{"id":269,"date":"2022-04-16T22:46:09","date_gmt":"2022-04-16T22:46:09","guid":{"rendered":"https:\/\/smajoris.space\/11-electro\/"},"modified":"2022-11-05T11:32:49","modified_gmt":"2022-11-05T11:32:49","slug":"11-electro","status":"publish","type":"page","link":"https:\/\/smajoris.space\/?page_id=269","title":{"rendered":"11. Electro"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>Electro<\/em><\/strong> &#8211; gen de muzic\u0103 care presupune instrumente muzicale electronice, instrumente digitale, sau tehnologie de muzic\u0103 bazat\u0103 pe circuite \u00een crearea sa.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\t\t\t\t<div class=\"wp-block-uagb-table-of-contents uagb-toc__align-center uagb-toc__columns-5  uagb-block-d708c986      \"\n\t\t\t\t\tdata-scroll= \"1\"\n\t\t\t\t\tdata-offset= \"100\"\n\t\t\t\t\tstyle=\"\"\n\t\t\t\t>\n\t\t\t\t<div class=\"uagb-toc__wrap\">\n\t\t\t\t\t\t<div class=\"uagb-toc__title\">\n\t\t\t\t\t\t\tSubgenuri\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"uagb-toc__list-wrap \">\n\t\t\t\t\t\t<ol class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#1-electro-derivat-din-rap\" class=\"uagb-toc-link__trigger\">1. Electro (derivat din Rap)<\/a><li class=\"uagb-toc__list\"><a href=\"#11-freestyle\" class=\"uagb-toc-link__trigger\">1.1. Freestyle<\/a><li class=\"uagb-toc__list\"><a href=\"#111-12-florida-breaks\" class=\"uagb-toc-link__trigger\">1.1.1. &#8211; 1.2. Florida Breaks<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"electro\"><strong>1. Electro<\/strong> (derivat din <strong><a href=\"https:\/\/smajoris.space\/?page_id=257#rap\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=257#rap\">Rap<\/a><\/strong>)<\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Electro<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Technopop, Robotpop, Electro Rap, Electrobreaks<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Electro<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103 \u00eentregi libr\u0103rii \u0219i biblioteci pline de c\u0103r\u021bi despre cum cultura muzicii albe este doar o parodie \u0219i imita\u021bie sigur\u0103 \u0219i plictisitoare, a culturii muzicii negre. De la <strong><em>Jazz <\/em><\/strong>la <strong><em>Blues <\/em><\/strong>la <strong><em>Rock n Roll<\/em><\/strong> la <strong><em>Funk <\/em><\/strong>\u0219i \u00eentr-o m\u0103sur\u0103 mai mic\u0103, chiar \u0219i <strong><em>Hip Hop<\/em><\/strong>, inova\u021biile muzicale cele mai mari ale Americii albe au fost toate furate timid \u0219i mi\u0219ele\u0219te de la oamenii negri, adesea f\u0103r\u0103 vreun credit sau compensa\u021bie, desp\u0103gubire.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rareori, este men\u021bionat c\u0103 \u00eensu\u0219irea \u0219i luarea \u00een posesiune func\u021bioneaz\u0103 \u00een ambele sensuri, c\u0103 \u00een c\u00e2teva ocazii selecte oamenii negri au furat \u0219i ei de asemenea &#8211; \u0219i s-au extins asupra &#8211; inova\u021biilor pro\u0219tilor albi cu cur p\u0103trat \u0219i cu capul \u00eenfundat. <strong><em>Electro <\/em><\/strong>este unul dintre acele genuri. Iar acei pro\u0219ti albi cu cur p\u0103trat \u0219i cu capul \u00eenfundat erau Kraftwerk.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/kraftwerk.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">B\u0103ie\u021bii \u00een Dusseldorf a\u0219tept\u00e2nd pentru Trans Europe Iar\u0103\u0219i Este Al Dracului de \u00cent\u00e2rziat.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Kraftwerk \u00eencercau s\u0103 capteze \u0219i s\u0103 prind\u0103 sunetele de ma\u0219ini ale unui trai de zi cu zi, urban, industrial: Fabrici de automobile, prese de g\u0103urit, perforatoare, ma\u0219ini de sp\u0103lat \u0219i usc\u0103toare, \u0219i c\u0103scatul m\u0103cinat inexorabil al unei societ\u0103\u021bi futuristice din ce \u00een ce mai dominat\u0103 de tehnologie. Faptul c\u0103 ei au ap\u0103rut mereu ca ni\u0219te robo\u021bi f\u0103r\u0103 emo\u021bii, insensibili, \u00een show-urile lor live, era parte din asta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kraftwerk avea melodii catchy, versuri teribile, groaznice \u0219i \u00eengrozitoare, \u0219i voci (cu excep\u021bia c\u00e2nd ei folosesc vocodere), \u00eens\u0103 punctul lor de for\u021b\u0103 principal era percu\u021bia. Ei erau percu\u021bioni\u0219ti impecabili. Ei \u0219i-au construit propriile lor truse de tobe electronice cu 1 deceniu \u00eenainte ca prima ma\u0219in\u0103 de drum s\u0103 loveasc\u0103 pia\u021ba iar aten\u021bia lor la detalii era evident\u0103 \u00een ritmurile filtrate \u0219i strecurate \u0219i groove-urile pieselor lor de tobe.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/morefuntocompute.mp4\"><\/video><figcaption class=\"wp-element-caption\">It&#8217;s More Fun To Compute. Muzica Kraftwerk merge de minune cu filmele-b sci-fi de anii &#8217;50.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103 \u00eentregi libr\u0103rii \u0219i biblioteci pline cu c\u0103r\u021bi despre Kraftwerk \u0219i a lor contribu\u021bie de ne\u0219ters \u0219i neuitat nu doar la muzica electronic\u0103 ci la toat\u0103 muzica. Ei pot fi men\u021biona\u021bi \u00een aceea\u0219i suflare \u0219i propozi\u021bie al\u0103turi de The Beatles \u0219i James Brown ca fiind unul dintre cele mai influente acte muzicale a celei din urm\u0103 jum\u0103t\u0103\u021bi a secolului 20. Ei erau chiar o glum\u0103 \u00een The Simpsons:<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/simpsons.mp4\"><\/video><figcaption class=\"wp-element-caption\">Piesa este Keoki &#8211; Caterpillar (Rabbit In The Moon&#8217;s Disco 2001 Mix) ceea ce cam dezumfl\u0103 gluma Kraftwerk.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Asta este chiar ceva \u00eenspre care eu nu trebuie s\u0103 explic. D\u0103-i \u00eenainte, love\u0219te &#8216;Kraftwerk&#8217; \u00een butonul I&#8217;m Feeling Lucky de pe Google \u0219i \u00eenva\u021b\u0103 singur.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u0219a c\u0103 las\u0103-m\u0103 s\u0103 pictez un portret diferit al muzicii electronice \u00een finalul anilor &#8217;70, o scen\u0103 imens\u0103 a c\u0103rei Kraftwerk nu erau <em>Defini\u021bia<\/em> ci pur \u0219i simplu doar o alt\u0103 trup\u0103 electronic\u0103 experimental\u0103, cu nimic diferit\u0103 dec\u00e2t Tangerine Dream sau Vangelis sau Giorgio Moroder sau Jean-Michel Jarre sau Brian Eno sau Wendy Carlos sau Robert al naibii Moog.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sau Yellow Magic Orchestra.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/ymo.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Nu ca \u0219i un termen rasist &#8211; aia e cum s-au numit ei pe sine. Erau alte vremuri, vezi tu.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">YMO &#8211; trio-ul ciudat japonez, la fel de experimental \u0219i catchy ca \u0219i Kraftwerk. Ele au multe \u00een comun: Ele ambele au venit din culturi care au trebuit s\u0103 fie repornite dup\u0103 1945, ele ambele au privit \u00eenainte c\u0103tre viitor mai degrab\u0103 dec\u00e2t \u00een trecut pentru a-\u0219i face muzica, \u0219i ambele au folosit instrumente electronice ca \u0219i un mijloc de a experimenta cu noi sunete \u0219i texturi. \u0218i nu e de parc\u0103 The Electrifying Mojo nu le-a b\u0103tut cu b\u0103\u021bul pe am\u00e2ndou\u0103 p\u00e2n\u0103 la moarte la show-ul s\u0103u radio din Detroit \u0219i nu e de parc\u0103 genera\u021biile din urm\u0103 de muzicieni (inclusiv Human League \u0219i Orbital) de asemenea nu au remixat, sampluit \u0219i f\u0103cut cover la dracii \u0219i rahatul din YMO.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u0219a c\u0103 de ce este unul divinizat \u0219i zeificat c\u00e2nd cel\u0103lalt nu este? De ce Huffington Post \u0219i Cracked scriu articole nostalgice despre c\u00e2\u0219tig\u0103torul de 2 ori a Grammy Award, Kraftwerk, \u00een timp ce YMO niciodat\u0103 nu prime\u0219te nicio iubire?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen acest punct efectiv se simte de parc\u0103 Kraftwerk are mai bun PR. Ei devin mai iconici, cu c\u00e2t trec ei mai \u00eenapoi \u00een istorie iar scriitorii de muzic\u0103 lanseaz\u0103 \u00een continuu c\u0103r\u021bi despre c\u00e2t de importan\u021bi erau ei \u0219i cum Afrika Bambaataa a ridicat (el nu a sampluit &#8211; el a recreat) melodia din Trans Europe Express \u0219i break-ul din Numbers pentru a crea o \u00eentreag\u0103 mi\u0219care cultural\u0103:<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/planetrock.mp4\"><\/video><figcaption class=\"wp-element-caption\">Arti\u0219tii buni sampluiesc, arti\u0219tii grozavi fur\u0103.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u0218i este Planet Rock pe care toat\u0103 lumea \u00eel sampluie\u0219te (deoarece Bambaataa a pus break-ul de drum ca \u0219i un tool de battle pe b-side) \u00een <strong><em>Electro<\/em><\/strong>, <strong><em>Technobass <\/em><\/strong>\u0219i <strong><em>Freestyle<\/em><\/strong>. Nu tehnic pe Kraftwerk.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dac\u0103 Bambaataa este punctul focal pentru imortalizarea lui Kraftwerk \u0219i existen\u021ba <strong><em>Electro<\/em><\/strong>, am mai avea noi aceast\u0103 discu\u021bie dac\u0103 ar fi sampluit YMO \u00een schimb? Ar mai exista <strong><em>Electro<\/em><\/strong>, sau avea nevoie s\u0103-l fure pe Kraftwerk pentru a se \u00eent\u00e2mpla? \u0218i la ce fel de viitor alternativ distopic de Philip K Dick ar fi dus aia, \u0219i cum ar fi putut fi posibil mai r\u0103u dec\u00e2t asta? Sunt sigur\u0103 c\u0103 ceva vreun scriitor de muzic\u0103 plin de sine, orgolios, \u00eencrezut \u0219i auto-important, deja a scris fan fiction de lung\u0103 durat\u0103 despre asta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 revela\u021bia zdrobitoare \u0219i crutremur\u0103toare a Planet Rock, <strong><em>Electro <\/em><\/strong>s-a tuns \u00een diferite c\u0103i &#8211; <strong><em>Electrofunk<\/em><\/strong>, <strong><em>Rap<\/em><\/strong>, <strong><em>Freestyle<\/em><\/strong>, <strong><em>Techno<\/em><\/strong>, \u0219i <strong><em>Technobass <\/em><\/strong>toate ap\u0103rute ca \u0219i genuri independente \u0219i de sine st\u0103t\u0103toare care s-au \u00eenmul\u021bit \u0219i n\u0103scut din <strong><em>Electro <\/em><\/strong>\u00een doar c\u00e2\u021biva ani scur\u021bi. \u00cen timp ce majoritatea din aceste genuri au mers mai departe c\u0103tre lucruri mai mari \u0219i mai bune, <strong><em>Electro <\/em><\/strong>\u00eensu\u0219i a atins fundul la sf\u00e2r\u0219itul anilor &#8217;80 iar p\u00e2n\u0103 \u00een anii &#8217;90 era v\u0103zut ca \u0219i o relicv\u0103 arhaic\u0103 a unei ere dominat\u0103 de ma\u0219ini de drum ce sunau de c\u0103cat \u0219i monosintetizatoare analogice, cu poate doar Jedi Knights p\u0103str\u00e2nd credin\u021ba vie. Marea majoritate a produc\u0103torilor s\u0103i au mers mai departe la <strong><em>Technobass <\/em><\/strong>oricum.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ah, desigur c\u0103 s-a \u00eentors. \u0218tii c\u0103 s-a \u00eentors. Toat\u0103 lumea \u0219tie c\u0103 s-a \u00eentors &#8211; sau ei cred c\u0103 \u0219tiu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pentru un anume motiv, numele \u00een muzica electronic\u0103 tind s\u0103 devin\u0103 reutilizate \u0219i s\u0103 li se dea alte inten\u021bii \u0219i scopuri de c\u0103tre fiecare genera\u021bie. O cultur\u0103 fericit de ignorant\u0103 a propriei sale istorii va tinde s\u0103 foloseasc\u0103 aceea\u0219i etichet\u0103 pentru mai multe lucruri. Aia nu e vina Millenialilor, marketer-ilor sau m\u0103car a scriitorilor de muzic\u0103. Este doar \u0219i pur \u0219i simplu un lucru prost \u0219i t\u00e2mpit ce se \u00eent\u00e2mpl\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u0219a cum a \u0219i fost, &#8220;electro&#8221; care a venit \u00eenapoi \u00een anii &#8217;00, nu era de fapt <strong><em>Electro<\/em><\/strong>, real, adev\u0103rat, \u0219i a avut pu\u021bin de-a face cu el. \u00cen ciuda omonimului, dominan\u021ba &#8220;electro&#8221; \u00een scena cluburilor care ne-a dat <strong><em>Electroclash<\/em><\/strong>, <strong><em>Electrohouse<\/em><\/strong>, \u0219i <strong><em>Filthy Electrohouse<\/em><\/strong> nu sunt genuri <strong><em>Electro<\/em><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-mixcloud wp-block-embed-mixcloud wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Ultimate Electro Mix\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2FIshkur%2Fthe-ultimate-electro-mix%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Un tur prin <strong><em>Electro <\/em><\/strong>\u0219i derivatele sale. Niciun <strong><em>Electrohouse <\/em><\/strong>nu a fost folosit \u00een facerea acestui mix.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dac\u0103 tu ai venit aici c\u0103ut\u00e2nd <strong><em>Electrohouse<\/em><\/strong>, \u00eencearc\u0103 scena <strong><em>Eurotrash<\/em><\/strong>. Aceast\u0103 scen\u0103 este doar despre <strong><em>Electro<\/em><\/strong> &#8211; originalul sunet de robot. Pleac\u0103, poseur.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Electro <\/em><\/strong>&#8211; <strong><em><strong><em>Electro<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-5d21034b uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-f5af9152\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Divine Sounds &#8211; What People Do For Money<\/li>\n\n\n\n<li>Mandroid &#8211; Silicon Chipped<\/li>\n\n\n\n<li>Hexstatic &#8211; That Track<\/li>\n\n\n\n<li>Ben Milstein &#8211; Dirt<\/li>\n\n\n\n<li>Pretty Tony &#8211; Jam The Box<\/li>\n\n\n\n<li>Hashim &#8211; We&#8217;re Rocking The Planet<\/li>\n\n\n\n<li>Bolz Bolz &#8211; Universal Language<\/li>\n\n\n\n<li>Model 500 &#8211; No Ufos<\/li>\n\n\n\n<li>Channel One &#8211; Technicolor<\/li>\n\n\n\n<li>Mathew Jonson &#8211; Return Of The Zombie Bikers<\/li>\n\n\n\n<li>Dexter &#8211; D-Funked<\/li>\n\n\n\n<li>Tactical Systems &#8211; Quantum Field<\/li>\n\n\n\n<li>Aux 88 &#8211; Electro Techno-Bass<\/li>\n\n\n\n<li>Planet Detroit &#8211; Invasion From The Planet Detroit<\/li>\n\n\n\n<li>Dagobert &#8211; Sonic Sound Of Bass<\/li>\n\n\n\n<li>Kraftwerk &#8211; Numbers<\/li>\n\n\n\n<li>Cosmic Force &#8211; Robot Poetry<\/li>\n\n\n\n<li>Dynamic Bass System &#8211; Arabian Dreams<\/li>\n\n\n\n<li>High Fidelity Three &#8211; B-Boys Breakdance (Instrumental)<\/li>\n\n\n\n<li>Agent K &amp; J-Break &#8211; Automatic (Aaron Sigmon mix)<\/li>\n\n\n\n<li>E-Rocker &#8211; Dance Transformer Evolution (E-Rocker mix)<\/li>\n\n\n\n<li>Bass Kittens &#8211; Rare Bread<\/li>\n\n\n\n<li>Heuristic Audio &#8211; Death Of A Star<\/li>\n\n\n\n<li>Mike Dred &#8211; Lowestoft Electro<\/li>\n\n\n\n<li>Uncle Jamm&#8217;s Army &#8211; Naughty Boy<\/li>\n\n\n\n<li>The P Crew &#8211; Party Rock<\/li>\n\n\n\n<li>Twilight 22 &#8211; Electric Kingdom<\/li>\n\n\n\n<li>Drexciya &#8211; Bubble Metropolis<\/li>\n\n\n\n<li>Pretty Tony &#8211; Fix It In The Mix (Instrumental)<\/li>\n\n\n\n<li>Fugo &#8211; Six-Teen<\/li>\n\n\n\n<li>Anthony Rother &#8211; Destroy Them My Robots<\/li>\n\n\n\n<li>MC A.D.E. &#8211; Bass Rock Express (Vocal)<\/li>\n\n\n\n<li>Bitstream &#8211; Monolith<\/li>\n\n\n\n<li>DJ Overdose &#8211; Time Dicer<\/li>\n\n\n\n<li>Wally Badarou &#8211; Endless Race<\/li>\n\n\n\n<li>Dirty Hospital &#8211; Leave The Planet<\/li>\n\n\n\n<li>Duplex &#8211; Nostromo<\/li>\n\n\n\n<li>Maggotron Crushing Crew &#8211; Bass Rock The Planet<\/li>\n\n\n\n<li>Kitbuilders &#8211; Touch Me<\/li>\n\n\n\n<li>Paul Hardcastle &#8211; 19<\/li>\n\n\n\n<li>Guru &#8211; Who You Stealin&#8217; From<\/li>\n\n\n\n<li>Cyberian Knights &#8211; This Is The Sound Of The Underground<\/li>\n\n\n\n<li>Cybertrax &#8211; Flexor<\/li>\n\n\n\n<li>LA Dream Team &#8211; Calling On the Dream Team<\/li>\n\n\n\n<li>Andrea Parker &#8211; Some Other Level<\/li>\n\n\n\n<li>Station Bass &#8211; Bass (The Countdown)<\/li>\n\n\n\n<li>Hi-Bias &#8211; Drive It Home<\/li>\n\n\n\n<li>White Light Circus &#8211; Rocket Ride<\/li>\n\n\n\n<li>Globe &amp; Pow Wow &#8211; Celebrate! (Everybody)<\/li>\n\n\n\n<li>Tactical Systems &#8211; Phased Energy Rectification<\/li>\n\n\n\n<li>Rich Cason And The Galactic Orchestra &#8211; Space Connection 2012<\/li>\n\n\n\n<li>Federal State &#8211; This Impulse<\/li>\n\n\n\n<li>Mr. Pauli &#8211; Don&#8217;t Want To Be You<\/li>\n\n\n\n<li>Mental Mayhem &#8211; Where Are They Hiding II<\/li>\n\n\n\n<li>Roadking &#8211; Only Electro Music<\/li>\n\n\n\n<li>Dark Vektor &#8211; Patetic<\/li>\n\n\n\n<li>Fingathing &#8211; Bolus<\/li>\n\n\n\n<li>The Hacker &#8211; Cold As Silence<\/li>\n\n\n\n<li>Two Sisters &#8211; High Noon<\/li>\n\n\n\n<li>Boris Divider &#8211; Metropolis Of Darkness<\/li>\n\n\n\n<li>Bolz Bolz &amp; Kitbuilders &#8211; Super Fast Service<\/li>\n\n\n\n<li>Heuristic Audio &#8211; Realistic Tradition<\/li>\n\n\n\n<li>Kraftwerk &#8211; Radioactivity (&#8217;91 mix)<\/li>\n\n\n\n<li>Drome &#8211; Target<\/li>\n\n\n\n<li>The Ghost That Walks &#8211; Trick Of A Cold Art<\/li>\n\n\n\n<li>Hydraulix &#8211; Machines<\/li>\n\n\n\n<li>Bolz Bolz &#8211; Volt Watt Ampere Ohm<\/li>\n\n\n\n<li>Univac &#8211; Direction Leipzig<\/li>\n\n\n\n<li>DJ Matrix &#8211; Feel My Bass<\/li>\n\n\n\n<li>M.C.B. &#8211; Bass Is What We Want<\/li>\n\n\n\n<li>Perspects &#8211; Stepwise<\/li>\n\n\n\n<li>Unique &#8211; What I Got Is What You Need<\/li>\n\n\n\n<li>Dominance Crushing Crew &#8211; We Rock For You<\/li>\n\n\n\n<li>Hashim &#8211; Al-Naafiysh (The Soul)<\/li>\n\n\n\n<li>Solvent &#8211; Think Like Us (Solvent vs Lowfish mix)<\/li>\n\n\n\n<li>Electronome &#8211; Playmobile Invisible<\/li>\n\n\n\n<li>Crc &#8211; Influence Device 001<\/li>\n\n\n\n<li>Morphology &#8211; Eccentricity<\/li>\n\n\n\n<li>LAM &#8211; Hostile Bacteria<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-cdec284f\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"80\">\n<li>Erotek &#8211; Tek-Slo<\/li>\n\n\n\n<li>Ultradyne &#8211; Black Panther<\/li>\n\n\n\n<li>Man Parrish &#8211; Boogie Down (Dub)<\/li>\n\n\n\n<li>Uncle Jam&#8217;s Army &#8211; Dial-A-Freak<\/li>\n\n\n\n<li>Lowfish &#8211; Dark Matter<\/li>\n\n\n\n<li>Maggotron &#8211; Welcome To The Bass Planet (Extended Version)<\/li>\n\n\n\n<li>Electro Music Specialists &#8211; By Your Command<\/li>\n\n\n\n<li>Tommy Walker 3 &#8211; Assembly<\/li>\n\n\n\n<li>DJ Panix &#8211; Vision Of Mars<\/li>\n\n\n\n<li>Umwelt &#8211; Biological Entity<\/li>\n\n\n\n<li>Grandmaster Flash &#8211; Scorpio<\/li>\n\n\n\n<li>Midiboy &#8211; Midi Jungle (Dub)<\/li>\n\n\n\n<li>Boris Divider &#8211; Take My Beat<\/li>\n\n\n\n<li>Imperial Brothers &#8211; We Come To Rock<\/li>\n\n\n\n<li>Metroland &#8211; Enjoying The View<\/li>\n\n\n\n<li>Partisan Midi &#8211; Phono Abduction<\/li>\n\n\n\n<li>Max Durante &amp; Keith Tucker &#8211; Digital System<\/li>\n\n\n\n<li>Blotnik Brothers &#8211; Depth Of Field<\/li>\n\n\n\n<li>Instra-Mental &#8211; Delta Zone (Advance)<\/li>\n\n\n\n<li>Soft Touch &#8211; Crime Of Passion<\/li>\n\n\n\n<li>Man Parrish &#8211; Techno Trax<\/li>\n\n\n\n<li>Jamie Jupitor &#8211; Computer Power<\/li>\n\n\n\n<li>Dexter &#8211; Mr. Blunt<\/li>\n\n\n\n<li>Rude 66 &#8211; Overkill (Vocoder mix)<\/li>\n\n\n\n<li>Leftfield.Bambaataa &#8211; Africa Shox<\/li>\n\n\n\n<li>Cli-N-Tel &#8211; 2030<\/li>\n\n\n\n<li>Kavinsky &#8211; Dead Cruiser<\/li>\n\n\n\n<li>The H.A.V.O.K. Conspiracy &#8211; The Reaping<\/li>\n\n\n\n<li>Heliopause &#8211; Forward<\/li>\n\n\n\n<li>C-Jam &amp; Kid Frost &#8211; Commando Rock (Battle mix)<\/li>\n\n\n\n<li>The Exaltics &#8211; The Hunch<\/li>\n\n\n\n<li>Latin Rascals &#8211; Lisa&#8217;s Coming<\/li>\n\n\n\n<li>Professor X &#8211; Statix<\/li>\n\n\n\n<li>Kitbuilders &#8211; E Vox<\/li>\n\n\n\n<li>Crc &#8211; Vaskitsaherra (Erp Aka Convextion mix)<\/li>\n\n\n\n<li>Palmerforce Two &#8211; Street Wars<\/li>\n\n\n\n<li>Fast Lane &#8211; Young Ladies<\/li>\n\n\n\n<li>Jedi Knights &#8211; Noddy Holder<\/li>\n\n\n\n<li>Scott Grooves &#8211; Deneb<\/li>\n\n\n\n<li>Aq &amp; DJ Larche &#8211; I&#8217;m Your DJ<\/li>\n\n\n\n<li>Lab Rat Xl &#8211; Lab Rat 1<\/li>\n\n\n\n<li>Afrika Bambaataa &amp; The Soulsonic Force &#8211; Planet Rock<\/li>\n\n\n\n<li>Technoid &#8211; Technoid<\/li>\n\n\n\n<li>Aleem &#8211; Release Yourself<\/li>\n\n\n\n<li>Leigh Dickson &#8211; Aerobatics<\/li>\n\n\n\n<li>Bose &#8211; Rock The World<\/li>\n\n\n\n<li>Freezie Freekie &#8211; Flow<\/li>\n\n\n\n<li>Freestyle &#8211; Don&#8217;t Stop The Rock<\/li>\n\n\n\n<li>Scanone &#8211; Lexicon<\/li>\n\n\n\n<li>Herbie Hancock &#8211; Maiden Voyage<\/li>\n\n\n\n<li>N-Ter &#8211; You Must Comply (Detroit In Effect mix)<\/li>\n\n\n\n<li>The Alliance &#8211; Action!<\/li>\n\n\n\n<li>Imatran Voima &#8211; In-Out<\/li>\n\n\n\n<li>Cybotron &#8211; Clear<\/li>\n\n\n\n<li>Gescom &#8211; Puzl<\/li>\n\n\n\n<li>Braincell &#8211; Robot Jazz Brainbag Band<\/li>\n\n\n\n<li>The Rock Steady Crew &#8211; Digital Boogie<\/li>\n\n\n\n<li>Knights Of Bass &#8211; Renegades<\/li>\n\n\n\n<li>Aux 88 &#8211; Technology (Techno Bass mix)<\/li>\n\n\n\n<li>Kraftwelt &#8211; Confusion<\/li>\n\n\n\n<li>File 13 &#8211; Taste So Good<\/li>\n\n\n\n<li>Sir Real &#8211; Landscapes<\/li>\n\n\n\n<li>DJR 21 &#8211; Robotek<\/li>\n\n\n\n<li>Decal &#8211; Riptide<\/li>\n\n\n\n<li>The Jackofficers &#8211; no. 6<\/li>\n\n\n\n<li>Audio Tech &#8211; I&#8217;m Your Audio Tech<\/li>\n\n\n\n<li>Nitro Deluxe &#8211; Journey To Cybotron<\/li>\n\n\n\n<li>Knightz Of Bass &#8211; Da M-Pire<\/li>\n\n\n\n<li>The Megatrons &#8211; Rock The Planet<\/li>\n\n\n\n<li>Herbie Hancock &#8211; Rockit<\/li>\n\n\n\n<li>DJ Gio Mc-505 &#8211; Multitron<\/li>\n\n\n\n<li>Egyptian Lover &#8211; Egypt, Egypt<\/li>\n\n\n\n<li>Ural 13 Diktators &#8211; Disko Kings<\/li>\n\n\n\n<li>Boddika &#8211; Electron<\/li>\n\n\n\n<li>Model 500 &#8211; Electric Night<\/li>\n\n\n\n<li>Middle Men &#8211; Kraftwerk Orange<\/li>\n\n\n\n<li>The Packman &#8211; I&#8217;m The Packman (Eat Everything I Can)<\/li>\n\n\n\n<li>Jackal &amp; Hyde &#8211; 20k Freaks<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1. Freestyle<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Freestyle<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">R&amp;B, Latin Electro<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Electro<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Freestyle <\/em><\/strong>este ceea ce se \u00eent\u00e2mpl\u0103 c\u00e2nd iei break-ul Planet Rock \u0219i \u00eei adaugi voci feminine la el.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nu are nimic de-a face cu freestyling, Freestylers, sau a-\u021bi elibera stilul, sau a-\u021bi stiliza libert\u0103\u021bile. Este doar <strong><em>Freestyle<\/em><\/strong>. Este <strong><em>Electro<\/em><\/strong> + <strong><em>R&amp;B<\/em><\/strong>. Aia e. De ce este numit <strong><em>Freestyle<\/em><\/strong>? Nu am nicio idee. \u0218i nici nimeni altcineva nu are. Nu eu vin cu aceste nume. Ei bine, uneori.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/freestyle.png\" alt=\"\"\/><figcaption class=\"wp-element-caption\">\u0218i nici nu are nimic de-a face cu Ford <strong><em>Freestyle<\/em><\/strong>, un vechicul utilitar de crossover, \u00eencruci\u0219are, v\u00e2ndut \u00een anii 2000, pentru c\u00e2nd tu te oferi voluntar, de bun\u0103 voie, din neaten\u021bie, din gre\u0219eal\u0103, s\u0103 fii manager-ul echipamentului echipei de fotbal a copilului t\u0103u.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Este interesant cum schimbarea unei mici caracteristici \u0219i tr\u0103s\u0103turi poate altera complet complexitatea, tenul \u0219i aspectul unui gen. Scoate \u0219i elimin\u0103 rapping-ul \u0219i vocoder-ele \u0219i le \u00eenlocuie\u0219ti cu voci de dive <strong><em>R&amp;B<\/em><\/strong> \u0219i deodat\u0103 nu mai sun\u0103 ca \u0219i <strong><em>Electro<\/em><\/strong>, ci mai degrab\u0103 a ceva girly, de feti\u0219can\u0103, \u0219i club-friendly. Mai pu\u021bin pop robot \u0219i mai mult pop real.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Freestyle <\/em><\/strong>s-a n\u0103scut \u00een New York (unde altundeva) ca \u0219i un subgen <strong><em>Electro <\/em><\/strong>\u00eens\u0103 a avut mai mult succes \u00een Miami \u0219i South Florida pe m\u0103sur\u0103 ce deceniul a trecut. Te-ai putea certa \u0219i ai putea argumenta c\u0103 a \u00eenceput cu Shannon &#8211; Let the Music Play sau chiar C-Bank &#8211; One More Shot dar mie nu-mi place s\u0103 o pun la socoteal\u0103 deoarece \u00eel are pe legenda <strong><em>R&amp;B<\/em><\/strong> Jenny Burton la voci iar vocali\u0219tii <strong><em>Freestyle <\/em><\/strong>sunt aproape to\u021bi caracteristic r\u0103i. Aia e, ei nu sunt a\u0219a de buni precum divele <strong><em>Soul <\/em><\/strong>\/ <strong><em>R&amp;B<\/em><\/strong> \u0219i nici nu \u00eencearc\u0103 ei s\u0103 c\u00e2nte ca \u0219i ei, iar asta este parte din farmecul <strong><em>Freestyle<\/em><\/strong>: Ale sale limit\u0103ri. Tu po\u021bi face karaoke la aceste c\u00e2ntece f\u0103r\u0103 prea mare efort.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103 pies\u0103 chiar \u0219i mai ciudat\u0103 care capteaz\u0103 genul f\u0103r\u0103 a avea vreo rela\u021bie cu el. Cumva.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Peste ocean, \u00een Manchester, Factory Records (tehnic filiara, sucursala \u0219i auxiliarul lor belgian \u00eens\u0103 haide s\u0103 nu devenim prea pedan\u021bi aici) &#8211; acel ini\u021biator \u0219i originator al toatei nebunii ce s-a \u00eent\u00e2mplat \u00een muzica britanic\u0103 \u00een anii &#8217;80, de la <strong><em>Punk <\/em><\/strong>la <strong><em>Synthpop <\/em><\/strong>la <strong><em>Acid House<\/em><\/strong> la <strong><em>Rave <\/em><\/strong>&#8211; a lansat o pies\u0103 \u00een februarie 1983 de c\u0103tre grupul <strong><em>Disco <\/em><\/strong>\/ <strong><em>R&amp;B<\/em><\/strong> 52nd Street (da, probabil c\u0103 l-au numit dup\u0103 c\u00e2ntecul lui Billy Joel) numit\u0103 Cool as Ice.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/coolasice.mp4\"><\/video><figcaption class=\"wp-element-caption\">Directorul de program pentru acest show lucreaz\u0103 cu mult peste nivelul s\u0103u de salariu.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Era <strong><em>Electro<\/em><\/strong>. Era <strong><em>Acid<\/em><\/strong>. Era voci feminine c\u00e2nt\u00e2nd \u00een stil american. \u0218i a existat \u00een Anglia \u00een 1983, predat\u00e2ndu-le pe <strong><em>Freestyle <\/em><\/strong>\u0219i <strong><em>Acid House<\/em><\/strong>, cu c\u00e2\u021biva ani, de parc\u0103 ar fi prevestit viitorul. Cum de se \u00eent\u00e2mpl\u0103 ceva ca aia? A fost o influen\u021b\u0103 sau un noroc? Era doar unul dintre unicele nebune ale lui Factory sau ei chiar au sim\u021bit c\u0103 ceva nou \u0219i special era pe cale s\u0103 se \u00eent\u00e2mple?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nu a fost nicio urmare sau continuare a acestui fenomen. Single-ul abia dac\u0103 a ajuns \u00een topuri \u00eens\u0103 a fost lansat sub A&amp;M Records \u00een NYC mai t\u00e2rziu \u00een acel an precum \u0219i un remix Jellybean a\u0219a c\u0103 e probabil ca cineva din cercul lui Shannon s\u0103 fi auzit de el. \u00cens\u0103 putea fi un exemplu de evolu\u021bie convergent\u0103 \u00een taxonomia muzical\u0103 cu excep\u021bia faptului c\u0103 stilul nu era viabil \u00een UK (cel pu\u021bin, nu imediat) \u00een timp ce a decolat \u00een America. Aia se \u00eent\u00e2mpl\u0103 uneori.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Freestyle <\/em><\/strong>a fost cel mai mare \u00een finalul anilor &#8217;80 cu acte gen Lisa Lisa &amp; The Cult Jam, The Cover Girls, \u0219i Corina toate primind timp de radio generos. A influen\u021bat la greu <strong><em>R&amp;B<\/em><\/strong> \u0219i <strong><em>New Jack Swing<\/em><\/strong>, care au scos \u0219i eliminat prompt ale sale reci percu\u021bii \u0219i introdusele umpluturi de horn, <strong><em>Electro<\/em><\/strong>, conga-urile \u0219i desigur hit-ul de orchestr\u0103 mereu omniprezent (care a fost probabil sampluit din Yes &#8211; Owner of a Lonely Heart sau chiar Stravinsky &#8211; The Firebird Ballet din moment ce originalul a venit dintr-un patch din super scumpul Fairlight CMI Series IIx. \u00cens\u0103 m\u0103 abat).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nimici gre\u0219it sau r\u0103u cu aia p\u00e2n\u0103 la Miami Sound Machine iar Gloria Estefan a mers puternic pe ea, ceea ce este o felie din <strong><em>Freestyle <\/em><\/strong>\u00eenrudit\u0103 cu prezentare Powerpoint corporate care evoc\u0103 genul de ubicuitate jucat\u0103 \u00een anii &#8217;80 rezervat\u0103 \u00een mod normal pentru Huey Lewis and the News sau Lionel Richie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Freestyle <\/em><\/strong>s-a \u00eentors \u00eenapoi \u00een anii &#8217;90, \u00eens\u0103 apoi a fost consumat\u0103 de c\u0103tre <strong><em>Florida Breaks<\/em><\/strong>. \u00cenc\u0103 mai exist\u0103 tehnic ast\u0103zi dar de obicei ca \u0219i cover-uri, reedit\u0103ri sau remixuri ale gloriei sale de odinioar\u0103. Nu mai e neap\u0103rat ceva.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Freestyle <\/em><\/strong>&#8211; <strong><em><strong><em>Electro<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-9fafe1ce uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-26d99587\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Luca &#8211; So Excited<\/li>\n\n\n\n<li>Sweet Sensation &#8211; Sincerely Yours<\/li>\n\n\n\n<li>Tonasia &#8211; Tears Of Tears<\/li>\n\n\n\n<li>Corina &#8211; Give Me Back My Heart<\/li>\n\n\n\n<li>Cynthia &#8211; How I Love Him<\/li>\n\n\n\n<li>Stevie B &#8211; Girl I Love Ya<\/li>\n\n\n\n<li>Alisha &#8211; All Night Passion<\/li>\n\n\n\n<li>Collage &#8211; I&#8217;ll Be Loving You<\/li>\n\n\n\n<li>Chase &#8211; Forget Me Not<\/li>\n\n\n\n<li>Brenda K. Starr &#8211; Over And Over<\/li>\n\n\n\n<li>Tia &#8211; Slip N&#8217; Slide<\/li>\n\n\n\n<li>Connie &#8211; Funky Little Beat<\/li>\n\n\n\n<li>K7 &#8211; Body Rock<\/li>\n\n\n\n<li>David &#8211; No Regrets<\/li>\n\n\n\n<li>Shantelle &#8211; Love Attack<\/li>\n\n\n\n<li>Michael &#8216;kidd&#8217; Gomez &#8211; Tear Shed<\/li>\n\n\n\n<li>Cynthia &#8211; Endless Nights<\/li>\n\n\n\n<li>Nayobe &#8211; Please Don&#8217;t Go<\/li>\n\n\n\n<li>Pajama Party &#8211; Yo No Se<\/li>\n\n\n\n<li>Wendy &#8211; I Know<\/li>\n\n\n\n<li>Kilo Ali &#8211; Show Me Love<\/li>\n\n\n\n<li>Soave &#8211; If You Want Me<\/li>\n\n\n\n<li>Free System &#8211; This Love is Not Right 4 You<\/li>\n\n\n\n<li>Buffy &#8211; Give Me a Reason<\/li>\n\n\n\n<li>Maribell &#8211; Don&#8217;t Make Me Promises<\/li>\n\n\n\n<li>Giggles &#8211; What Goes Around, Comes Around<\/li>\n\n\n\n<li>Leather &amp; Lace &#8211; Tender Heart (Do What&#8217;s Right For Me)<\/li>\n\n\n\n<li>X-Posed &#8211; Point Of No Return<\/li>\n\n\n\n<li>The Cover Girls &#8211; Don&#8217;t Stop Now<\/li>\n\n\n\n<li>Booty Girls &#8211; Freak Me (Let Me Lick You Up &amp; Down)<\/li>\n\n\n\n<li>Intonation &#8211; More &amp; More<\/li>\n\n\n\n<li>George Lamond &#8211; Bad Of The Heart<\/li>\n\n\n\n<li>Tribe &#8211; Just You And I<\/li>\n\n\n\n<li>Jose Bohn &#8211; Forgive Me (Power Version)<\/li>\n\n\n\n<li>Trinere &#8211; Alone At Last<\/li>\n\n\n\n<li>Salvina &#8211; Why Did You Leave<\/li>\n\n\n\n<li>C-Bank &#8211; Get Wet<\/li>\n\n\n\n<li>Lil&#8217; Suzy &#8211; Take Me In Your Arms<\/li>\n\n\n\n<li>Jenny Burton &#8211; Rock Steady<\/li>\n\n\n\n<li>Nuance feat Vikki Love &#8211; Take A Chance<\/li>\n\n\n\n<li>Face &#8211; Happy Days<\/li>\n\n\n\n<li>Nanette &#8211; In The Heat Of The Night<\/li>\n\n\n\n<li>Laura Enea &#8211; If I Could Turn Back The Hands Of Time<\/li>\n\n\n\n<li>Debbie Deb &#8211; There&#8217;s A Party Going On<\/li>\n\n\n\n<li>Lina Santiago &#8211; Feels So Good (Show Me Your Love)<\/li>\n\n\n\n<li>K5 &#8211; Passion<\/li>\n\n\n\n<li>Xena &#8211; On The Upside<\/li>\n\n\n\n<li>Jesika &#8211; Tonight (DJ Greek&#8217;s Electro Club mix)<\/li>\n\n\n\n<li>Vita &#8211; Let&#8217;s Make Love<\/li>\n\n\n\n<li>Tka &#8211; One Way Love<\/li>\n\n\n\n<li>Rios Sisters &#8211; Hold Me<\/li>\n\n\n\n<li>Beat Club &#8211; Security 88 (Midnight Club mix)<\/li>\n\n\n\n<li>Dynamix &#8211; I Just Wanna Dance<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-5168987a\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"54\">\n<li>Gina Dee &#8211; Limelight<\/li>\n\n\n\n<li>Expose &#8211; Exposed To Love<\/li>\n\n\n\n<li>Laissez Faire &#8211; To Be In Your Arms<\/li>\n\n\n\n<li>LA Girls &#8211; No More No More<\/li>\n\n\n\n<li>Lisa Lisa &amp; The Cult Jam &#8211; I Wonder If I Take You Home<\/li>\n\n\n\n<li>Nyasia &#8211; Who&#8217;s Got Your Love<\/li>\n\n\n\n<li>Zoe &#8211; All Alone<\/li>\n\n\n\n<li>Willie Valentin &#8211; No Matter What<\/li>\n\n\n\n<li>Sa-Fire &#8211; Don&#8217;t Break My Heart<\/li>\n\n\n\n<li>Tiana &#8211; Come To Me<\/li>\n\n\n\n<li>Ceres &#8211; Dancing With An Angel<\/li>\n\n\n\n<li>Pretty Poison &#8211; Nightime<\/li>\n\n\n\n<li>Denine &#8211; I&#8217;ll Never Get Over You<\/li>\n\n\n\n<li>Nightcat &#8211; no. 1 House Rule<\/li>\n\n\n\n<li>April &#8211; Someone To Hold<\/li>\n\n\n\n<li>Sweet TB &#8211; Let Me Fly<\/li>\n\n\n\n<li>Break Machine &#8211; Street Dance<\/li>\n\n\n\n<li>Alisha &#8211; Baby Talk<\/li>\n\n\n\n<li>Debbie Deb &#8211; When I Hear Music<\/li>\n\n\n\n<li>Lil&#8217; Suzy &#8211; Can&#8217;t Get You Out Of My Mind<\/li>\n\n\n\n<li>Shannon &#8211; Let The Music Play<\/li>\n\n\n\n<li>Ghost Town DJs &#8211; My Boo<\/li>\n\n\n\n<li>Carmen &#8211; Time To Move<\/li>\n\n\n\n<li>Cherokee &#8211; Don&#8217;t Go Away<\/li>\n\n\n\n<li>Noel &#8211; Silent Morning<\/li>\n\n\n\n<li>George Anthony &#8211; What Will It Take<\/li>\n\n\n\n<li>Jocelyn Enriquez &#8211; A Little Bit Of Ecstasy<\/li>\n\n\n\n<li>Eileen Flores &#8211; I Have Dreams<\/li>\n\n\n\n<li>Solina &#8211; Where Are You Now<\/li>\n\n\n\n<li>TPE &#8211; Forever And A Day<\/li>\n\n\n\n<li>Wired &#8211; To The Beat Of The Drum<\/li>\n\n\n\n<li>Coro &#8211; Where Are You Tonight<\/li>\n\n\n\n<li>Johnny O &#8211; Fantasy Girl<\/li>\n\n\n\n<li>Seduction &#8211; You&#8217;re My One And Only (True Love)<\/li>\n\n\n\n<li>Tamara &#8211; Never Gonna Let You Go<\/li>\n\n\n\n<li>The Cover Girls &#8211; Show Me<\/li>\n\n\n\n<li>Rockell &#8211; In A Dream<\/li>\n\n\n\n<li>Sa-Fire &#8211; Let Me Be The One<\/li>\n\n\n\n<li>Stevie B. &#8211; Spring Love (Come Back To Me)<\/li>\n\n\n\n<li>Soft Touch &#8211; Crime Of Passion (Dub Of Passion)<\/li>\n\n\n\n<li>Solid &#8211; Loving You<\/li>\n\n\n\n<li>Science &#8211; Get Your Groove On<\/li>\n\n\n\n<li>Leticia &#8211; Dream Love<\/li>\n\n\n\n<li>Freida &#8211; Promise To Stay<\/li>\n\n\n\n<li>Sweet Sensation &#8211; Hooked On You<\/li>\n\n\n\n<li>Jasmin &#8211; On The Loose<\/li>\n\n\n\n<li>Jenni &#8211; Separate Ways<\/li>\n\n\n\n<li>52nd Street &#8211; Cool As Ice<\/li>\n\n\n\n<li>Evie &#8211; Just Stay The Night<\/li>\n\n\n\n<li>Alizee &#8211; Fantasy Love<\/li>\n\n\n\n<li>Barbara Roy &#8211; With All My Love<\/li>\n\n\n\n<li>Stephanie Marano &#8211; Symphony Of Love<\/li>\n\n\n\n<li>Nice &amp; Wild &#8211; Diamond Girl<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.1. &#8211; 1.2. Florida Breaks<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Florida Breaks<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Orlando Breaks<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Electro<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Florida Breaks<\/em><\/strong> este un v\u0103r al <strong><em>Electro<\/em><\/strong>, mai de sud, mai alb, dar nicidecum mai pu\u021bin cool, infuzat de pop, plin de sample-uri. Este tehnic un gen <strong><em>Breakbeat <\/em><\/strong>\u00eens\u0103 a venit din <strong><em>Freestyle <\/em><\/strong>\u0219i <strong><em>Electro<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Florida Breaks<\/em><\/strong> este genul chintesen\u021bial al anilor &#8217;90. Are breakdown-uri, construc\u021bii, \u0219i imnuri. Are sample-uri de breakbeat \u0219i bas 808 \u0219i acid (uneori). Are vocodere \u0219i sample-uri vocale \u0219i strig\u0103te de hypeman. Are imnuri \u0219i junghiuri orchestrale. Are sirene de ma\u0219in\u0103 \u0219i sirene de aer \u0219i sirena de alert\u0103 ro\u0219ie Star Trek TNG. Are zg\u0103riei \u0219i t\u0103ieri de 4-bare \u0219i megamix-uri. Are b\u0103ie\u021bi purt\u00e2nd p\u0103l\u0103rii de baseball \u0219i apuc\u00e2ndu-le c\u00e2nd ei danseaz\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e2nd Sonic the Hedgehog coboar\u0103, el aproape mereu se rupe pe <strong><em>Florida Breaks<\/em><\/strong>. Ori aia ori <strong><em>New Jack Swing<\/em><\/strong> (depinz\u00e2nd de er\u0103). Aceasta este muzic\u0103 pentru b-boying, buoying, boyoying \u0219i boytoying.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/floridabreaks.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Florida se rupe \u0219i se sparge precum un prezervativ de 1 dolar de la magazin.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Omul cel mai responsabil pentru acest nonsens a fost probabil DJ Icey care \u0219i-a b\u0103tut ale sale \u00eenregistr\u0103ri de muzic\u0103 de bas cu &#8220;totul \u00eenafar\u0103 de chiuveta de buc\u0103t\u0103rie&#8221; prin a sa proprie cas\u0103 de discuri, Zone Records, de la clubul lui de noapte din Orlando. Asta s-a r\u0103sp\u00e2ndit prin toat\u0103 \u021bara \u00eengrozitor de repede. Dac\u0103 mergeai la o petrecere de Breaks la sf\u00e2r\u0219itul anilor &#8217;90, ori suna precum asta ori gen <strong><em>Big Beat<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Muzica din Florida la \u00eenceputul anilor &#8217;90 ar\u0103ta precum o g\u0103leat\u0103, o g\u0103letu\u0219\u0103 de \u00eenghe\u021bat\u0103 napolitan\u0103. Zona de sud a Miami a clopotului Americii avea <strong><em>Bass <\/em><\/strong>de ciocolat\u0103, zona de nord a Jacksonville avea <strong><em>Hip Hop<\/em><\/strong> de vanilie cu gust \u0219i arom\u0103 de Atlanta, iar mijlocul &#8211; Orlando &#8211; avea asta. <strong><em>Breakbeat<\/em><\/strong>. C\u0103p\u0219una. Nu fac vreo glum\u0103 rasist\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Precum majoritatea lucrurilor din Florida, lucrurile au devenit dubioase \u0219i au sc\u0103pat din m\u00e2n\u0103 foarte rapid iar primele supradoze de rave \u0219i mor\u021bi au fost \u00eenregistrate aici, fapt care a determinat un episod special al ABC-ului, 20\/20, pentru a senza\u021bionaliza aceste petreceri rave nebune de toat\u0103 noaptea, alimentate cu droguri, ca \u0219i cea mai nou\u0103 panic\u0103 moral\u0103 pentru p\u0103rin\u021bii str\u00e2ng\u0103tori de perle.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/20-20-raves.mp4\"><\/video><figcaption class=\"wp-element-caption\">Nim\u0103nui nu-i place s\u0103 fie l\u0103sat singur. \u00cen special c\u00e2nd ei nu \u0219tiu s\u0103 deosebeasc\u0103 binele de r\u0103u. P\u0103rin\u021bi, unde v\u0103 este copilul vostru?<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Mul\u021bumim, ABC, c\u0103 a\u021bi convins milioane de tineri mode\u0219ti, simpli \u0219i cumin\u021bi s\u0103 verifice aceste lucruri rave &#8211; exact opusul a ceea ce voi a\u021bi inten\u021bionat, o demonstra\u021bie a efectului Streisand \u00eenainte de a fi numit efectul Streisand.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La fel ca \u0219i cu majoritatea genurilor, <strong><em>Florida Breaks<\/em><\/strong> \u00ee\u0219i dep\u0103\u0219ise binevenirea iar p\u00e2n\u0103 la finalul anilor &#8217;90, aroma unic\u0103 napolitan\u0103 a statului a fost zdrobit\u0103 sub greutatea impozant\u0103 \u0219i impun\u0103toare a Ultra Music Festival, care a amestecat \u0219i combinat toate dialectele muzicale regionale \u00eentr-o singur\u0103 past\u0103 plictisitoare, unificatoare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Acum \u00een locul aromei locale eclectice, noi ob\u021binem baston\u0103ri de DJ \u00eenvechi\u021bi interna\u021bionali marca\u021bi drept euroshit. Probabil c\u0103 noi eram mai bine cu rave-urile \u0219i supradozele. Doar zic.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Florida Breaks <\/em><\/strong>&#8211; <strong><em><strong><em>Electro<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-78370dd3 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-63d8e649\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Dbj &#8211; You<\/li>\n\n\n\n<li>Freestyle Project &#8211; Freak Tonight<\/li>\n\n\n\n<li>Buzzthrill &#8211; Soul Music (Get On Your Funkin&#8217; Knees mix)<\/li>\n\n\n\n<li>Brothers Bud vs Thc &#8211; Yap Yap (Brothers Bud mix)<\/li>\n\n\n\n<li>Freestyle &#8211; Jam The Box &#8217;99 (Sharaz mix)<\/li>\n\n\n\n<li>Bass Mekanik &#8211; Bass Mechanic (DJ Icey mix)<\/li>\n\n\n\n<li>DJ Infiniti &#8211; Children Of The 80s<\/li>\n\n\n\n<li>DJ Infiniti &#8211; Running Away<\/li>\n\n\n\n<li>The Freakazoids &#8211; What Is A DJ<\/li>\n\n\n\n<li>Stereodan &#8211; Play With Me<\/li>\n\n\n\n<li>La Rissa &#8211; I Do Both Jay And Jane<\/li>\n\n\n\n<li>Flying Steps &#8211; Breakin&#8217; It Down<\/li>\n\n\n\n<li>Factor E &#8211; Ctm (Jackal mix)<\/li>\n\n\n\n<li>Fader Freaks &#8211; Saturn<\/li>\n\n\n\n<li>Dave London &#8211; The Roof<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-15be2773\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"16\">\n<li>Beat Assassins &#8211; Keepin It Jiggy<\/li>\n\n\n\n<li>Frank White &#8211; Botero<\/li>\n\n\n\n<li>Mike &amp; Charlie &#8211; I Get Live (Dave London mix)<\/li>\n\n\n\n<li>DJ Stew &#8211; Ghetto Funk Baby<\/li>\n\n\n\n<li>DJ Baby Anne &#8211; Pulse<\/li>\n\n\n\n<li>Flying Steps &#8211; Get Freaky<\/li>\n\n\n\n<li>Tony Faline &#8211; The Groove (Funked Up mix)<\/li>\n\n\n\n<li>Ghettoblasta &#8211; I O U<\/li>\n\n\n\n<li>DJ Icey &#8211; Frequent Yet Vague<\/li>\n\n\n\n<li>Bomfunk MC&#8217;s &#8211; Freestyler<\/li>\n\n\n\n<li>Daylight Society &#8211; Yes-No-Maybe (Southside Reverb mix)<\/li>\n\n\n\n<li>Sharaz &#8211; Bumpin&#8217;<\/li>\n\n\n\n<li>Sk-Eye &#8211; Your Love (DJ Icey mix)<\/li>\n\n\n\n<li>DJ Baby Anne &#8211; She Said<\/li>\n\n\n\n<li>Dave London &#8211; Get Down Tonight (Dave&#8217;s I&#8217;m Not Really From Florida mix)<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Electro &#8211; gen de muzic\u0103 care presupune instrumente muzicale electronice, instrumente digitale, sau tehnologie de muzic\u0103 bazat\u0103 pe circuite \u00een crearea sa. 1. Electro (derivat din Rap) Gen Muzical Electronic Electro Alte Denumiri Technopop, Robotpop, Electro Rap, Electrobreaks Sfera \/ Scena Electro An Apari\u021bie early 80s Exist\u0103 \u00eentregi libr\u0103rii \u0219i biblioteci pline de c\u0103r\u021bi despre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":338,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-269","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"sm","author_link":"https:\/\/smajoris.space\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Electro &#8211; gen de muzic\u0103 care presupune instrumente muzicale electronice, instrumente digitale, sau tehnologie de muzic\u0103 bazat\u0103 pe circuite \u00een crearea sa. 1. Electro (derivat din Rap) Gen Muzical Electronic Electro Alte Denumiri Technopop, Robotpop, Electro Rap, Electrobreaks Sfera \/ Scena Electro An Apari\u021bie early 80s Exist\u0103 \u00eentregi libr\u0103rii \u0219i biblioteci pline de c\u0103r\u021bi despre&hellip;","_links":{"self":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=269"}],"version-history":[{"count":94,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/269\/revisions"}],"predecessor-version":[{"id":3216,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/269\/revisions\/3216"}],"up":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}