee Anthony Norris &amp; Porya Hatami &#8211; Orpheus In The Willow<\/li><li>Numina &#8211; Neverwhere<\/li><li>William Orbit &#8211; Ogive<\/li><li>Edward Larry Gordon &#8211; Bethlehem<\/li><li>Synsyl &#8211; Angel<\/li><li>Iasos &#8211; The Angels Of Comfort<\/li><li>Mychael Danna &#8211; Nakawe<\/li><li>Steve Roach &#8211; Reflections In Suspension<\/li><li>Silence &#8211; Ancient Beauty<\/li><li>Hecq &#8211; Red Sky<\/li><li>Lee Anthony Norris &amp; Porya Hatami &#8211; Druid Liquid<\/li><li>Datacide &#8211; Ambient Head<\/li><li>Marconi Union &#8211; Weightless<\/li><li>Baked Beans &#8211; Heintz 1<\/li><li>Kevin Braheny &#8211; Lullaby For The Hearts Of Space<\/li><li>Adrian Wagner &#8211; Deep Space<\/li><li>Colourforms &#8211; Nubien Sunset<\/li><li>Solar Fields &#8211; Spiritual Ocean<\/li><li>Patrick Kosmos &#8211; Mutara Nebula<\/li><li>Erik T&#8217;sas &amp; Matthew Florianz &#8211; Molenstraat 16.30<\/li><li>Quiet Point &#8211; Empty Corridors<\/li><li>Bass Communion &#8211; Drugged<\/li><li>Epic45 &#8211; Spires Against Summer Sky<\/li><li>Speedy J &#8211; Fill 17<\/li><li>Steven Halpern &#8211; Higher Ground<\/li><li>Craig Kupka &#8211; Crystals<\/li><li>Constance Demby &#8211; Chambers Of The Heart<\/li><li>Phillip Glass &#8211; Labyrinth<\/li><li>Sun Electric &#8211; Love 2 Love<\/li><li>Astropilot &#8211; Earth Moon (Extended Version)<\/li><li>Laraaji &#8211; Universe<\/li><li>Projekt Thule &#8211; Lucid Dreams<\/li><li>Gas &#8211; Zauberberg no. 7<\/li><li>Cisfinitum &#8211; Dissolutio<\/li><li>Moniek Darge &#8211; Three Sunbeams<\/li><li>Mind Over Matter &#8211; Paradise &#8211; Being One (Air)<\/li><li>Roedelius &amp; Morgan Fisher &#8211; Whatelse<\/li><li>Loren Nerell &#8211; Dark Horizon<\/li><li>Alphaxone &amp; ProtoU &#8211; Alignments<\/li><li>Crypt Corp. &#8211; Greenpoint<\/li><li>In-Existence &#8211; Eternal Lover<\/li><li>Stephen Bacchus &#8211; Point Of Safety<\/li><li>Dr. Atmo &amp; Oliver Lieb &#8211; Movement II<\/li><li>Al Gromer Khan &#8211; Winter 1958<\/li><\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1. Dark Ambient<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%);color:#4d7263\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Dark Ambient<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Atmospheric Industrial<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Ambient<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Muzic\u0103 pentru ghemuirea \u00een col\u021burile aeroporturilor putrezind \u0219i descompun\u00e2ndu-se, abandonate, vechi, cu creaturi ce ies ca din iad t\u00e2r\u00e2ndu-se \u00een umbre. Noaptea. Cu nicio lun\u0103. Sau stele. \u00cen dimensiunea <em>Silent Hill<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ca \u0219i o scen\u0103, <strong><em>Ambient <\/em><\/strong>a cultivat c\u00e2teva sub-genuri stilistice de la ini\u021biala \u0219i originala sa \u00eencepere artistic\u0103. Niciunul nu este mai proeminent dec\u00e2t <strong><em>Dark Ambient<\/em><\/strong>, un gen care a cultivat numeroase varia\u021biuni stilistice ale sie\u0219i, multe \u00een contrast puternic cu cel al <strong><em>Ambient<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Are sens, cu perspectivele tipice dualiste ale majorit\u0103\u021bii lucrurilor: Yin \u0219i Yang; politica de St\u00e2nga \u0219i politica de Dreapta; \u00eenc\u0103rc\u0103tura pozitiva \u0219i \u00eenc\u0103rc\u0103tura negativ\u0103; susul lui Schwartz \u0219i josul lui Schwartz; untul de arahide \u0219i jeleul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u0219a c\u0103 unde <strong><em>Ambient <\/em><\/strong>salut\u0103 zorile, <strong><em>Dark Ambient<\/em><\/strong> salut\u0103 noaptea (este Batman). Dac\u0103 ni\u0219te <strong><em>Ambient <\/em><\/strong>sun\u0103 angelic \u0219i vis\u0103tor, <strong><em>Dark Ambient<\/em><\/strong> sun\u0103 demonic \u0219i de co\u0219mar. <strong><em>Ambient <\/em><\/strong>calmeaz\u0103 \u0219i alin\u0103, lini\u0219te\u0219te, <strong><em>Dark Ambient<\/em><\/strong> intensific\u0103 \u0219i irit\u0103. <strong><em>Ambient <\/em><\/strong>poate fi spa\u021bios, plin cu sunete naturale de paji\u0219ti \u00eensorite \u0219i p\u0103duri fericite. <em><strong>Dark Ambient<\/strong><\/em> va deveni sumbru, precum o tundr\u0103 de iarn\u0103 \u0219i claustrofobic, precum o jungl\u0103 b\u0103tr\u00e2n\u0103. <strong><em>Space Ambient<\/em><\/strong> exploreaz\u0103 minun\u0103\u021biile \u0219i grandoarea Cosmosului, dar <strong><em>Dark Space Ambient<\/em><\/strong> \u00ee\u021bi zrobe\u0219te sensul t\u0103u de a fi cu goliciune, nulitate \u0219i spa\u021biu gol interminabil, \u0219i izolare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Majoritatea acesteia este o dezvoltare recent\u0103 a cercurilor <strong><em>Dark Ambient<\/em><\/strong>. Mul\u021bi dintre primii ani ai genului sunt mai mult o ramur\u0103 \u0219i un vl\u0103star experimental al muzicii <strong><em>Industriale<\/em><\/strong>. C\u0103ci acea scen\u0103 a dus la influen\u021be morbide care au inclus <strong><em>Goth<\/em><\/strong>, teme ale ocultului \u0219ia-u g\u0103sit drumul \u0219i calea \u00een peisajele sonore sumbre. Foarte similar cum principala form\u0103 a <strong><em>Ambient <\/em><\/strong>\u0219i <strong><em>New Age<\/em><\/strong> au avut produc\u0103tori mut\u00e2ndu-se \u00eentre cele 2 \u00een anii &#8217;80, <strong><em>Dark Ambient<\/em><\/strong> \u0219i <strong><em>Ethereal <\/em><\/strong>\u0219i-au avut a lor parte \u0219i cot\u0103 de muzicieni \u00eemp\u0103rt\u0103\u0219i\u021bi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0218i precum tat\u0103l s\u0103u mai b\u0103tr\u00e2n popular, <strong><em>Dark Ambient<\/em><\/strong> a avut o cre\u0219tere a interesului \u00een anii &#8217;90, cu ale sale proprii micro-case de discuri asortate \u0219i Foarte Importan\u021bii Oameni (Very Important People) care au lansat o mul\u021bime de material \u00een care doar completi\u0219tii obseda\u021bi ar fi interesa\u021bi. Dar pe parcursul a tot, <strong><em>Dark Ambient<\/em><\/strong> nu putea niciodat\u0103 s\u0103-\u0219i zdruncine reputa\u021bia sa de pu\u0219tiul dubios \u0219i \u00eenfior\u0103tor al lumii <strong><em>Ambient <\/em><\/strong>\u0219i probabil c\u0103 ar fi r\u0103mas un gen de super-ni\u0219\u0103 pentru fanii sumbrului \u0219i macabrului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dar ceva s-a schimbat \u00een acest ultim deceniu. <strong><em>Dark Ambient<\/em><\/strong> a explodat cu lans\u0103ri care mic\u0219oreaz\u0103 \u0219i piticesc output-ul \u0219i rezultatul s\u0103u de mai devreme. Parte din asta este din cauza aceluia\u0219i factor de &#8220;u\u0219urin\u021b\u0103 de acces&#8221; care a inundat <strong><em>Ambient <\/em><\/strong>cu produc\u021bii de Laptop, dar se \u00eent\u00e2mpl\u0103 \u0219i mai mult la aceast\u0103 poveste dec\u00e2t aia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O scen\u0103 s\u0103n\u0103toas\u0103, vibrant\u0103, a ap\u0103rut de muzicieni \u0219i consumatori explor\u00e2nd \u00een mod activ lu\u0103ri \u0219i \u00eencerc\u0103ri r\u0103sucite asupra vie\u021bii noastre obi\u0219nuite, reflect\u00e2nd p\u0103catele noastre din trecut \u0219i contempl\u00e2nd ale noastre viitoare blesteme \u0219i distrugeri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Dark Ambient<\/em><\/strong> \u00eendr\u0103zne\u0219te s\u0103 se av\u00e2nte \u0219i s\u0103 se aventureze \u00een teme pe care majoritatea muzicii electronice mai degrab\u0103 le-ar ignora \u00een favoarea optimisticului, instantaneului \u0219i Acum-ului. Sf\u00e2r\u0219itul zilelor, sf\u00e2r\u0219itul civiliza\u021biilor, sentimente de intens\u0103 izola\u021bie, izolare, izola\u021bionism, \u00een ciuda unei societ\u0103\u021bi care se aplatizeaz\u0103 social. Contemplarea dac\u0103 nu cumva am devenit at\u00e2t de obosi\u021bi, plictisi\u021bi, sictiri\u021bi, \u0219i lipsi\u021bi de entuziasm, ca \u0219i oameni, at\u00e2t de nes\u0103bui\u021bi \u0219i nechibzui\u021bi, ca \u0219i specie, \u0219i at\u00e2t de orbi\u021bi de c\u0103tre ale noastre orgolii \u00eenc\u00e2t noi ignor\u0103m efectiv complet putreziciunea \u0219i descompunerea ce ne \u00eenconjoar\u0103 pe noi \u0219i dac\u0103 n-ar trebui s\u0103 \u00eembr\u0103\u021bi\u0219\u0103m nimicul \u0219i lipsa de \u00eensemn\u0103tate care ne marcheaz\u0103 destinul nostru.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/mcnaughton-cthulhu.jpg\" alt=\"\"\/><figcaption>Dar gata cu politica US.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Dark Ambient<\/em><\/strong> nu cere \u0219i n-are preten\u021bia de a avea r\u0103spunsuri, dar ador\u0103 s\u0103 pun\u0103 \u00eentreb\u0103rile.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen mod ciudat, pentru o scen\u0103 care poate p\u0103rea preten\u021bios de sumbru-\u00eentunecat\u0103 din exterior, <strong><em>Dark Ambient<\/em><\/strong> este unul dintre cele mai prietenoase grupuri pe care le vei \u00eent\u00e2lni \u00een muzica electronic\u0103. Confort \u00een depresia comun\u0103, poate. Nimic nu ajut\u0103 mai bine la o dispozi\u021bie proast\u0103 precum r\u0103sp\u00e2ndirea \u0219i \u00eempr\u0103\u0219tierea ei prin jur.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ca s\u0103 \u0219tii.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Dark Ambient <\/em><\/strong>&#8211; <strong><em><strong><em>Ambient<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-6655c199 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-70fcb6bb\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\"><li>Dronny Darko &#8211; Endless Cave<\/li><li>Atrium Carceri &#8211; Thorn Of War<\/li><li>Alphaxone &amp; Dronny Darko &#8211; Enter The Gates<\/li><li>In The Mist &#8211; Lost<\/li><li>Peter Frohmader &#8211; Archetype<\/li><li>Wicked Messenger &#8211; Ritual Trance<\/li><li>Flowers For Bodysnatchers &#8211; A Darker Rebirth<\/li><li>Nurse With Wound &#8211; Salt Marie Celeste<\/li><li>Vortex &#8211; Skyline<\/li><li>Ajna &amp; Dronny Darko &#8211; Facing The Void<\/li><li>Deathprod &#8211; Tron<\/li><li>Klaus Wiese &#8211; Dawn<\/li><li>The Gasman &#8211; Horses On Ice<\/li><li>Hecate &#8211; Dysfunction (White Darkness mix)<\/li><li>Legends Of The Wood &#8211; A Malevolent Rising<\/li><li>Gustaf Hildebrand &#8211; Omnivoid<\/li><li>Aricebo &#8211; NGC 5128 Receiving Station Alignment<\/li><li>Leo Anibaldi &#8211; Void<\/li><li>Sabled Sun &#8211; A New Sun<\/li><li>Chris Korda &#8211; Demons In My Head<\/li><li>Chris Meloche &#8211; Loop 6 Excerpt (Recurring Dreams Of The Urban Myth)<\/li><li>Dronny Darko &#8211; Mortal Skin<\/li><li>Esa &#8211; Manipulating God<\/li><li>Troum &#8211; Saiwala<\/li><li>Digital Poodle &#8211; Weapon<\/li><li>Visions &#8211; Summoning The Void<\/li><li>Barbarix &#8211; Lucifer&#8217;s Happy Hunting Ground<\/li><li>Alphaxone &#8211; Aftermath<\/li><li>Lustmord &#8211; Dark Companion<\/li><li>Allerseelen &#8211; Lacrima Christi<\/li><li>Morphogenesis &#8211; Improvisation 12.1.89<\/li><li>Dead Melodies &#8211; Peach Black Descent<\/li><li>Aegri Somina &#8211; Les Temps Ont Change<\/li><li>Nathan Siter &#8211; Jinn<\/li><li>Melek-Tha &#8211; Nomenculture Diablerie<\/li><li>Asmus Tietchens &#8211; Hydrophonie 13a<\/li><li>Ran Kirlian &#8211; Movement 7<\/li><li>Troum &#8211; The Self-Playing Ocean<\/li><li>Manifesto &#8211; Core Iv<\/li><li>Hybryds &#8211; Dark Ages<\/li><li>Paul Nagle &#8211; Chimera<\/li><li>Enmarta &#8211; Enmarta<\/li><\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-15431db6\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"43\"><li>Steroid Maximus &#8211; Big Hedda Meets Little Napoleon<\/li><li>Raison d&#8217;Etre &#8211; Of Dying Relics<\/li><li>SiJ &amp; Item Caligo &#8211; Queer Reminscence<\/li><li>Fosel &#8211; Pleione Melodrama<\/li><li>Pwin Teaks &#8211; The Mirror Cabinet Of The Water Witches<\/li><li>A Produce &#8211; Speaking In Tongues<\/li><li>Rngmnn &#8211; Down The Grain<\/li><li>Cryobiosis &#8211; Corroded<\/li><li>Ron Berry &#8211; Wastelands<\/li><li>Pwin Teaks And The Children Of New H &#8211; Paradise Walker (Long Version)<\/li><li>Cyclotimia &#8211; New Death Order<\/li><li>Muslimgauze &#8211; Return Of Black September<\/li><li>Delerium &#8211; Dark Matter<\/li><li>Endvra &#8211; Dreams Of Dark Waters<\/li><li>Zoviet France &#8211; Untitled (B1)<\/li><li>BoTong &#8211; Orur<\/li><li>Jorge Reyes &#8211; Hekura<\/li><li>Eta Carinae &#8211; Cisx<\/li><li>Alvin Curran &#8211; Canti Illuminati<\/li><li>Cities Last Broadcast &#8211; Glossolalia<\/li><li>Thomas Koner &#8211; Untilted 11<\/li><li>Atrium Carceri &#8211; Impaled Butterfly<\/li><li>Bochum Welt &#8211; Leafs Brought By The Wind<\/li><li>Enno Velthuys &#8211; Turning The Tides<\/li><li>Randal Collier-Ford &#8211; Into The Maw Where All Men Die<\/li><li>Mathias Grassow &#8211; Thodol Part II<\/li><li>Jeff Greinke &#8211; Foreign Corridor<\/li><li>Endvra &#8211; Gods Of The Bent Sea<\/li><li>Elin &#8211; Bridges To Nowhere<\/li><li>Psychomanteum &#8211; To Dust<\/li><li>Brighter Than Death &#8211; Laudate Dominum<\/li><li>A Chud Convention &#8211; Silent Sorrow<\/li><li>Sij &amp; Textere Oris &#8211; Behind The Window<\/li><li>Burning Star Core &#8211; Inside The Shadow<\/li><li>Adham Shaikh &#8211; Equilibrium<\/li><li>Sylvie Walder &amp; Phillip Wilkerson &#8211; Brushwood<\/li><li>Dream Metaphor &#8211; Space Traveller<\/li><li>Globoscuro &#8211; Cervicapra Redunca<\/li><li>Wolfgang Voigt &#8211; Das Moor<\/li><li>Tholen &#8211; Sternklang<\/li><li>Sonic Voyagers &#8211; Alone In The Icy Blackness<\/li><li>Ambient Temple Of Imagination &#8211; Daath<\/li><\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.1. Drone<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%);color:#4d7263\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Drone<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Background Noise<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Ambient<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Muzica din conductele de ventila\u021bie din aeroport sau motoarele avioanelor sau \u0219uierarea amplificat\u0103 a transmisiunilor radio interceptate \u0219i primite la turnul de control, poate chiar zumzetul suprapus al taxi-urilor, autobuzelor, \u0219i motoarelor comutatoarelor de hotel care freac\u0103 menta, stau degeaba \u0219i tr\u00e2nd\u0103vesc la Sosiri deoarece totul despre aeroporturi este muzic\u0103, \u00een special muzic\u0103 <strong><em>Ambient<\/em><\/strong>; chiar ar trebui s\u0103 existe o \u00eentreag\u0103 Scen\u0103 dedicat\u0103 Muzicii de Aeroport cu duzini de genuri \u0219i sub-genuri \u0219i micro-genuri pe care apoi puri\u0219tii le pot fractura \u00een feude pentru ce anume constituie cea mai pur\u0103 muzic\u0103 de Aeroport: Comercial sau De Marf\u0103, \u0219i ei pot s\u0103 creeze piese de g\u00e2ndire despre cum Aeroport este <em>singura <\/em>real\u0103 \u0219i adev\u0103rat\u0103 muzic\u0103 global\u0103 dedic\u00e2nd \u00eentregi podcast-uri pentru a discuta segmente de franjuri de Aeroport precum Hidroavion \u0219i faimo\u0219ii DJ pot s\u0103 cl\u0103teasc\u0103 \u0219i s\u0103 cure\u021be muzica poz\u00e2nd \u00een fa\u021ba avioanelor &#8211; nu stai, ei deja fac asta dar vorbind despre asta, c\u0103 tot veni vorba: Nimic nu capteaz\u0103 pra\u0219tiile \u0219i s\u0103ge\u021bile de avere scandaloas\u0103 a\u0219a cum o face mizeria haotic\u0103 a melodramei umane care sunt Plec\u0103rile  \/ Sosirile de pe Aeroport &#8211; este umanitatea \u00een cea mai pur\u0103 form\u0103, cea mai concentrat\u0103, cea mai nedistilat\u0103 esen\u021b\u0103. Fiecare emo\u021bie evocatoare este purtat\u0103 prin terminal precum bagajul, uneori ridic\u00e2nd oamenii, uneori t\u00e2r\u00e2ndu-i \u00een jos, dar mereu prezent\u0103. Plec\u0103ri \/ Sosiri este unde tu vei g\u0103si imigran\u021bii salut\u00e2ndu-\u0219i noua cas\u0103, turi\u0219tii prea dornici excita\u021bi \u0219i \u00eenc\u00e2nta\u021bi peste m\u0103sur\u0103 de a fi \u00eentr-un avion pentru prima lor dat\u0103, un suflet pierdut pe muchia \u0219i punctul de-a izbucni \u00een pl\u00e2ns \u0219i a v\u0103rsa lacrimi umbl\u00e2nd neputincios c\u00e2ut\u00e2ndu-\u0219i contactul s\u0103u, un executiv de clasa business ar\u0103t\u00e2nd dur \u0219i aspru, care nu se poate decide dac\u0103 el vrea s\u0103 se \u00eembarce \u0219i s\u0103 urce \u00een urm\u0103torul avion sau dac\u0103 s\u0103-\u0219i pun\u0103 un pistol \u00een gur\u0103 \u0219i s\u0103 apese pe tr\u0103gaci, iubi\u021bii \u00eembr\u0103\u021bi\u0219\u00e2ndu-se dup\u0103 ce au fost desp\u0103r\u021bi\u021bi unul de altul pentru mult prea mult timp, iubi\u021bii separ\u00e2ndu-se cu reticen\u021b\u0103 \u0219i cu greutate, familiile reunindu-se, studen\u021bii \u00een vacan\u021b\u0103, prietenii pl\u00e2ng\u00e2nd, cert\u00e2ndu-se, iert\u00e2ndu-se, sau toate cele 3. Nu exist\u0103 altundeva pe P\u0103m\u00e2nt care s\u0103 afi\u0219eze condi\u021bia uman\u0103 \u00eentr-o manier\u0103 at\u00e2t de public\u0103 \u0219i de zgomotoas\u0103, a\u0219a cum este Aeroportul &#8211; tot ceea ce ne face pe noi umani, ce face via\u021ba s\u0103 merite tr\u0103it\u0103, este acolo (Chiar \u0219i Cinnabon) a\u0219a c\u0103 oricum ca \u0219i concept muzical <strong><em>Drone <\/em><\/strong>a existat de c\u00e2nd e lumea, dintotdeauna, iar primele forme de fredon\u0103ri meditative sunt un tip de sus\u021binere drone \u0219i prelungire a c\u00e2torva tonuri \u00eentr-o stare de inducere \u00een trans\u0103 dar din moment ce muzica \u0219i culturile au evoluat de-a lungul timpului, noi instrumente \u0219i tehnici au explorat diferitele abord\u0103ri \u00een droning (zb\u00e2rn\u00e2ial\u0103) de la armonizarea corzilor la feedback-ul electric p\u00e2n\u0103 la discursurile Ben Stein \u0219i \u00een mod natural c\u00e2nd au ap\u0103rut prin preajm\u0103 sintetizatoarele abstrac\u021bioni\u0219tii au c\u0103utat, cercetat \u0219i explorat c\u0103i \u0219i metode de-a g\u0103si <strong><em>Drone <\/em><\/strong>\u00een acele tonuri de asemenea a\u0219a c\u0103 prin ale lor naturi de sine st\u0103t\u0103toare <strong><em>Ambient <\/em><\/strong>\u0219i <strong><em>Dark Ambient <\/em><\/strong>sunt adesea mai degrab\u0103 zb\u00e2rn\u00e2ieli \u0219i droning, \u00een primul r\u00e2nd pentru explor\u0103rile lor lungi \u0219i \u00eentinse, foarte lungi, de simple melodii sau straturi \u0219i layere dense de timbru dar ceea ce separ\u0103 <strong><em>Drone <\/em><\/strong>\u00een propria sa identitate sunt tonurile distincte, sau \u00een cazul <strong><em>Drone <\/em><\/strong>absen\u021ba lor \u00een timp ce <strong><em>Ambient <\/em><\/strong>adesea calmeaz\u0103 \u0219i relaxeaz\u0103 iar <strong><em>Dark Ambient<\/em><\/strong> constr\u00e2nge \u0219i provoac\u0103 \u0219i totu\u0219i <strong><em>Drone <\/em><\/strong>r\u0103m\u00e2ne neutru merg\u00e2nd c\u00e2t se poate de atonal pe c\u00e2t poate cu niciun indiciu de melodie \u00een c\u00e2mpul urechii ceea ce \u00eenseamn\u0103 c\u0103 produc\u0103torii \u00ee\u0219i vor \u00eentinde dronele pe c\u00e2t posibil de mult, cu mult peste practic \u0219i concret umpl\u00e2nd \u00eentregi LP-uri cu fie sunete minimalistice sau coalescente, fuzionate, care abia dac\u0103 constituie \u0219i formeaz\u0103 ca \u0219i muzic\u0103 \u00een orice sens tradi\u021bional iar era digital\u0103 a adus aceste concepte la \u0219i mai mari absurdit\u0103\u021bi cu \u00eenc\u0103rc\u0103ri \u0219i fluxuri rul\u00e2nd timp de ore sau chiar zile de sunete lungi, singulare, de non-muzic\u0103. Cu siguran\u021b\u0103 c\u0103 ceva at\u00e2t de abstract \u00een mod ostentativ nu putea atrage niciodat\u0103 o urm\u0103rire comercial\u0103 dar niciodat\u0103 nu subestima nevoia str\u0103inului \u0219i spectatorului de a se ag\u0103\u021ba de ceva de care nu o vor face oamenii populari deoarece ceva \u00eentr-at\u00e2t de hot\u0103r\u00e2t ni\u0219at este pur extaz pentru acei care se cred \u0219i socotesc cultivatori de &#8220;adev\u0103rat\u0103 cultur\u0103&#8221;, cel pu\u021bin un album obligatoriu <strong><em>Drone <\/em><\/strong>ap\u0103r\u00e2nd \u0219i ivindu-se \u00een listele anuale Best Of de c\u0103tre obi\u0219nui\u021bii suspec\u021bi de jurnalism ai muzicii care se masturbeaz\u0103. <strong><em>Drone <\/em><\/strong>\u0219i-a g\u0103sit o urmare s\u0103n\u0103toas\u0103 din felurile <strong><em>Death Metal<\/em><\/strong> explor\u00e2nd cap\u0103tul extrem al feedback-ului de bas al lor sc\u00e2r\u021b\u00e2itor de\u0219i din moment ce acesta nu este Ghidul de Muzic\u0103 Metal, astfel de chestii nu sunt atins pe aici dar bine, o men\u021biune: Sunn O))). Legat de Muzica Electronic\u0103 mul\u021bi dintre tipii obi\u0219nui\u021bi de <strong><em>Ambient <\/em><\/strong>\u0219i <strong><em>Dark Ambient<\/em><\/strong> se vor r\u0103sf\u0103\u021ba cu o pur\u0103 pies\u0103 <strong><em>Drone <\/em><\/strong>sau pentru a se rupe de uzuala lor monotonie cu ceva chiar \u0219i mai monoton dar gagiii din partea Experimental\u0103 a lucrurilor adesea \u00eei dau o \u0219ans\u0103, \u00ee\u0219i asum\u0103 \u0219i accept\u0103 o pies\u0103 dubioas\u0103 \u0219i ciudat\u0103 <strong><em>Drone <\/em><\/strong>de asemenea, cu toate c\u0103, drept o provocare artistic\u0103 extrem\u0103, comparativ cu viziunea mai tradi\u021bional\u0103 a scenei <strong><em>Ambient<\/em><\/strong> asupra genului.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/tng-humm.mp4\"><\/video><figcaption>Cea mai mare pies\u0103 <strong><em>Drone <\/em><\/strong>din toate timpurile: zumzetul motorului USS Enterprise NCC-1701-D. Acesta este mix-ul de radio de 1 or\u0103. Exist\u0103 mix-uri de club de 12 ore \u0219i 24 de ore pe Youtube.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ca s\u0103 \u0219tii.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Drone <\/em><\/strong>&#8211; <strong><em><strong><em>Ambient<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-44e46269 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-7fe3c3f9\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\"><li>Maeror Tri &#8211; Sneaking Movement<\/li><li>Celer &#8211; Bellss 1<\/li><li>Gowlan Roberts &amp; Etheocles Stevens &#8211; Wind<\/li><li>Alva Noto &#8211; Prototype 10<\/li><li>Sable &#8211; Benthal<\/li><li>The Church Of Synth &#8211; Christuskirche<\/li><li>Jiri Ceiver &#8211; Cochlea Implan<\/li><li>Alessandro Cortini &#8211; Di Passaggio<\/li><li>2350 Broadway &#8211; Hidden Forces<\/li><li>Robert Babicz &#8211; Laruen<\/li><li>Dacm &#8211; Ln Start<\/li><li>Plagasul &#8211; _Odomitas<\/li><li>Jliat &#8211; The Nature Of Nature<\/li><li>Ellende &#8211; Ten Years A Second<\/li><li>Faryus &#8211; Lucid Dream<\/li><li>The Caretaker &#8211; Deleted Scenes (B)<\/li><li>Cryogenic Weekend &#8211; Flotation Tank<\/li><li>Galati &#8211; Rongbuk<\/li><li>Protuberanzed &#8211; Game Over<\/li><li>M__ &#8211; (Post-War)<\/li><li>Time Machines &#8211; Indolol,3-[2-(Dimethylamino)ethyl]<\/li><li>Pandemia &#8211; Venus Urania 01<\/li><li>Arthur Dent &amp; Deeper Than Space &#8211; Ur<\/li><li>Sean Reardon &#8211; 02-07-08<\/li><li>Simon Scott &#8211; Silenne<\/li><li>Instruction Shuttle &#8211; Landslider<\/li><li>Johan Wieslander &#8211; Bt<\/li><li>Chihei Hatakeyama &#8211; Twilight Glow<\/li><li>Michael Mantra &#8211; Gm<\/li><li>Jari Pitkanen &#8211; Withs<\/li><li>Stars Of The Lid &#8211; The Lonely People (Are Getting Lonlier)<\/li><li>Alphaxone &#8211; Overwhelm<\/li><li>SETI &#8211; Black Engines<\/li><li>Sabled Sun &#8211; Signals II<\/li><li>Olympic &#8211; Subconscious Memory<\/li><li>The Hafler Trio &#8211; Descent<\/li><li>Skare &#8211; The Snow Angel Factory<\/li><\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-2ee3defc\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"38\"><li>Dead Voices On Air &#8211; Vuls<\/li><li>Gas &#8211; Pop (no. 3)<\/li><li>Kallabris &#8211; Hafalgar 1<\/li><li>Alessandro Cortini &#8211; Canta<\/li><li>Silent Universe &#8211; Pulsar<\/li><li>Terre Thaemlitz &#8211; SdII<\/li><li>Taylor Deupree &#8211; Stil.<\/li><li>Protou &#8211; The Map<\/li><li>Virex &#8211; Aleph Requiem<\/li><li>Andrew Lahiff &#8211; Amorphous Memories<\/li><li>Shambala Networks &#8211; Praying Is A Telepathic Mindstate With God<\/li><li>A Cryo Chamber Collaboration &#8211; Azathoth<\/li><li>Ugasanie &#8211; Lonely Winter Hut<\/li><li>Maeror Tri &#8211; Hypnotikum I (Part 4)<\/li><li>Council Of Nine &#8211; Sacrifice<\/li><li>Rapoon &#8211; Dahina Ta<\/li><li>Phillip Wilkerson &#8211; Amorphous Worlds, Part 1<\/li><li>Pete Namlook &amp; Jochem Paap &#8211; Cll T M Frnd<\/li><li>Basic House &#8211; Abc Ambrosia<\/li><li>Thomas P. Heckmann &#8211; 08-50-36<\/li><li>62 Eulengasse &#8211; Xxxx<\/li><li>Mono-Poly &#8211; Moorland Cross<\/li><li>Paul Schulze &#8211; The Gazing Engine<\/li><li>Lustmord &#8211; Subspace<\/li><li>Idle Sunder &#8211; Signal Interference<\/li><li>Maggi Payne &#8211; Solar Wind<\/li><li>Atom Heart &#8211; One Atomsecond<\/li><li>Porya Hatami &#8211; Rain<\/li><li>Carl Michael Von Hausswolff &#8211; Conductor<\/li><li>Maurizio Bianchi &#8211; The Great Tribulation<\/li><li>Sora Shima &#8211; Skyscraper<\/li><li>Eluder &#8211; The Path Leads To The Solution<\/li><li>Sleep Research Facility &#8211; Stealth3<\/li><li>Hands To &#8211; Fircast<\/li><li>Rainbow Vector &#8211; Light Circle<\/li><li>Ashtoreth&#8217;s Gate &#8211; When We Return<\/li><li>Rapoon &#8211; Lake<\/li><\/ol>\n<\/div>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Ambient &#8211; este un gen de muzic\u0103 care pune accentul pe ton \u0219i atmosfer\u0103 \u00een detrimentul structurii muzicale tradi\u021bionale sau ritmului. 1. Ambient (derivat din New Age) Gen Muzical Electronic Ambient Alte Denumiri Ambient, Laptop Ambient Sfera \/ Scena Ambient An Apari\u021bie mid 70s Muzic\u0103 pentru gr\u0103dini lini\u0219tite japoneze \u0219i cascade curg\u0103toare \u00eentr-o lunc\u0103 \u0219i [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":337,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-261","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"sm","author_link":"https:\/\/smajoris.space\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Ambient &#8211; este un gen de muzic\u0103 care pune accentul pe ton \u0219i atmosfer\u0103 \u00een detrimentul structurii muzicale tradi\u021bionale sau ritmului. 1. Ambient (derivat din New Age) Gen Muzical Electronic Ambient Alte Denumiri Ambient, Laptop Ambient Sfera \/ Scena Ambient An Apari\u021bie mid 70s Muzic\u0103 pentru gr\u0103dini lini\u0219tite japoneze \u0219i cascade curg\u0103toare \u00eentr-o lunc\u0103 \u0219i&hellip;","_links":{"self":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=261"}],"version-history":[{"count":116,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/261\/revisions"}],"predecessor-version":[{"id":3146,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/261\/revisions\/3146"}],"up":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}