{"id":271,"date":"2022-04-16T22:46:09","date_gmt":"2022-04-16T22:46:09","guid":{"rendered":"https:\/\/smajoris.space\/12-techno\/"},"modified":"2022-12-17T17:20:40","modified_gmt":"2022-12-17T17:20:40","slug":"12-techno","status":"publish","type":"page","link":"https:\/\/smajoris.space\/?page_id=271","title":{"rendered":"12. Techno"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>Techno <\/em><\/strong>&#8211; este un gen de muzic\u0103 dance electronic\u0103 (EDM) care este \u00een general produs\u0103 pentru folosirea \u00eentr-un set continuu al unui DJ, cu tempo adesea variind \u00eentre 120 \u0219i 150 b\u0103t\u0103i pe minut (beats per minute &#8211; bpm).<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\t\t\t\t<div class=\"wp-block-uagb-table-of-contents uagb-toc__align-center uagb-toc__columns-5  uagb-block-eca977b4      \"\n\t\t\t\t\tdata-scroll= \"1\"\n\t\t\t\t\tdata-offset= \"100\"\n\t\t\t\t\tstyle=\"\"\n\t\t\t\t>\n\t\t\t\t<div class=\"uagb-toc__wrap\">\n\t\t\t\t\t\t<div class=\"uagb-toc__title\">\n\t\t\t\t\t\t\tSubgenuri\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"uagb-toc__list-wrap \">\n\t\t\t\t\t\t<ol class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#1-detroit-techno-derivat-din-electro\" class=\"uagb-toc-link__trigger\">1. Detroit Techno (derivat din Electro)<\/a><li class=\"uagb-toc__list\"><a href=\"#11-bleep-techno\" class=\"uagb-toc-link__trigger\">1.1. Bleep Techno<\/a><li class=\"uagb-toc__list\"><a href=\"#111-euro-techno-derivat-din-rave\" class=\"uagb-toc-link__trigger\">1.1.1. Euro Techno (derivat din Rave)<\/a><li class=\"uagb-toc__list\"><a href=\"#112-hard-techno\" class=\"uagb-toc-link__trigger\">1.1.2. Hard Techno<\/a><li class=\"uagb-toc__list\"><a href=\"#1121-experimental-techno\" class=\"uagb-toc-link__trigger\">1.1.2.1. Experimental Techno<\/a><li class=\"uagb-toc__list\"><a href=\"#1122-schranz\" class=\"uagb-toc-link__trigger\">1.1.2.2. Schranz<\/a><li class=\"uagb-toc__list\"><a href=\"#12-minimal-techno\" class=\"uagb-toc-link__trigger\">1.2. Minimal Techno<\/a><li class=\"uagb-toc__list\"><a href=\"#121-13-dub-techno\" class=\"uagb-toc-link__trigger\">1.2.1. &#8211; 1.3. Dub Techno<\/a><li class=\"uagb-toc__list\"><a href=\"#14-bangin-techno\" class=\"uagb-toc-link__trigger\">1.4. Bangin Techno<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1. Detroit Techno<\/strong> (derivat din <strong><a href=\"https:\/\/smajoris.space\/?page_id=269#electro\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=269#electro\">Electro<\/a><\/strong>)<\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Detroit Techno<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Classic Techno<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Trebuie s\u0103 fi fost un lucru curios de v\u0103zut la vremea aia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tineretul negru de clas\u0103 mijlocie afluent, \u00eembel\u0219ugat \u0219i abundent, tr\u0103ind \u00een suburbia \u0219i periferia lini\u0219tit\u0103 a Detroit, a Belleville Michigan, la sf\u00e2r\u0219itul anilor &#8217;70, crescut de c\u0103tre urma\u0219ii industriei automobile. Ei aveau bani s\u0103 cheltuiasc\u0103 \u0219i petreceri la care s\u0103 participe \u00eens\u0103 mai degrab\u0103 dec\u00e2t s\u0103 se identifice cu sunetele str\u0103zii aspre \u0219i dure, ale <strong><em>Rap <\/em><\/strong>care veneau din New York, ei au privit \u00een schimb c\u0103tre continentul \u0219i uscatul Europa pentru a emula ultimele trenduri din mod\u0103 \u0219i muzic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Precum al s\u0103u v\u0103r <strong><em>Electro<\/em><\/strong>, <strong><em>Detroit Techno<\/em><\/strong> de asemenea are r\u0103d\u0103cini distincte, clare \u0219i vizibile de &#8220;oreo&#8221;. Aceste petreceri cu adolescen\u021bi negri purt\u00e2nd Gucci \u0219i Armani \u0219i dans\u00e2nd pe <strong><em>Italo Disco<\/em><\/strong> \u0219i <strong><em>Hi NRG<\/em><\/strong> au purtat un complet alt vibe dec\u00e2t petrecerile de bloc ale demograficelor <strong><em>Rap<\/em><\/strong>, afectate \u0219i lovite de s\u0103r\u0103cie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I-a luat lui <strong><em>Rap <\/em><\/strong>aproape un \u00eentreg deceniu &#8211; \u0219i ni\u0219te circumstan\u021be fortuite, \u00eent\u00e2mpl\u0103toare \u0219i accidentale &#8211; pentru a \u0219terpeli laolalt\u0103 suficien\u021bi bani numai pentru a t\u0103ia o \u00eenregistrare. Copiilor din Detroit le-a fost u\u0219or, comparativ cu Harlem. C\u00e2nd ei aveau nevoie de repararea muzical\u0103 a lor, ei se acordau show-ului de radio Electrifying Mojo unde el avea s\u0103 c\u00e2nte \u0219i s\u0103 pun\u0103 cele mai fierbin\u021bi importuri din Italia, Fran\u021ba \u0219i Germania.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/detroitdanceshow.mp4\"><\/video><figcaption class=\"wp-element-caption\">Asta este de fapt \u00eenregistrat\u0103 \u00een martie 1989 \u00een clubul Brotherhood din Detroit. Nu exist\u0103 niciun video cu acele super timpurii petreceri Belleville, de care s\u0103 \u0219tiu eu, dar \u00een\u021belegi tu esen\u021ba.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nu le-a luat mult acestor copii s\u0103 \u00eencerce propria lor muzic\u0103 disco de spa\u021biu european. Banii nu erau un obstacol a\u0219a c\u0103 ei au cump\u0103rat echipamente, s-au jucat cu butoanele, iar rezultatul a fost A Number of Names &#8211; Sharevari. Nu era <strong><em>Techno<\/em><\/strong>. Nu era chiar nimic. A fost practic o \u00eencruci\u0219are \u00eentre Kraftwerk &#8211; Home Computer \u0219i Telex &#8211; Moskow Diskow. \u00cens\u0103 \u00eenc\u0103 \u0219i tot a con\u021binut acel rece mecanism care ar caracteriza aproape \u00eentreaga muzic\u0103 Detroit a anilor &#8217;80 (spre deosebire, \u0219i opus fiind cu acea c\u0103ldur\u0103 a <strong><em>Chicago House <\/em><\/strong>sau soul al <strong><em>Garage<\/em><\/strong>). Cine \u0219tie de ce muzica Detroit mereu sun\u0103 \u00een acest fel, dar este un lucru de Detroit distinct \u0219i distinctiv. Tu-l po\u021bi chiar auzi \u00een Rhythim is Rhythim &#8211; Strings of Life, care este o \u00eencercare Detroit la <strong><em>Chicago House <\/em><\/strong>optimist, dantelat la pian, \u00eens\u0103 totu\u0219i ie\u0219ind rigid \u0219i mecanizat. Chiar \u0219i cu umpleri de pian optimist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Da a existat de asemenea Cybotron, \u00eens\u0103 a fost majoritar o jupuire Kraftwerk p\u00e2n\u0103 la lansarea lui Planet Rock, apoi s-a mutat \u00een a fi mai mult o jupuire <strong><em>Electro<\/em><\/strong>, cu mai mult funk \u0219i voci \u0219i mai pu\u021bin pop de robot.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cuv\u00e2ntul &#8220;<strong><em>Techno<\/em><\/strong>&#8221; a fost probabil ridicat \u0219i luat de la futuristul &#8220;The Third Wave&#8221; al lui Alvin Toffler, asta dac\u0103 nu a fost, \u0219i a fost ori o joac\u0103 \u0219i o glum\u0103 asupra <strong><em>Disco<\/em><\/strong>, sau furat cu neru\u0219inare \u0219i f\u0103r\u0103 ru\u0219ine de la vreun alt futurist fulgerat \u0219i tr\u0103znit precum Douglas Coupland sau Terrence McKenna.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dac\u0103 tu ai vrea un &#8220;\u00eenceput ini\u021bial de primul prim absolut original #1 al sursei na\u0219terii vreunei piese <strong><em>Techno<\/em><\/strong>&#8221; definitoriu, eu a\u0219 zice c\u0103 este Cybotron &#8211; Techno City \u00een anul 1984. Juan Atkins urma \u0219i avea de g\u00e2nd s\u0103 stabileasc\u0103 amprenta <strong><em>Techno <\/em><\/strong>1 an mai t\u00e2rziu, cu Model 500, \u00eens\u0103 aceast\u0103 pies\u0103 chiar a capturat \u0219i \u00eenglobat viitorul chinuitor \u0219i sf\u00e2\u0219\u00e2ietor ce avea s\u0103 vin\u0103 pentru Detroit, ceea ce este o tem\u0103 de rulare \u00een cadrul <strong><em>Techno<\/em><\/strong>. Este prima pies\u0103 care s\u0103 sune precum <strong><em>Techno<\/em><\/strong> adev\u0103rat \u0219i real. Ba chiar are \u0219i a primit \u0219i genul \u00een nume. Cum po\u021bi s\u0103 te cer\u021bi cu asta?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dac\u0103 tu te \u00eentrebi ce anume separ\u0103 <strong><em>Techno <\/em><\/strong>de <strong><em>House <\/em><\/strong>\/ <strong><em>Garage <\/em><\/strong>\/ <strong><em>Trance <\/em><\/strong>\/ <strong><em>Disco <\/em><\/strong>\/ <strong><em>Synthpop<\/em><\/strong>, \u0219i toate celelalte restul, de genurile ce sun\u0103 precum Daft Punk cu repetitiva 4\/4, ascult\u0103-i c\u0103ldura. Nu are niciuna. Compara\u021bii cu blenderele, \u0219i ma\u0219inile de sp\u0103lat, sunt apte \u0219i potrivite deoarece <strong><em>Techno <\/em><\/strong>este la baz\u0103 muzic\u0103 de ma\u0219ini, reflect\u00e2nd fabricile de asamblare \u00eengrozitoare \u0219i presele de uzine ale industriei de automobile din Detroit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fondatorii <strong><em>Techno <\/em><\/strong>au fabricat \u0219i creat o form\u0103 de muzic\u0103 f\u0103r\u0103 suflet, at\u00e2t de rece \u0219i de monolitic\u0103 \u0219i de impersonal\u0103 precum ma\u0219inile care au f\u0103cut-o, nesim\u021bitoare, insensibile \u0219i neclintite, ferme. \u00cen mod ironic, ei \u00eencercau s\u0103 g\u0103seasc\u0103 sufletul ma\u0219inii, \u00een ma\u0219in\u0103, sau s\u0103-\u0219i impregneze \u0219i insufle propriile lor suflete \u00een ea. Este un concept complicat, greoi, de a \u00een\u021belege \u0219i te prinde c\u00e2nd muzica se presupune \u0219i ar trebui s\u0103 trezeasc\u0103 o emo\u021bie. De ce ar vrea cineva s\u0103 fac\u0103 ceva care n-are nimic din aia? Aici este o form\u0103 de muzic\u0103 care se deta\u0219eaz\u0103 \u0219i se desprinde de condi\u021bia uman\u0103 pentru a se transforma, \u0219i pe tine, \u00eentr-o ma\u0219in\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Precum un lichior tare, <strong><em>Techno <\/em><\/strong>este un gust dob\u00e2ndit, apreciat pentru a sa precizie, a sa perfec\u021biune, a sa simplitate. \u0218i este inumanitate. Dac\u0103 vreodat\u0103 tu treci printr-o desp\u0103r\u021bire \u0219i separare emo\u021bional\u0103, eu \u00ee\u021bi recomand s\u0103 ascul\u021bi <strong><em>Techno<\/em><\/strong>. Te ajut\u0103 s\u0103 nu sim\u021bi nimic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0218i cine sunt &#8216;fondatorii&#8217; despre care eu vorbesc? \u0102\u0103, ace\u0219ti tipi chiar aici:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/belleville-4.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Cum ar ar\u0103ta pionierii muzicii.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nu ar fi complet corect \u0219i fair s\u0103 numesc <strong><em>Detroit Techno<\/em><\/strong> sumbru, trist, pustiu \u0219i lipsit de culoare. Este \u00eenc\u0103 plin de speran\u021b\u0103 \u0219i optimism, pentru un viitor tehnologic, \u00eens\u0103 \u00eentotdeauna \u0219i mereu se simte paralizat de c\u0103tre dezumanizarea tehnologiei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Viitorul, potrivit Detroit, urma s\u0103 fie mai pu\u021bin gen Star Trek \u0219i mai mult gen The Terminator. Sau pentru un exemplu mai sub nas: Robocop, filmul de ac\u021biune din 1987, despre un Detroit futuristic real, salvat de c\u0103tre un poli\u021bist robot futuristic real, care petrece majoritatea filmului fiind un vigilent stabilizator al legii psihotic, din \u0219i pentru r\u0103zbunare sadic\u0103, mai degrab\u0103 dec\u00e2t un agent cu adev\u0103rat impar\u021bial al aplic\u0103rii legii. El este eroul pe care Detroit \u0219i-l merit\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cens\u0103 Detroit are un motiv pentru a se sim\u021bi a\u0219a. Este un ora\u0219 cu o singur\u0103 industrie, unde industria a fost u\u0219or erodat\u0103 \u00een ultimul sfert al secolului 20, nu de c\u0103tre epuizare, golire, descongestionare sau competi\u021bia de peste ocean, de peste m\u0103ri (cu toate c\u0103 aia nu a ajutat), ci prin automatizare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Din 1979 \u0219i p\u00e2n\u0103 \u00een 1984, aproape, aproximativ 50% din lucr\u0103torii auto industriali African-Americani \u0219i-au pierdut slujbele. Acea munc\u0103 nu a fost niciodat\u0103 suficient de recuperat\u0103, compensat\u0103. Ma\u0219inile ne-au eliberat pe noi de la munc\u0103, \u00eens\u0103 ele ne-au \u0219i eliberat de la a ne mai c\u00e2\u0219tiga existen\u021ba. <strong><em>Detroit Techno<\/em><\/strong> a v\u0103zut asta \u00eent\u00e2mpl\u00e2ndu-se \u00een timp real \u0219i a exprimat aprehensiune, team\u0103 \u0219i \u00een\u021belegere la aceast\u0103 nou\u0103 lume curajoas\u0103, a \u00eenvechirii umane, a \u00eenvechirii omului. Iar ei \u0219i-au exprimat-o ironic prin intermediul ma\u0219ini de drum de uciderea locului de munc\u0103 \u0219i echipament muzical.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen ciuda unor a\u0219a impetuoase, n\u0103valnice, violente \u0219i mitologice origini, real \u0219i sincer vorbind, <strong><em>Detroit Techno<\/em><\/strong> nu a fost niciodat\u0103 mai mult dec\u00e2t un gen regional \u0219i niciodat\u0103 nu a explodat precum <strong><em>House<\/em><\/strong>, <strong><em>Garage<\/em><\/strong> sau <strong><em>Rap<\/em><\/strong>. Aia e, p\u00e2n\u0103 \u00een 1988 c\u00e2nd aceast\u0103 compila\u021bie general\u0103 \u0219i universal\u0103, neinteresant\u0103, care nu \u00eensemna nimic, a reu\u0219it peste ocean:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/techno-detroit.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Dac\u0103 ei l-ar fi numit Poopyfart, ast\u0103zi noi to\u021bi am deveni nostalgici despre sunetul oldschool de Detroit Poopyfart al Trio-ului Belleville.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nu este o compila\u021bie foarte bun\u0103. Nici m\u0103car nu este o portretizare foarte exact\u0103, corect\u0103 \u0219i precis\u0103, a <strong><em>Techno <\/em><\/strong>ce venea din Detroit la vremea respectiv\u0103 (poate <strong><em>House<\/em><\/strong>, dar nu <strong><em>Techno<\/em><\/strong>). \u00cens\u0103 a lovit scena rave UK fix la momentul potrivit, c\u00e2nd valul <strong><em>Acid House<\/em><\/strong> se lichida, iar oamenii erau dornici, ner\u0103bd\u0103tori \u0219i doritori pentru un nou tip de sunet. Ei au petrecut anul anterior f\u0103c\u00e2nd gargar\u0103 cu \u00eenregistr\u0103rile <strong><em>Chicago House <\/em><\/strong>iar aceast\u0103 compila\u021bie i-a invitat pe ei s\u0103-i dea o lovitur\u0103 \u0219i o \u0219ans\u0103 lui Detroit. \u0218i numele: <strong><em>Techno<\/em><\/strong>. Este tipul de cuv\u00e2nt catchy cu care viseaz\u0103 s\u0103 vin\u0103 marketerii \u0219i s\u0103-i marcheze comercial, acei parazi\u021bi lipsi\u021bi de suflet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 acest punct, oamenii l-au numit <strong><em>Techno<\/em><\/strong>. Era tot <strong><em>Techno<\/em><\/strong>. Muzica a fost numit\u0103 muzic\u0103 <strong><em>Techno<\/em><\/strong>. Petrecerile erau numite petreceri de <strong><em>Techno<\/em><\/strong>. Fanii erau numi\u021bi gen &#8220;oameni care s-au dus la petreceri <strong><em>Techno <\/em><\/strong>pentru a asculta muzic\u0103 <strong><em>Techno<\/em><\/strong>&#8220;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De atunci \u00eenainte, tot ceea ce era condus de beat \u0219i f\u0103cut complet de c\u0103tre ma\u0219ini, de la <strong><em>House <\/em><\/strong>la <strong><em>Eurodance <\/em><\/strong>la <strong><em>Downtempo <\/em><\/strong>la post-<strong><em>Disco<\/em><\/strong>, era <strong><em>Techno<\/em><\/strong>. La \u0219tiri, \u00een media, \u00een locurile de joac\u0103 de la \u0219coal\u0103. <strong><em>Techno <\/em><\/strong>era acea muzic\u0103 &#8220;Oonce Oonce Oonce Oonce&#8221; iar \u00eentr-o mare m\u0103sur\u0103, muzica electronic\u0103 \u00eenc\u0103 este numit\u0103 cu acel termen umbrel\u0103 ast\u0103zi (c\u00e2nd ei nu o numesc EDM de sufocare indus\u0103 sau, fereasc\u0103 d-zeu, electronica).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gagiii <strong><em>Detroit Techno<\/em><\/strong> care au crescut idolatriz\u00e2nd muzica de sintetizatoare european\u0103, acum erau idola\u021bi \u0219i idolatriza\u021bi \u00een Europa. Asta a dat na\u0219tere la un num\u0103r de subgenuri <strong><em>Techno <\/em><\/strong>peste ocean, toate din ele interesante pentru motive variate care nu au nimic de-a face cu Detroit. Iar pentru aceia care vor ca <strong><em>Detroit Techno<\/em><\/strong> s\u0103 r\u0103m\u00e2n\u0103 Detroit (poate un pic prea Detroit), exist\u0103 mereu lista 313 &#8211; un stup nenorocit de mizerie \u0219i tic\u0103lo\u0219ie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cens\u0103 a fost cuv\u00e2ntul &#8216;<strong><em>Techno<\/em><\/strong>&#8216; care a explodat \u0219i nu sunetul real, iar pentru acest motiv Detroit s-a sim\u021bit cumva ru\u0219inat s\u0103-\u0219i asocieze ora\u0219ul lor cu euroshit-ul gafei g\u0103l\u0103giei marcate, \u0219i nu-i \u00eenvinov\u0103\u021besc pe ei. Chiar a devenit un ritual \u0219i o ceremonie de trecere \u0219i pasaj pentru snobii muzicii electronice de-a corecta pe toat\u0103 lumea pe care ei \u00eei \u00eent\u00e2lneau despre adev\u0103ratul sunet <strong><em>Techno<\/em><\/strong>. \u00cen special, odat\u0103 ce rave-urile au prins \u00een partea de stat, iar nazi\u0219tii genului au devenit sup\u0103ra\u021bi de toat\u0103 etichetarea gre\u0219it\u0103. Probabil c\u0103 te po\u021bi opri din a mai face aia acum.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pentru aproape un \u00eentreg deceniu, Detroit s-a nerecunoscut pe sine cu cuv\u00e2ntul, doar \u00eemp\u0103c\u00e2ndu-se cu el, \u0219i accept\u00e2ndu-i locul s\u0103u \u00een folclorul muzicii electronice l\u0103 scurt timp dup\u0103 anii 2000 (\u0219i anume: dup\u0103 ce era &#8220;electronica&#8221; s-a risipit \u0219i \u00eempr\u0103\u0219tiat, disipat, \u00een mainstream).<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/detroittechno.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Nimic nu ilustreaz\u0103 \u0219i capteaz\u0103 mai bine m\u00e2ndria \u0219i agonia Detroit-ului dec\u00e2t aceast\u0103 poz\u0103.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cu timpul vine restituirea \u0219i desp\u0103gubirea. Detroit \u0219i-a luat cuv\u00e2ntul \u00eenapoi printr-un festival de muzic\u0103 monstru, o expozi\u021bie \u0219i prezentare \u00een Detroit Historical Museum (chiar l\u00e2ng\u0103 expozi\u021bia Motown), \u0219i chiar companiile de ma\u0219ini \u0219i-au celebrat \u0219i s\u0103rb\u0103torit a lor special\u0103 mo\u0219tenire \u00eempreun\u0103 cu ora\u0219ul:<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/fordfocus.mp4\"><\/video><figcaption class=\"wp-element-caption\">Dovada c\u0103 reclamele \u0219i publicitatea func\u021bioneaz\u0103: Eu am fost tentat\u0103 s\u0103 cump\u0103r un Ford Focus pe atunci bazat doar pe aceast\u0103 reclam\u0103.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">(Model 500 &#8211; No UFO&#8217;s)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lucrurile au f\u0103cut un cerc complet. <strong><em>Techno <\/em><\/strong>este \u00eenc\u0103 o dat\u0103 \u00eentruchiparea \u0219i \u00eencarnarea Detroit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Detroit Techno<\/em><\/strong> este \u00eenc\u0103 pe aici deoarece ceva a\u0219a de important nu va muri niciodat\u0103, chiar dac\u0103 ceea ce este ast\u0103zi considerat ca fiind <strong><em>Detroit Techno<\/em><\/strong> nu sun\u0103 deloc \u0219i sub nicio form\u0103 a originalul <strong><em>Detroit Techno<\/em><\/strong>. Singurul criteriu real pentru autenticul <strong><em>Detroit Techno<\/em><\/strong> pare a fi: Este tipul din Detroit? Dac\u0103 da, atunci este <strong><em>Detroit Techno<\/em><\/strong> (altfel, se \u00eent\u00e2mpl\u0103 s\u0103 fie <strong><em>Minimal Techno<\/em><\/strong> sau <strong><em>Dub Techno<\/em><\/strong>).<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Detroit Techno <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-a47ac8f9 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-449368af\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Carl Craig &#8211; Science Fiction<\/li>\n\n\n\n<li>R-Ryme &#8211; R-Theme (Mayday mix)<\/li>\n\n\n\n<li>Laurent Garnier &#8211; The Dream (New Age mix)<\/li>\n\n\n\n<li>Audio Spectrum &#8211; AT7 (Live In Detroit)<\/li>\n\n\n\n<li>The Other Side Of Space &#8211; Techno Drivers (Vocals)<\/li>\n\n\n\n<li>Dave Angel &#8211; Airbourne (Carl Craig&#8217;s Drums Suck mix)<\/li>\n\n\n\n<li>DJ Hell &#8211; The Disaster<\/li>\n\n\n\n<li>Millsart &#8211; Inner Self<\/li>\n\n\n\n<li>Derek Carr &#8211; 678<\/li>\n\n\n\n<li>Drexciya &#8211; Digital Tsunami<\/li>\n\n\n\n<li>Jam City &#8211; How We Relate To The Body<\/li>\n\n\n\n<li>Glass Domain &#8211; Shatter Prone<\/li>\n\n\n\n<li>Kenny Larkin &#8211; Loop 2 (Luke Slater mix)<\/li>\n\n\n\n<li>Oliver Ho &#8211; Natural Selection<\/li>\n\n\n\n<li>Terrence Hawke &#8211; Ova Tow<\/li>\n\n\n\n<li>Subterfuge &#8211; Liquid Poetry<\/li>\n\n\n\n<li>Sebastian S. &#8211; Etheral<\/li>\n\n\n\n<li>Cybotron &#8211; Techno City<\/li>\n\n\n\n<li>Prototype &#8211; The Path<\/li>\n\n\n\n<li>Black Scorpion &#8211; Metamorphose<\/li>\n\n\n\n<li>Luke Slater &#8211; Natural Science<\/li>\n\n\n\n<li>Trip Commando &#8211; Energy Tanks<\/li>\n\n\n\n<li>Shake &#8211; The Floor Filler<\/li>\n\n\n\n<li>Marcel Fengler &#8211; Sphinx<\/li>\n\n\n\n<li>Marcel Dettmann &#8211; Translation One<\/li>\n\n\n\n<li>Aztec Mystic &#8211; Knights Of The Jaguar<\/li>\n\n\n\n<li>Speedy J &#8211; Journey<\/li>\n\n\n\n<li>Keith Tucker &#8211; My Mental State<\/li>\n\n\n\n<li>Cybersonik &#8211; Technarchy<\/li>\n\n\n\n<li>Sensurreal &#8211; Neo-Cortex<\/li>\n\n\n\n<li>Damon Wild &#8211; Aqua<\/li>\n\n\n\n<li>Underground Resistance &#8211; Quadrasonic<\/li>\n\n\n\n<li>Darren Price &#8211; Blueprints<\/li>\n\n\n\n<li>Christian Wunsch &#8211; Mental Noise<\/li>\n\n\n\n<li>A Martian From Detroit &#8211; Lost Transmission From Earth<\/li>\n\n\n\n<li>X-102 &#8211; Phoebe<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-f591fc35\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"37\">\n<li>Carl Craig &#8211; Dreamland<\/li>\n\n\n\n<li>Skeleton Crew &#8211; Skeleton Coast<\/li>\n\n\n\n<li>Stacey Pullen &#8211; 8th Wonder<\/li>\n\n\n\n<li>Silent Phase &#8211; Psychotic Funk<\/li>\n\n\n\n<li>Model 500 &#8211; Electric Entourage<\/li>\n\n\n\n<li>Infiniti &#8211; Game On<\/li>\n\n\n\n<li>The Vision &#8211; Liberation Radio<\/li>\n\n\n\n<li>La Synthesis &#8211; Agraphobia (Kenny Larkin mix)<\/li>\n\n\n\n<li>M5 &#8211; Dream Traveller<\/li>\n\n\n\n<li>Jessie Deep! &#8211; Chill Out Space<\/li>\n\n\n\n<li>Reeko &#8211; Dystopic Futures<\/li>\n\n\n\n<li>Joey Beltram &#8211; The Start It Up (Technasia mix)<\/li>\n\n\n\n<li>Ron Trent &#8211; Altered States<\/li>\n\n\n\n<li>Cybersonik &#8211; Backlash<\/li>\n\n\n\n<li>Dave Clarke &#8211; Wisdom To The Wise<\/li>\n\n\n\n<li>Love Inc &#8211; Respect<\/li>\n\n\n\n<li>Underground Resistance &#8211; Predator<\/li>\n\n\n\n<li>Technasia &#8211; Force<\/li>\n\n\n\n<li>Close Up Over &#8211; Caz<\/li>\n\n\n\n<li>Gesaffelstein &#8211; Control Movement<\/li>\n\n\n\n<li>Robert Armani &#8211; Ambulance<\/li>\n\n\n\n<li>69 &#8211; Jam The Box<\/li>\n\n\n\n<li>Robert Hood &#8211; Stark Reality<\/li>\n\n\n\n<li>Mike Ink &#8211; The Universe<\/li>\n\n\n\n<li>Tobias Schmidt &#8211; Drugly Drunk<\/li>\n\n\n\n<li>Christian Wunsch &#8211; Floods<\/li>\n\n\n\n<li>Black Noise &#8211; Smoke &amp; Mirrors<\/li>\n\n\n\n<li>Bandulu &#8211; Gravity Pull<\/li>\n\n\n\n<li>Laurent Garnier &#8211; Astral Dreams (Headphones mix)<\/li>\n\n\n\n<li>A Number Of Names &#8211; Sharevari (Instrumental)<\/li>\n\n\n\n<li>Space DJz &#8211; Celestial Funk<\/li>\n\n\n\n<li>Plastikman &#8211; Spastik<\/li>\n\n\n\n<li>R. Craig &#8211; Second Wind<\/li>\n\n\n\n<li>Psyche &#8211; Crackdown<\/li>\n\n\n\n<li>Suburban Knight &#8211; The Art Of Stalking (Stalker mix)<\/li>\n\n\n\n<li>Dark Comedy &#8211; War Of The Worlds<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1. Bleep Techno<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bleep Techno<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">UK Techno<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Bleep Techno<\/em><\/strong> este o \u00eencercare viteaz\u0103 \u0219i brav\u0103 a United Kingdom de a face <strong><em>Detroit Techno<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rave-urile au preluat \u0219i pus st\u00e2p\u00e2nire peste mediul rural englez cu o a\u0219a ferocitate \u0219i s\u0103lb\u0103ticie \u00eenc\u00e2t p\u00e2n\u0103 \u00een 1990 ele erau declarate o pacoste \u0219i belea public\u0103. Petrecerile mobile puteau fi aruncate \u0219i organizate oriunde \u00een c\u00e2teva ore cu mii de petrec\u0103re\u021bi ap\u0103r\u00e2nd neanun\u021ba\u021bi \u00eentr-un c\u00e2mp al unui fermier precum un flash mob colorat aduc\u00e2ndu-\u0219i ale lor \u00eenregistr\u0103ri de <strong><em>Detroit Techno<\/em><\/strong> \u0219i <strong><em>Chicago House<\/em><\/strong> (ca \u0219i tone de droguri) pentru a dansa toat\u0103 noaptea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aceste petreceri erau renegate \u0219i tr\u0103d\u0103toare, clandestine, adesea durau zile, \u0219i nu exista nimic ce Poli\u021bia putea face pentru a-i opri (nu \u0219i dac\u0103 ei aveau o mul\u021bime de c\u0103tu\u0219e. Aceasta este UK &#8211; poli\u021bi\u0219tii nu au pistoale acolo. Ei au fluiere \u0219i p\u0103l\u0103rii melon).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nu a fost mult p\u00e2n\u0103 c\u00e2nd scena UK \u0219i-a \u00eencercat propria m\u00e2n\u0103 la a face muzic\u0103 electronic\u0103 mai degrab\u0103 dec\u00e2t s\u0103 importe \u00eenregistr\u0103ri scumpe din Detroit, Chicago \u0219i New York \u00een fiecare s\u0103pt\u0103m\u00e2n\u0103. Aceast\u0103 variant\u0103 de cas\u0103 a <strong><em>Detroit Techno<\/em><\/strong> a fost numit\u0103 \u00een mod corect <strong><em>UK Techno<\/em><\/strong> \u00eens\u0103 este mai bine cunoscut\u0103 pentru termenul de argou <em>Bleep<\/em>. Probabil ca \u0219i o referin\u021b\u0103 la \u00eencerc\u0103rile lor al naibii de slabe de a replica efectele de sunet aglomerate de pe Model 500 &#8211; No UFO&#8217;s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Se pare c\u0103 \u0103la era acel unic lucru &#8211; posibil singurul lucru &#8211; pe care ei l-au luat din <strong><em>Detroit Techno<\/em><\/strong>: C\u0103 a con\u021binut o groaz\u0103 \u0219i o mul\u021bime de efecte de sunet futuristice. Beep-uri \u0219i boop-uri \u0219i zip-uri \u0219i blip-uri \u0219i zap-uri de Star Trek \u0219i tweet-uri de R2D2 \u0219i tehnician de radar din bleep-urile, sweep-urile \u0219i creep-urile Spaceballs.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/spaceballs.mp4\"><\/video><figcaption class=\"wp-element-caption\">Larvell Jones este originalul mare maestru kung fu al beatbox-ului.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Eu vreau s\u0103 spun c\u0103 ei \u00eencercau s\u0103 emuleze sunetul de clopo\u021bel de v\u0103cu\u021b\u0103 808, deoarece un lucru ciudat \u0219i specific despre <strong><em>UK Techno<\/em><\/strong> (\u0219i muzica european\u0103 \u00een general de la momentul respectiv) este c\u0103 a folosit rar ma\u0219ina de drum TR-808. Linndrum era pentru Italo iar TR-909 era pentru house, \u00eens\u0103 808 pur \u0219i simplu nu a prins \u00een Europa a\u0219a cum a f\u0103cut \u00een State. N-am niciun habar de ce. R\u0103spunsul ar fi bine s\u0103 nu fie rasist.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/rx5.png\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Anumi\u021bi produc\u0103tori <strong><em>Bleep Techno<\/em><\/strong> au folosit ma\u0219ina de drum Yamaha RX-5 care nu a fost un mare v\u00e2nz\u0103tor \u00eens\u0103 o mul\u021bime de m\u00e2ini din Anglia l-au folosit pentru un anume motiv.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dac\u0103 1988 a fost era &#8220;<strong><em>Acid House<\/em><\/strong>&#8221; de evolu\u021bie a rave, atunci 1989 a fost era &#8220;<strong><em>Techno<\/em><\/strong>&#8221; unde ace\u0219ti copila\u0219i petrec\u0103re\u021bi dr\u0103g\u0103la\u0219i \u0219i iubibili au luat-o razna cu MDMA (o prescurtare de la &#8220;hey frate eu te iubesc pe tine deoarece tu e\u0219ti tu&#8221;) au ajuns la realizarea \u0219i \u00een\u021belegerea cum c\u0103 serotonina se dusese iar ei ardeau dopamin\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Deci, prin urmare, muzica a devenit mai tare \u0219i mai abraziv\u0103 \u0219i nu era la mai mult de 1 an sau 2 departe de lansarea a 5 scene \u00eentregi totul de unul singur \u0219i totul din UK: <strong><em>Rave \/ Hardcore<\/em><\/strong>, <strong><em>Drum n Bass<\/em><\/strong>, <strong><em>Breakbeat<\/em><\/strong>, <strong><em>Progressive<\/em><\/strong> \u0219i <strong><em>IDM<\/em><\/strong>. Era precum The Beatles merg\u00e2nd de la Help! la Dr. Pepper \u00eentr-un an \u0219i jum\u0103tate. Era un timp \u0219i o vreme foarte special\u0103 de a fi fan al muzicii electronice \u00eens\u0103 un \u0219i mai special timp de a fi un scriitor de muzic\u0103 din UK a muzicii electronice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sunt sigur\u0103 c\u0103 exist\u0103 m\u0103car un scriitor de muzic\u0103 din UK care ador\u0103 s\u0103 \u021b\u00e2\u0219neasc\u0103 \u00een aceast\u0103 perioad\u0103 pentru c\u0103 scriitorii de muzic\u0103 din UK ador\u0103 s\u0103 scrie despre muzica din UK, \u0219i s\u0103 glorifice contribu\u021bia muzicii din UK la omenire cu superlative de trufie. Ai mai \u00eent\u00e2lnit \u00eenainte acest tip de scriitor de muzic\u0103 din UK. Hai s\u0103-l numim Simon Reynolds &#8211; Bill Walton al muzicii electronice. Uneori tu apreciezi perspectiva sa eclectic\u0103 \u0219i ale sale fapte \u0219i evenimente lustruite \u00een violet \u00eens\u0103 alteori tu-\u021bi dore\u0219ti efectiv s\u0103 tac\u0103 naibii din gur\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Unii dintre cei mai populari \u0219i preten\u021bio\u0219i muzicieni ai scenei timpurii de rave au ap\u0103rut din perioada <strong><em>Bleep Techno<\/em><\/strong> incluz\u00e2nd Amorphous Androgynous, Indo Tribe, Mental Cube, Smart Systems, \u0219i The Future Sound of London.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/yage.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Aici \u00eei vedem pe Yage muncind din greu la a face ajust\u0103ri subtile sau sau ceva ce tu niciodat\u0103 nu vei observa.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Bleep Techno<\/em><\/strong> a fost o chestie de durat\u0103 de via\u021b\u0103 scurt\u0103, exist\u00e2nd doar p\u00e2n\u0103 c\u00e2nd produc\u0103torii s\u0103i au prins direc\u021bia potrivit\u0103 a cum se presupunea s\u0103 sune <strong><em>Techno<\/em><\/strong>. \u00cens\u0103 mai degrab\u0103 dec\u00e2t s\u0103-\u0219i repare deficien\u021bele, \u0219i s\u0103 mearg\u0103 spre Detroit, ei au devenit mai tari \u0219i au mers c\u0103tre Rave, ceea ce cam este foarte mult rezolvarea unei probleme prin a o face o problem\u0103 \u0219i mai mare dar f\u0103r\u0103 a ne displace foarte mult rezultatul.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Bleep Techno <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-cac1f9b5 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-07e28707\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Candy Flip &#8211; Evolution<\/li>\n\n\n\n<li>Yage &#8211; Fuzzy Logic<\/li>\n\n\n\n<li>Sweet Exorcist &#8211; Trick Jack<\/li>\n\n\n\n<li>Ability II &#8211; Pressure<\/li>\n\n\n\n<li>Spectrum &#8211; Brazil<\/li>\n\n\n\n<li>Indo Tribe &#8211; In The Mind Of A Child<\/li>\n\n\n\n<li>Enhanced &#8211; Knaqua<\/li>\n\n\n\n<li>States Of Mind &#8211; Elements Of Tone<\/li>\n\n\n\n<li>Caustic Window &#8211; Joyrex J4<\/li>\n\n\n\n<li>Mental Cube &#8211; Q<\/li>\n\n\n\n<li>Orbital &#8211; Chime Crime<\/li>\n\n\n\n<li>Syzygy &#8211; Meditation<\/li>\n\n\n\n<li>Nexus 21 &#8211; Logical Progression<\/li>\n\n\n\n<li>Sandoz &#8211; Limbo<\/li>\n\n\n\n<li>Unique 3 &#8211; The Theme (Unique mix)<\/li>\n\n\n\n<li>CJ Bolland &#8211; Camargue<\/li>\n\n\n\n<li>De Force &#8211; Tour<\/li>\n\n\n\n<li>Hypersonic &#8211; Dance Tones (Stoned mix)<\/li>\n\n\n\n<li>The Jokers &#8211; The Jokers<\/li>\n\n\n\n<li>Two Sandwiches Short Of A Lunchbox &#8211; Too Good To Be Strange<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-7be195c3\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"21\">\n<li>The P.S.I. Division &#8211; Mindfuck 2000 (The T.N.H. Elastic Man mix)<\/li>\n\n\n\n<li>Xon &#8211; Dissonance<\/li>\n\n\n\n<li>Eon &#8211; Spice<\/li>\n\n\n\n<li>Smart Systems &#8211; Creator<\/li>\n\n\n\n<li>Tricky Disco &#8211; Housefly<\/li>\n\n\n\n<li>Sweet Exorcist &#8211; Testone<\/li>\n\n\n\n<li>Polygon Window &#8211; Audax Powder<\/li>\n\n\n\n<li>Lfo &#8211; Lfo (The Leeds Warehouse mix)<\/li>\n\n\n\n<li>Forgemasters &#8211; Track With No Name<\/li>\n\n\n\n<li>Bleeps Anonymous &#8211; Revenge Of The Betty Bleep<\/li>\n\n\n\n<li>David Holmes &#8211; Minus 61 In Detroit<\/li>\n\n\n\n<li>Rhythmatic &#8211; Take Me Back<\/li>\n\n\n\n<li>The Brothers Grimm &#8211; Deja Vu<\/li>\n\n\n\n<li>808 State &#8211; Cubik<\/li>\n\n\n\n<li>F-X-U &#8211; The Scheme<\/li>\n\n\n\n<li>Turntable Overload &#8211; T.T.O (Mad Bastard mix)<\/li>\n\n\n\n<li>The Black Dog &#8211; Cost II<\/li>\n\n\n\n<li>Rejuvination &#8211; I.B.O.<\/li>\n\n\n\n<li>Tuff Little Unit &#8211; Join The Future<\/li>\n\n\n\n<li>Gto &#8211; Listen To The Rhythm Flow<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"euro-techno\"><strong>1.1.1. Euro Techno<\/strong> (derivat din <a href=\"https:\/\/smajoris.space\/?page_id=294#rave\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=294#rave\"><strong>Rave<\/strong><\/a>)<\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Euro Techno<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Bleep Techno<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Euro Techno este o \u00eencercare viteaz\u0103 a continentului Europa de a face <strong><em>Bleep Techno<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Condus majoritar de produc\u0103tori <strong><em>New Beat<\/em><\/strong> care s-au s\u0103turat s\u0103 smulg\u0103 The KLF &#8211; What Time Is Love \u0219i au decis \u00een schimb s\u0103 smulg\u0103 \u0219i s\u0103 jupoaie The KLF &#8211; It&#8217;s Grim Up North, <strong><em>Euro Techno<\/em><\/strong> a fost o gr\u0103mad\u0103 de nonsens \u0219i prostii, cu un ritm mai rapid, bleepy, care a introdus imnuri \u0219i sirene \u0219i zgomote de fluier la <strong><em>Techno<\/em><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/bubrubb.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Da, ca aia.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ar mai fi doar \u00eenc\u0103 1 an \u00eenainte ca produc\u0103torii s\u0103 renun\u021be complet la pretextul \u0219i scuza <strong><em>Techno<\/em><\/strong> \u0219i doar s\u0103 mearg\u0103 cu imnurile complete deoarece oamenii de petrecere sunt oi stupide \u0219i proaste c\u0103rora le plac melodiile str\u0103lucitoare de c\u00e2ntat \u00eempreun\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De fapt, aia e un pic incorect. adev\u0103rul este c\u0103 <strong><em>Techno <\/em><\/strong>are nevoie de \u00eenc\u0103 un pas intermediar pentru a merge de la Detroit la UK la muzica <strong><em>Rave<\/em><\/strong> de or\u0103 de v\u00e2rf de c\u00e2ntat \u00eempreun\u0103 cu imn tont (\u0219i anume: cel mai \u00eendep\u0103rtat lucru de Detroit). <strong><em>Euro Techno<\/em><\/strong> este acel pas intermediar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eu nu exagerez c\u00e2nd spun c\u0103 finalul anilor &#8217;80 \u0219i \u00eenceputul anilor &#8217;90 a fost cea mai exploziv\u0103 \u0219i creativ\u0103 perioad\u0103 din istoria muzicii electronice. \u00cen doar \u0219i numai 3 ani de zile scur\u021bi ni\u0219ti petreceri sup\u0103r\u0103toare underground de <strong><em>Acid House<\/em><\/strong> din Chicago au erupt \u00een jurul lumii ca \u0219i rave-uri, \u0219i ceea ce ar fi fost o hart\u0103 simpl\u0103 \u0219i ordonat\u0103 de 4 sau 5 genuri au devenit deodat\u0103 peste 20, majoritatea din ele f\u0103r\u0103 nume a\u0219a c\u0103 toat\u0103 lumea s-a apucat s\u0103 le numeasc\u0103 pe toate &#8220;techno&#8221; sau &#8220;rave&#8221; (un obicei ce \u00eenc\u0103 exist\u0103 ast\u0103zi). Scenele <strong><em>Drum n Bass<\/em><\/strong>, <strong><em>Breakbeat<\/em><\/strong>, <strong><em>Progressive<\/em><\/strong>, <strong><em>Hardcore <\/em><\/strong>\u0219i <strong><em>Trance <\/em><\/strong>au fost toate create \u00een timpul acestei perioade. Toate dintre ele sunt \u00eenc\u0103 pe aici ast\u0103zi, fiecare ad\u0103postind duzini de genuri \u0219i subgenuri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aceasta este ceva al unui tipar recurent, c\u00e2nd vine vorba de noi industrii. Exist\u0103 mereu o perioad\u0103 ini\u021bial\u0103 de &#8220;wild west&#8221; unde c\u00e2\u021biva diferi\u021bi v\u00e2nz\u0103tori, formate, \u0219i standarde concureaz\u0103 pentru cota de pia\u021b\u0103. \u00cen timp, puternicul \u00eel devoreaz\u0103 pe slab iar totul se a\u0219eaz\u0103 \u00eentr-unul sau 2 standarde universale pe care toat\u0103 lumea le adopt\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Asta s-a \u00eent\u00e2mplat cu industria calculatoarelor \u00een anii &#8217;80 c\u00e2nd Wang, Commodore \/ Amiga, Atari, Heath, Apple, IBM, Zerox, Acorn, \u0219i duzini de al\u021bi produc\u0103tori \u0219i manufacturieri de calculatoare s-au \u00eentrecut agresiv p\u00e2n\u0103 c\u00e2nd lucrurile s-au a\u0219ezat \u00een 2 standarde p\u00e2n\u0103 \u00een anii &#8217;90: IBM-PC vs Mac, a\u0219a cum este descris \u00een mod \u00een\u0219el\u0103tor \u00eentr-o serie de reclame Apple a tipului PC afacerist care-\u0219i folose\u0219te computer-ul s\u0103u pentru munc\u0103 pe bune vs tipul Mac prost care-\u0219i folose\u0219te computer-ul s\u0103u pentru a freca menta.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/macvspc.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">\u00centrebarea real\u0103 este cine are cea mai bun\u0103 carier\u0103: Justin Long sau John Hodgman?<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">S-a \u00eent\u00e2mplat de asemenea cu revolu\u021bia social media \u00een anii &#8217;00, unde sute de site-uri de profil \u0219i servicii de partajare excesiv\u0103 pentru o nou\u0103 genera\u021bie prea lene\u0219\u0103 \u0219i prea proast\u0103 ca s\u0103 \u00eenve\u021be HTML \u0219i prea naiv\u0103 s\u0103 cread\u0103 c\u0103 difuzarea fiec\u0103rui minut al vie\u021bii lor vii nu va veni \u00eenapoi c\u0103tre ei s\u0103-i b\u00e2ntuie \u0219i urm\u0103reasc\u0103 \u00een final s-au a\u0219ezat \u00eentr-o jum\u0103tate de duzin\u0103 de amprente digitale cu un singur serviciu: Facebook, Twitter, Youtube, Instagram, etc.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Asta s-a \u00eent\u00e2mplat de asemenea cu muzica electronic\u0103 \u00een finalul anilor &#8217;80. Echipamentul muzical devenise omniprezent, ieftin, \u0219i suficient de u\u0219or ca s\u0103-l folose\u0219ti, cam de c\u0103tre oricine, chiar ie\u0219it din cutie. Mica barier\u0103 de intrare, \u0219i \u00een plus entuziasm mare de weekend \u00eenseamn\u0103 mai mul\u021bi contribuitori, iar mai mul\u021bi contribuitori \u00eenseamn\u0103 mai multe idei \u0219i mai multe concepte. Mai multe formate. Mai multe standarde. Mai mult\u0103 muzic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Euro Techno<\/em><\/strong> a fost unul din aceste mai pu\u021bin cunoscute formate care nu avea de g\u00e2nd s\u0103 supravie\u021buiasc\u0103 deceniului. Era un porumb uns cu unt la un picnic de furnici total <strong><em>Techno<\/em><\/strong>. Totul ce se petrecea \u00een jurul s\u0103u era mai tare, mai zgomotos, mai str\u0103lucit, mai luminos, \u0219i mai scump, iar c\u00e2nd produc\u0103torii belgieni \u0219i-au b\u0103gat \u00een minte ideea cum c\u0103 noii copii petrec\u0103re\u021bi de rave erau totul despre &#8220;ie\u0219i din al naibii de cap al t\u0103u frate!&#8221;, ei au transformat sunetul \u00een ceva cu care raverii se puteau r\u0103sf\u0103\u021ba \u00een excess, precum drogurile pe care ei le tot b\u0103gau \u00een fiecare weekend.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Euro Techno <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-fe8bb58b uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-596e167e\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Digital Excitation &#8211; Dream Party<\/li>\n\n\n\n<li>Frequency &#8211; Where Is Your Evidence (Hard ! Harder!!)<\/li>\n\n\n\n<li>Dirty Mind &#8211; The Killer<\/li>\n\n\n\n<li>Outlander &#8211; Vamp<\/li>\n\n\n\n<li>Mescalinum United &#8211; Into Mekong Center<\/li>\n\n\n\n<li>D-Shake &#8211; Techno Trance (Paradise Is Now)<\/li>\n\n\n\n<li>Lisei &amp; Visnadi &#8211; Pulsation<\/li>\n\n\n\n<li>Vainqueur &#8211; Lyot<\/li>\n\n\n\n<li>Tetra Pack &#8211; Snider Tune<\/li>\n\n\n\n<li>Sub System &#8211; Sub House<\/li>\n\n\n\n<li>Lhasa &#8211; The Attic<\/li>\n\n\n\n<li>Chaser &#8211; Destination Unknown<\/li>\n\n\n\n<li>Cold Sensation &#8211; Liquid Empire<\/li>\n\n\n\n<li>Acid Jesus &#8211; Move My Body<\/li>\n\n\n\n<li>Rev One &#8211; Chochillics<\/li>\n\n\n\n<li>Night On Earth &#8211; Simple Shorcut<\/li>\n\n\n\n<li>Planetary Assault Systems &#8211; Booster<\/li>\n\n\n\n<li>Dave Tarrida &amp; Lars Sandberg &#8211; Supa Hammer<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-c3b14594\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"19\">\n<li>Mental Overdrive &#8211; Theme of St. Baafs (The Bells)<\/li>\n\n\n\n<li>Vapourspace &#8211; Theme From Vapourspace<\/li>\n\n\n\n<li>Set Up System &#8211; Factory<\/li>\n\n\n\n<li>Eclips 21 &#8211; Nebula (1st Soul mix)<\/li>\n\n\n\n<li>Andromatic &#8211; X-Mit<\/li>\n\n\n\n<li>The Source Experience &#8211; Point Zero<\/li>\n\n\n\n<li>Scion &#8211; Emerge<\/li>\n\n\n\n<li>Slam &#8211; Positive Education<\/li>\n\n\n\n<li>Sebastian S. &#8211; Etheral<\/li>\n\n\n\n<li>The Ultimate Seduction &#8211; The Ultimate Seduction<\/li>\n\n\n\n<li>World Party II &#8211; Forget-It!<\/li>\n\n\n\n<li>Sil &#8211; Windows<\/li>\n\n\n\n<li>Underworld &#8211; Born Slippy<\/li>\n\n\n\n<li>Mig-29 &#8211; Mig-29 (Parie Seconda) (Mission 3)<\/li>\n\n\n\n<li>Mysterious Art &#8211; Awaken (On The Mix Side)<\/li>\n\n\n\n<li>Meng Syndicate &#8211; Sonar System (Speedy J mix)<\/li>\n\n\n\n<li>Percy X &#8211; X-Trak 1<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.2. Hard Techno<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Hard Techno<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Tekno, Free Tekno, Teknival<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Hard Techno este genul muzical oficial al culturii rave. A\u0219a c\u0103 las\u0103-m\u0103 s\u0103 vorbesc despre rave-uri acum. Adev\u0103ratele rave-uri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rave-urile din UK de la \u00eenceputul anilor &#8217;90 erau libere, renegate, sezoniere, \u0219i conduse de c\u0103tre anarhi\u0219ti ontologici \u00eenarma\u021bi cu armele filozofice ale Hakim Bey \u0219i Robert Anton Wilson. \u00cen lunile de iarn\u0103 ei au dat buzna \u00een depozite goale \u0219i le-au ocupat pe timpul nop\u021bii (culturii rave \u00eei plac recesiunile &#8211; \u00eenseamn\u0103 mai multe spa\u021bii urbane nefolosite). Vara ei au organizat flash mob-uri trec\u0103toare pentru a zdrobi \u0219i distruge barierele de poli\u021bie \u0219i s-au \u00eenfiin\u021bat \u00een c\u00e2mpurile fermierilor. Ei rar cereau permisiunea. Ceea ce f\u0103ceau ei era ilegal a\u0219a c\u0103 ei trebuiau s\u0103 se tot mi\u0219te, iar ceea ce s-a dezvoltat din acest hedonism radical a fost conceptul sistemului de sunet mobil.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adesea situat \u00een spatele camioanelor cu platform\u0103 (ceea ce britanicii ar numi camionete) \u0219i caravanelor, sistemul de sunet mobil a devenit cheia experien\u021bei rave. Dac\u0103 rave-ul ar era spart sau \u00eenchis de c\u0103tre poli\u021bi\u0219ti, sau vreun fermier nervos cu un pistol, sistemul de sunet se str\u00e2ngea, se muta c\u0103tre urm\u0103torul c\u00e2mp, \u0219i desc\u0103rca petrecerea din nou. Se repeta \u00eentreaga noapte (sau s\u0103pt\u0103m\u00e2n\u0103) at\u00e2t c\u00e2t era necesar sau p\u00e2n\u0103 c\u00e2nd drogurile se duceau. Nu exista niciun telefon mobil sau Internet pe atunci a\u0219a c\u0103 oamenii erau \u021binu\u021bi la curent prin sta\u021bii de radio pirat \u0219i liniile de informa\u021bii secrete (\u0219i anume: mesaje \u00eenregistrate pe ma\u0219ini ce r\u0103spundeau la telefoane).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aceste sisteme de sunet aveau nume precum promoterii rave de alt\u0103dat\u0103 &#8211; Spiral Tribe, Bedlam, DiY, Circus Warp, Adrenaline, Rough Crew &#8211; \u0219i au fost aceste sisteme de sunet care au devenit faimoase \u00een adev\u0103ratul sens al cuv\u00e2ntului. Oamenii puteau localiza unde c\u00e2nta sistemul lor de sunet preferat \u00eentr-un weekend dat \u0219i apoi s\u0103-l urm\u0103reasc\u0103 precum grupule\u021bele rock. Este probabil un concept dubios pentru fanboi ai anumitor DJ sau produc\u0103tori (sau chiar case de discuri sau promoteri, tu curv\u0103 corporatist\u0103), \u00eens\u0103 ideea rave-urilor timpurii, primelor rave-uri, nu a fost niciodat\u0103 faim\u0103 personal\u0103 sau glorie pentru nimeni. Nici m\u0103car o singur\u0103 persoan\u0103 nu a contat. Era sistemul care conta. \u0218i era sistemul contra c\u0103ruia luptau ei.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/jiltedgeneration.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Coperta interioar\u0103 a Prodigy &#8211; Music For The Jilted Generation<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Precum o cium\u0103 a l\u0103custelor, scena rave a r\u0103v\u0103\u0219it prin zona rural\u0103 a UK la \u00eenceputul anilor &#8217;90, construind impuls \u0219i av\u00e2nt cu fiecare itera\u021bie. Pe l\u00e2ng\u0103 copiii de ora\u0219 de clas\u0103 mijlocie dornici \u0219i ner\u0103bd\u0103tori s\u0103 \u00eencerce ecstasy, a atras de asemenea respin\u0219ii \u0219i marginaliza\u021bii civiliza\u021biei: C\u0103l\u0103torii, \u021bigani irlandezi, \u021bigani\/romani, hippies sau hipsteri iritabili, nomazi, p\u0103g\u00e2ni, oameni ai str\u0103zii \u0219i ambulan\u021bi, \u0219i profitori.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Organizatorii \u0219i proprietarii sistemelor de sunet au \u021bintit s\u0103 recupereze spa\u021biul public \u0219i s\u0103 le ocupe drept Utopii Pirat. Fiind mai cu minte politic\u0103 \u0219i radicaliza\u021bi, ei nu ar\u0103tau deloc precum ai lor str\u0103mo\u0219i prieteno\u0219i de <strong><em>Acid House<\/em><\/strong>: Capete rase purt\u00e2nd cizme jack, pantaloni camo \u0219i combat fatigues. Ei trebuiau s\u0103 arate \u00eensp\u0103im\u00e2nt\u0103tor &#8211; ei erau promoterii, proprietarii, dealerii de droguri, DJ-ii, \u0219i securitatea petrecerilor lor proprii. Doar pentru c\u0103 acestea sunt petreceri gratis nu \u00eenseamn\u0103 c\u0103 tu e\u0219ti liber s\u0103 faci orice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Iar muzica? Muzica era majoritar produs\u0103 live pe moment, spontan, precum trupele de jam la festivalurile Grateful Dead. Era ieftin, simplu, disponibil, s\u0103 buclezi \u0219i s\u0103 faci looping la muzica <strong><em>Techno <\/em><\/strong>imens\u0103, uria\u0219\u0103, care mergea timp de ore \u00een continuu f\u0103r\u0103 oprire, f\u0103r\u0103 pauz\u0103: form\u00e2ndu-se rapid cu o margine industrial\u0103 abraziv\u0103, gui\u021b\u00e2nd 303-uri, 1 sample sau 2, \u0219i mixing \/ mastering de sunet teribil, \u00eengrozitor. Acest <strong><em>Techno <\/em><\/strong>murdar lo-fi, obraznic \u0219i grungy, era rock-ul punk al muzicii electronice. Nu a fost niciodat\u0103 numit <strong><em>Hard Techno<\/em><\/strong> dec\u00e2t ani mai t\u00e2rziu, \u00eenainte ca <strong><em>Hardcore <\/em><\/strong>s\u0103 se pun\u0103 la punct \u0219i s\u0103 se adune.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Scena rave liber\u0103 a atins \u0219i a ajuns \u00een final la masa critic\u0103, la infamul festival Castlemorton din 22-29 mai, 1992. Un rave care a \u021binut \u0219i durat 7 zile cu o prezen\u021b\u0103, frecven\u021b\u0103 \u0219i participare de 100.000 de persoane estimate. Toate sistemele de sunet men\u021bionate mai sus au fost acolo. A fost rave-ul care s\u0103 \u00eencheie \u0219i s\u0103 pun\u0103 sf\u00e2r\u0219it la toate rave-urile, un Woodstock catastrofic mai anarhic, mai prost organizat. \u0218i precum Woodstock, mul\u021bi DJ britanici b\u0103tr\u00e2ni \u0219i produc\u0103tori de ast\u0103zi \u00ee\u021bi vor spune c\u0103 ei au fost acolo c\u00e2nd probabil c\u0103 nu au fost (\u0219i dac\u0103 ei au fost, ei se presupune c\u0103 nu ar trebui s\u0103 \u021bin\u0103 minte nimic oricum). Chiar \u0219i a\u0219a, toat\u0103 lumea care a mers insist\u0103 c\u0103 a fost r\u0103u \u0219i p\u0103c\u0103tos.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/castlemorton.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Castlemorton (dup\u0103 cum se pretinde)<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Autorit\u0103\u021bilor le ajunseser\u0103. 13 membri ai Spiral Tribe au fost aresta\u021bi iar dup\u0103 un proces lung de spectacol, guvernul UK a trecut mai departe Criminal Justice Act al 1994, interzic\u00e2nd toate rave-urile (sau ceea ce se numea &#8220;orice petrecere care c\u00e2nt\u0103 muzic\u0103 cu beat-uri repetitive&#8221;) \u0219i \u00eent\u0103rind aplicarea legii s\u0103 ia problema \u00een serios.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen primul r\u00e2nd, nota de lege a izolat \u0219i scos \u00een afara legii anumite stiluri de via\u021b\u0103 &#8211; \u00een special tipul &#8220;c\u0103l\u0103tor techno&#8221;. Membrii r\u0103ma\u0219i ai Spiral Tribe \u0219i alte sisteme de sunet au fugit din \u021bar\u0103 \u00een exil voluntar, iar ei \u00eenc\u0103 sunt prin preajm\u0103 ast\u0103zi drept scena Free Tekno, un circ c\u0103l\u0103tor care popose\u0219te prin jurul Europei arunc\u00e2nd \u0219i organiz\u00e2nd \u0219i d\u00e2nd petreceri gratis sau Teknivals.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/teknival.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Cum ar ar\u0103ta un Teknival. Acel fum din dep\u0103rtare ar fi posibil s\u0103 fie gaz lacrimogen. Teknival-urile sunt perchezi\u021bionate mult, o groaz\u0103. Tu nu e\u0219ti un participant real \u00een aceast\u0103 scen\u0103 p\u00e2n\u0103 c\u00e2nd petrecerea ta nu este oprit\u0103 de c\u0103tre Poli\u021bie iar tu trebuie s\u0103 \u00eentreci \u0219i dep\u0103\u0219e\u0219ti c\u00e2inii.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cenapoi \u00een UK, scena rave a decis c\u0103 dac\u0103 voia s\u0103 supravie\u021buiasc\u0103, trebuia s\u0103 devin\u0103 legitim\u0103, \u0219i s\u0103 se conformeze cu legile \u0219i s\u0103 le respecte. 1994 este 1 an pivot, crucial: Totul dup\u0103 acest an este sigur, safe, plictisitor, \u0219i club-friendly, f\u0103c\u00e2nd muzic\u0103 de c\u0103cat <strong><em>Eurotrance <\/em><\/strong>pentru bunici \u0219i copii de 8 ani, marginile s-au netezit \u0219i calmat complet din ceea ce a fost nu doar o form\u0103 de muzic\u0103 revolu\u021bionar\u0103 \u0219i vibrant\u0103, dar \u0219i un stil de via\u021b\u0103 \u0219i o cultur\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">G\u0103sirea de muzic\u0103 a scenei de petreceri gratis chiar de la \u00eenceput este de fapt \u0219i real destul de complicat \u0219i delicat deoarece nu foarte mult\u0103 din ea a fost \u00eenregistrat\u0103 sau presat\u0103 la cear\u0103 (sau, aia e, nu foarte mult comparativ cu c\u00e2t de mult\u0103 era f\u0103cut\u0103 live \u00een duzinile de rave-uri din fiecare weekend timp de ani de zile). Iar muzica pe care eu o am, a fost lansat\u0103 cu mult dup\u0103 ce scena rave a fost zdrobit\u0103 \u0219i distrus\u0103. \u0218i este destul de greu s\u0103 cataloghezi muzica care nu are niciun nume, nicio etichet\u0103, niciun artist, nicio identificare. Este muzic\u0103 Temporary Autonomous Zone &#8211; exist\u0103 doar acolo unde este necesar, \u0219i anume la un rave gratis. \u0218i nu un ghid muzical.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Hard Techno <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-ce52ced5 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-9217777d\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Spiral Tribe &#8211; Probably Taking Drugs<\/li>\n\n\n\n<li>Turbotek &#8211; Earth$haker<\/li>\n\n\n\n<li>Centuria &#8211; Kelotrene<\/li>\n\n\n\n<li>Centuria City &#8211; Reifluxe<\/li>\n\n\n\n<li>Caterpillar &#8211; Give Me Your Hand<\/li>\n\n\n\n<li>Robbert Mononom &#8211; 8bit Mayhem<\/li>\n\n\n\n<li>Sp 23 &#8211; Untitled (A2)<\/li>\n\n\n\n<li>Nebula &#8211; Audichromatik<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-f112465d\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"9\">\n<li>Crystal Distortion &#8211; Fuckin&#8217; Noize<\/li>\n\n\n\n<li>Trip Hazard &#8211; Tweaker<\/li>\n\n\n\n<li>Morph &#8211; Stormwatch<\/li>\n\n\n\n<li>Fky &#8211; Yakadanser<\/li>\n\n\n\n<li>Vene &#8211; Pain<\/li>\n\n\n\n<li>MikeroBenics &#8211; Replika<\/li>\n\n\n\n<li>Subhead &#8211; Subordinate<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.2.1. Experimental Techno<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Experimental Techno<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">IDM Techno<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">who knows<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Experimental Techno<\/em><\/strong> este orice tip de <strong><em>Techno <\/em><\/strong>care nu este regional \u0219i nu se potrive\u0219te \u00een alt <strong><em>Techno<\/em><\/strong>. Ai putea spune c\u0103 este experimental \u00een sensul c\u0103 \u00eencearc\u0103 lucruri noi \u00eens\u0103 nu ar fi aia o minciun\u0103? Nu sunt toate genurile noi experimentale, tehnic, \u00eentr-un fel?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ai putea numi asta catalogul Warp Records \u00eenainte s\u0103 fi inventat <strong><em>IDM<\/em><\/strong> cu ajutorul <strong><em>Ambient Techno<\/em><\/strong>, \u00eens\u0103 aia a fost \u00een principiu <strong><em>Bleep Techno<\/em><\/strong> la vremea aia. Vorbind de <strong><em>IDM<\/em><\/strong>, tu ai putea crede c\u0103 este singura scen\u0103 care ar putea s\u0103 pretind\u0103 orice \u0219i totul experimental \u00een muzica electronic\u0103. Ei bine, tu te \u00een\u0219eli.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adev\u0103rul fiind \u0219tiut \u0219i spus, exist\u0103 o mul\u021bime de <strong><em>Techno<\/em><\/strong> dubios pe acolo, cu o gr\u0103mad\u0103 de mood-uri bizare \u0219i stiluri \u0219i complet\u0103 stocare. Subgenuri peste subgenuri \u0219i microgenuri care se comport\u0103 precum particulele subatomice, ap\u0103r\u00e2nd \u0219i plec\u00e2nd din existen\u021b\u0103 at\u00e2t de repede \u00eenc\u00e2t ele abia dac\u0103 exist\u0103 pe bune.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/hamsterdance.mp4\"><\/video><figcaption class=\"wp-element-caption\">C\u00e2ntecul Hamsterdance nu este <strong><em>Experimental Techno<\/em><\/strong>, dar infinit mai interesant.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103 un tip de &#8220;elitism de muzic\u0103 electronic\u0103&#8221; care vine odat\u0103 cu a fi un cunosc\u0103tor \u0219i expert al acestui tip de muzic\u0103. Technoheader-ii \u0219i IDMtarzii ador\u0103 s\u0103 pretind\u0103 c\u0103 ale lor gusturi muzicale sunt superioare fa\u021b\u0103 de genurile junk food, pe care pariorii le devoreaz\u0103 de-a \u00eentregul \u0219i cu totul \u00een cluburi. C\u0103 ei sunt prea cool \u0219i underground deoarece muzica lor nu este mainstream. C\u0103 ale lor alegeri de ascultare sunt mai sofisticate pentru c\u0103 ei ascult\u0103 &#8220;c\u00e2inele care latr\u0103 la beat&#8221; sau &#8220;u\u0219a ma\u0219inii care se tr\u00e2nte\u0219te cu un violoncel dezacordat tratat&#8221;. Exist\u0103 mai mult din acest nonsens \u0219i prostie de &#8220;muzica mea este prea deep \u0219i ad\u00e2nc\u0103 pentru tine&#8221; \u00een scena <strong><em>IDM<\/em><\/strong>, a\u0219a c\u0103 las\u0103-m\u0103 s\u0103 zic doar asta:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Muzica dance este muzic\u0103 dance \u0219i nu ar trebui s\u0103 fie niciodat\u0103 altceva dec\u00e2t aia. Chiar dac\u0103 nu este dansabil\u0103, ar trebui s\u0103 fie m\u0103car ascultabil\u0103 la un nivel emo\u021bional pertinent. \u0218i \u00een timp ce lucruri interesante au fost f\u0103cute la clasic la nivelul &#8220;al naibii de neascultabil&#8221; (Krzystof Penderecky &#8211; Threnody For the Victims Of Hiroshima \u00eemi vine \u00een minte, \u00een orice caz a fost f\u0103cut ca \u0219i un exerci\u021biu deliberat \u0219i inten\u021bionat pentru a captura groaza intelectual\u0103 a subiectului de fa\u021b\u0103, \u0219i nu ca ceva pe care oricine chiar vrea s\u0103-l asculte), nimeni nu le face sau le ascult\u0103 pe bune tot timpul. Nu, nici m\u0103car <strong><em>Noise<\/em><\/strong>. Nu, tu nu o faci. Nu, du-te naibii. N-o faci.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A fi diferit de dragul de-a fi diferit este poate interesant ca \u0219i un exerci\u021biu psihologic, \u00eens\u0103 nu de aia este muzica. Noi nu ascult\u0103m muzic\u0103 pentru a ob\u021bine \u00een\u021belegere asupra schizofreniei tale interne, tu hipster torturat. Noi ascult\u0103m muzic\u0103 pentru a ne sim\u021bi bine \u0219i ca s\u0103 ne bucur\u0103m. C\u00e2nd tu ascul\u021bi muzic\u0103 pentru recunoa\u0219tere, aia spune mai mult despre tine dec\u00e2t despre muzic\u0103 \u0219i niciuna nu este deloc bine. Dar desigur c\u0103 aia e ceea ce-\u021bi dore\u0219ti, nu-i a\u0219a? Este totul despre geniul t\u0103u tragic, ne\u00een\u021beles, cum tu vezi lumea diferit dec\u00e2t tot restul lumii iar aia pur \u0219i simplu te face pe tine ahh, at\u00e2t de al naibii de special.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/vengaboys.mp4\"><\/video><figcaption class=\"wp-element-caption\">Vengaboys de asemenea nu este <strong><em>Experimental Techno<\/em><\/strong> \u00eens\u0103 tot este ceva ce mai degrab\u0103 tu ai asculta.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Despre ce vorbeam din nou? Oh da. Acesta este <strong><em>Experimental Techno<\/em><\/strong>. S\u0103 nu cumva s\u0103 \u00eendr\u0103zne\u0219ti s\u0103 sample-uie\u0219ti Threnody To The Victims Of Hiroshima sau Doamne, ajut\u0103-m\u0103, voi ajunge prin ecranul t\u0103u \u0219i am s\u0103 te pleznesc.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Experimental Techno <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-68eef814 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-270a46ee\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>The Micronauts &#8211; Baby Wants To Rock<\/li>\n\n\n\n<li>Cannibal Cooking Club &#8211; Work Yard<\/li>\n\n\n\n<li>Fugo &#8211; My First Simba<\/li>\n\n\n\n<li>Peverelist &#8211; Dance Til The Police Come<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-fcbf4236\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"9\">\n<li>Bill Youngman &amp; Neil Landstrumm &#8211; Rasta Snail<\/li>\n\n\n\n<li>Glitch Mob &#8211; How To Be Eaten By A Woman (Adam.01 mix)<\/li>\n\n\n\n<li>Banditos &#8211; Walded<\/li>\n\n\n\n<li>Telerotor &#8211; Karoshi<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.2.2. Schranz<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Schranz<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Progressive Techno, Hard Tekno<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><\/td><td><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc01.jpg\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc21.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc03.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc04.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-icon1.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc06.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-icon1.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc07.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-icon4.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc08.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-icon4.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc09.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc11.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc12.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc13.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc02.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc05.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc10.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc14.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc15.gif\"><br><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-rainbowbrite.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc16.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-rainbowbrite.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc17.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc18.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc19.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc20.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-icon3.GIF\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/tyson.jpg\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-icon2.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-icon2.gif\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/uc-icon2.gif\"> <img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/ucbig.gif\"><br><br><br><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/ucbanner.gif\"><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div style=\"margin-top:0;margin-bottom:0;height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Schranz <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-70abef9f uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-92121066\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Spirallianz &#8211; Blast Food<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-1c8b299e\"><div class=\"uagb-column__overlay\"><\/div><\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.2. Minimal Techno<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Minimal Techno<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Detroit Techno<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Minimal Techno<\/em><\/strong> este <strong><em>Detroit Techno<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A fost \u00een pus \u00een frunte de lance de c\u0103tre produc\u0103torii infami &#8220;de al 2-lea val al <strong><em>Techno<\/em><\/strong>&#8221; din Detroit, la \u00eenceputul anilor &#8217;90, care deveniser\u0103 mortifica\u021bi cu ce-au f\u0103cut europenii cu <strong><em>Techno<\/em><\/strong>. Iar prin Detroit eu vreau s\u0103 zic Ontario de Sud. Am s\u0103 explic mai t\u00e2rziu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Techno <\/em><\/strong>devenise un termen bastardizat \u0219i declarat nelegitim p\u00e2n\u0103 \u00een anii &#8217;90. Cumva albii europeni au co-optat muzica de negri, american\u0103, care fusese co-optat\u0103 din muzica albilor europeni, \u0219i au co-optat-o pentru adev\u0103ra\u021bii albi europeni. Cu, gen, imnuri \u0219i fanfare \u0219i fluiere \u0219i coarne \u0219i c\u0103cat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reac\u021bia natural\u0103 de la puri\u0219tii din Detroit era de a se distan\u021ba pe sine de la aceast\u0103 a\u0219a-zis sunet &#8220;<strong><em>Techno<\/em><\/strong>&#8221; merg\u00e2nd cu furie prin Europa \u0219i infect\u00e2nd televiziunile de pretutindeni cu pantaloni shitcacher \u0219i dansatori go-go (ceea ce nu era chiar <strong><em>Techno <\/em><\/strong>\u00eens\u0103 a\u0219a l-a numit toat\u0103 lumea).<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/cb4-wackyd.mp4\"><\/video><figcaption class=\"wp-element-caption\">Ce credeau oamenii c\u0103 era <strong><em>Techno <\/em><\/strong>\u00een 1991. Ar trebui s\u0103 fie remarcat faptul c\u0103 aceast\u0103 familie a oprit Gangsta Rap hardcore pentru asta.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Rezumat \u0219i cumulat, <strong><em>Minimal Techno<\/em><\/strong> este o rejectare \u0219i respingere \u00eenc\u0103p\u0103\u021b\u00e2nat\u0103 a <strong><em>Techno<\/em><\/strong>. A marcat \u00eenceputul unei romantiz\u0103ri a unei mitologii at\u00e2t de pure \u0219i genial\u0103, str\u0103lucit\u0103, \u00eenc\u00e2t niciodat\u0103 nu trebuie s\u0103 interfereze cu via\u021ba real\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cu c\u00e2t Europa \u0219i-a umplut \u0219i \u00eendesat muzica sa plin\u0103 cu efecte de sunet aglomerate \u0219i \u00eenc\u0103rcate, sample-uri, rapping-uri, c\u00e2rlige sau hook-uri \u0219i imnuri \u0219i alte prostii str\u0103ine care nu fac sens, cu at\u00e2t <strong><em>Detroit Techno<\/em><\/strong> a regresat \u00een ceva mai simplu, de baz\u0103, \u0219i fun\u021bie a formei potrivite, precum arta japonez\u0103.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/mtfuji.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Muntele Fuji, sau cum ar ar\u0103ta dac\u0103 japonezii \u0219i-ar fi proiectat propriul lor munte.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nicio scen\u0103 nu este mai protectiv\u0103 a propriului s\u0103u trecut dec\u00e2t <strong><em>Techno<\/em><\/strong>. Istoria este scris\u0103 de c\u0103tre c\u00e2\u0219tig\u0103tori sau cei c\u0103rora le place s\u0103 cread\u0103 c\u0103 ei au c\u00e2\u0219tigat prin marketarea luptei \u0219i efortului lor ca \u0219i o Underground Resistance, \u00eempotriva fo\u021belor rele, ap\u0103s\u0103toare \u0219i grele, ale exploat\u0103rii comerciale, ca \u0219i un echivalent ironic al muzicii electronice al Rage Against The Machine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Minimal Techno<\/em><\/strong> s-a \u00eencoronat pe sine drept fiind paznicul a tot ceea ce este real, adev\u0103rat, sau acceptabil gen <strong><em>Techno<\/em><\/strong>. \u0102la e un prototip: Dac\u0103 tu vrei s\u0103 faci <strong><em>Techno <\/em><\/strong>original, tu trebuie s\u0103 treci prin ele.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Desigur c\u0103 asta nu i-a oprit pe pariori. Cre\u0219terea \u0219i ridicarea genurilor <strong><em>Tech House<\/em><\/strong> cum ar fi <strong><em>Minimal Tech<\/em><\/strong> \u0219i <strong><em>Deeptech <\/em><\/strong>\u00een anii 2000, a \u00eencurcat dracii dintr-o mul\u021bime de magazine de discuri online stupide, care s-au apucat s\u0103 le eticheteze pe toate drept <strong><em>Minimal Techno<\/em><\/strong> c\u00e2nd ele nu au nimic de-a face cu <strong><em>Minimal Techno<\/em><\/strong> al Detroit, care este un gen <strong><em>Detroit Techno<\/em><\/strong> care vine din Detroit deoarece este din Detroit, \u0219i am men\u021bionat cumva c\u0103 este din Detroit? Ei bine, este din Detroit. Nu Berlin &#8211; Detroit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen mod ironic, ini\u021biatorii sunetului <strong><em>Minimal Detroit Techno<\/em><\/strong> nu erau chiar din Detroit, de fapt, \u00eens\u0103 \u00een schimb erau 3 albi nebuni din Canada (Richie Hawtin, John Acquaviva \u0219i Dan Bell), care au trebuit s\u0103 demonstreze fraternit\u0103\u021bii \u0219i fr\u0103\u021biei negre insulare <strong><em>Techno <\/em><\/strong>c\u0103 ei \u0219i casa lor de discuri, Plus 8, nu doar c\u0103 apar\u021bineau ci ei erau de fapt mai Detroit dec\u00e2t acei gagii gangsteri originali <strong><em>Techno<\/em><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/cybersonik.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\"><strong><em>Techno <\/em><\/strong>Canadian? Ce este asta, ceva gen o echip\u0103 adi\u021bional\u0103 sau?<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Minimal Techno<\/em><\/strong> este un gen instrument \u0219i tool de lupt\u0103. C\u00e2ntecele sunt scurte, rareori etichetate, \u0219i sunt \u00een principal menite \u0219i inten\u021bionate pentru mixing mai degrab\u0103 dec\u00e2t ascultate singure. DJ-ilor le place s\u0103 tr\u00e2nteas\u0103 fader-ele de piese la fiecare 32 de bare (sau c\u00e2t de repede este nevoie pentru a te impresiona) sau s\u0103 amestece diferite piese pentru a crea noi compozi\u021bii.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nu exist\u0103 niciodat\u0103 prea mult ce s\u0103 se \u00eent\u00e2mple \u00eentr-o pies\u0103 <strong><em>Minimal Techno<\/em><\/strong> a\u0219a c\u0103 artistul trebuie s\u0103 te distreze \u00een alte moduri. Cum ar fi, de exemplu, un video muzical derutant:<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/plastikman.mp4\"><\/video><figcaption class=\"wp-element-caption\">Video-urile de muzic\u0103 electronic\u0103 din anii &#8217;90 sunt dovada c\u0103 oamenii vor asculta un c\u00e2ntec plictisitor \u0219i mat dac\u0103 video-ul este distractiv.<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">(Plastikman &#8211; Converge)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Minimal Techno<\/em><\/strong> nu prea mai exist\u0103 cu adev\u0103rat, \u00een principiu din cauza confuziei asupra ceea ce este. Mergi la orice site de sharing de muzic\u0103 pe care \u00eel vrei &#8211; Soundcloud, Mixcloud, Last.fm, Spotify, Bandcamp, DI, la naiba chiar \u0219i Youtube &#8211; \u0219i caut\u0103 pentru mix-uri <strong><em>Minimal Techno<\/em><\/strong>. Nu po\u021bi g\u0103si niciunul; este totul <strong><em>Deeptech<\/em><\/strong> \/ <strong><em>Minimal Tech<\/em><\/strong>. Nimeni nu c\u00e2nt\u0103 de fapt \u0219i pe bune <strong><em>Minimal Techno<\/em><\/strong> \u00eenafar\u0103 de 313. Nici chiar la Tresor sau Berghain.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Minimal Techno<\/em><\/strong> nu are nimic de-a face cu vechiul gen al anilor &#8217;70, <strong><em>Minimalism<\/em><\/strong>. Nu este doar &#8220;<strong><em>Minimalism <\/em><\/strong>cu un beat&#8221; \u00eens\u0103 face apel la estetica sa: Loop-uri \u0219i bucle lungi, repetitive, care evolueaz\u0103 u\u0219or \u0219i \u00eencet \u00een timp, peisaje sonore rare, \u0219i linii de lead de baz\u0103, simple. \u0218i nu folose\u0219te bas-ul foarte mult &#8211; pentru aia tu ai nevoie s\u0103 mergi mai departe la <strong><em>Dub Techno<\/em><\/strong>. Acolo este locul \u00eencotro au migrat majoritatea produc\u0103torilor <strong><em>Minimal Techno<\/em><\/strong> oricum.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Minimal Techno <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-5ecf6a7f uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-5d27b6bb\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>X-102 &#8211; Phoebe<\/li>\n\n\n\n<li>Skintrade &#8211; Andomraxess<\/li>\n\n\n\n<li>Perc &#8211; Gonkle<\/li>\n\n\n\n<li>Black Asteroid &#8211; Black Acid<\/li>\n\n\n\n<li>Surgeon &#8211; Atol<\/li>\n\n\n\n<li>Makaton &#8211; When The State Kills<\/li>\n\n\n\n<li>Tobias &#8211; Fast Null<\/li>\n\n\n\n<li>Thomas Brinkmann &#8211; Auszug<\/li>\n\n\n\n<li>Aphrohead &#8211; In The Dark (Dave Clarke Mix)<\/li>\n\n\n\n<li>Horrorist &#8211; One Night In New York City<\/li>\n\n\n\n<li>Pomassl &#8211; Proof Woofer<\/li>\n\n\n\n<li>Planetary Assault Systems &#8211; Merry Go Round<\/li>\n\n\n\n<li>Mick Finesse &#8211; The Tunnel<\/li>\n\n\n\n<li>Black Asteroid &#8211; Engine 1<\/li>\n\n\n\n<li>Laurel Halo &#8211; Chance Of Rain<\/li>\n\n\n\n<li>Tekonivel &#8211; Klovnit<\/li>\n\n\n\n<li>Morganistic &#8211; Time To Track<\/li>\n\n\n\n<li>Mark Broom &#8211; Time<\/li>\n\n\n\n<li>Mikael Stavostrand &#8211; Repl<\/li>\n\n\n\n<li>Morgan Geist &#8211; Linking Tunnel<\/li>\n\n\n\n<li>Hieroglyphic Being Presents Analogous Doom &#8211; Lost Together<\/li>\n\n\n\n<li>Renato Cohen &#8211; Pontape<\/li>\n\n\n\n<li>Blue Maxx &#8211; Smooth Landing<\/li>\n\n\n\n<li>Terence Fixmer &#8211; Bells<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-82e9e0e9\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"25\">\n<li>Sense Club &#8211; Tomorrov Cocktail<\/li>\n\n\n\n<li>DJ Qu &#8211; Times Like This<\/li>\n\n\n\n<li>Automia Division &#8211; Rays<\/li>\n\n\n\n<li>Trike &#8211; Talk Back<\/li>\n\n\n\n<li>Motor &#8211; Man Made Machine<\/li>\n\n\n\n<li>Kibu &#8211; No Humans Left<\/li>\n\n\n\n<li>Club St. D. &#8211; Steve Dexter&#8217;s Acid Bash<\/li>\n\n\n\n<li>Pressure Of Speech &#8211; Mothmath (Scanner mix)<\/li>\n\n\n\n<li>Frank de Wulf &#8211; Drums In A Grips<\/li>\n\n\n\n<li>Planetary Assault Systems &#8211; Wriss<\/li>\n\n\n\n<li>Atom Tm &#8211; Ich Bin Meine Maschine<\/li>\n\n\n\n<li>Phaser &#8211; Changing Shape (3am mix)<\/li>\n\n\n\n<li>Reeko &#8211; Agile Movements<\/li>\n\n\n\n<li>Daniel Bell &#8211; Acid Phreak<\/li>\n\n\n\n<li>Mathew Jonson &#8211; Love Letter To The Enemy<\/li>\n\n\n\n<li>Tom Clark &#8211; Star Cop<\/li>\n\n\n\n<li>Ambelion &#8211; Speecher (Intelligence mix)<\/li>\n\n\n\n<li>PAWSA &#8211; Irony<\/li>\n\n\n\n<li>Grain &#8211; Loop #6 B2<\/li>\n\n\n\n<li>Green Velvet &#8211; Flash<\/li>\n\n\n\n<li>DBX &#8211; Losing Control<\/li>\n\n\n\n<li>Plastikman &#8211; FUK<\/li>\n\n\n\n<li>Emmerichk &#8211; Transforming The Past<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.2.1. &#8211; 1.3. Dub Techno<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Dub Techno<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Deep Techno<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Dub Techno<\/em><\/strong> este <strong><em>Minimal Techno<\/em><\/strong> cu <strong><em>Dub<\/em><\/strong>. Efectiv, aia este. \u0218i nu trebuie s\u0103 vin\u0103 din Detroit. De fapt, a fost probabil inventat de oamenii din afara Detroit. Dar s\u0103 nu le zici asta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cam \u00een acela\u0219i mod 2 \u021b\u0103ri ar putea g\u0103si o rela\u021bie economic\u0103 benefic\u0103 unde una mineaz\u0103 c\u0103rbune \u0219i o vinde c\u0103tre cealalt\u0103 iar cealalt\u0103 \u00eel arde pentru a topi fier \u0219i carbon \u00een o\u021bel \u0219i trimite o\u021belul \u00eenapoi c\u0103tre prima \u021bar\u0103 iar prima \u021bar\u0103 fabric\u0103 \u0219i proceseaz\u0103 o\u021belul \u00een p\u0103r\u021bi folositoare pentru ca cea de-a 2-a \u021bar\u0103 s\u0103 le asambleze \u00een biciclete \u0219i ma\u0219ini care sunt v\u00e2ndute \u00eenapoi \u00een prima \u021bar\u0103 (aia de fapt s-a \u0219i \u00eent\u00e2mplat \u00een anumite industrii cu SUA \u0219i Japonia &#8211; este cumva mai ieftin s\u0103 faci produse finite \u00een acel mod \u00een loc s\u0103 faci totul \u00eentr-o singur\u0103 \u021bar\u0103). Aceast\u0103 super lung\u0103 analogie de asemenea descrie rela\u021bia simbolic\u0103 pe care America \u0219i Germania o au cu <strong><em>Techno<\/em><\/strong>, fiecare pas\u00e2ndu-l de la unul la altul \u0219i ad\u0103ug\u00e2ndu-\u0219i propriul s\u0103u vibe la el. <strong><em>Dub Techno<\/em><\/strong> este o inven\u021bie German\u0103 a unui gen American al unui concept Jamaican.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tu nu po\u021bi vorbi cu adev\u0103rat despre <strong><em>Dub Techno<\/em><\/strong> f\u0103r\u0103 a-i men\u021biona pe Moritz von Oswald \u0219i Mark Ernestus, mai bine cunoscu\u021bi drept epinomul Round One, indispensabilul Round Two, esen\u021bialul Round Three, autoritarul Round Four, \u0219i cine \u00eel poate uita pe legendarul epic Round Five.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/basicchannel.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Ei \u00eencearc\u0103 s\u0103 se ia la \u00eentrecere cu Rocky.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Basic Channel este foarte important \u00een lumea <strong><em>Dub Techno<\/em><\/strong>. Pentru a o pune \u00eentr-un context mai bun, Basic Channel a fost Burial al anilor &#8217;90, nu \u00een ceea ce prive\u0219te muzicalitatea sau experimentarea de tipul g\u00e2ndirii \u00eenainte (care ar fi faza cu aia?), ci de genul talentului ezoteric de a dob\u00e2ndi o baz\u0103 de fani preten\u021bioas\u0103 \u0219i insuportabil\u0103, de nesuportat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un duo german primit prin na\u0219tere, Basic Channel probabil c\u0103 au inventat <strong><em>Dub Techno<\/em><\/strong> atunci c\u00e2nd ei auzit Aphex Twin &#8211; Xtal \u00eentr-o zi \u0219i \u0219i-au dat seama c\u0103 un \u00eentreg gen poate fi creat din acel sunet de &#8220;sub suprafa\u021ba apei&#8221;, ceea ce nu a fost o idee rea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Din p\u0103cate, eforturile lor i-au dat lui <strong><em>Techno <\/em><\/strong>legendarul stereotip de &#8220;snob techno&#8221; (cu ani \u00eenainte ca hipsterii s\u0103 devin\u0103 o chestie), care folose\u0219te aprecierea lor a <em><strong>Dub Techno<\/strong><\/em> drept o scurt\u0103tur\u0103 c\u0103tre sofistic\u0103rie, a\u0219a cum oamenii gra\u0219i folosesc glutenul ca \u0219i pe o scurt\u0103tur\u0103 pentru a pierde \u00een greutate. De parc\u0103 a pl\u0103cea ad\u0103ugarea unei simple pedale de \u00eent\u00e2rziere (delay) sau procesor de efecte, automat face pe cineva intelectual. Fanii <strong><em>Dub Techno<\/em><\/strong> sunt secundari doar fanilor Radiohead \u00een iubirea lor de a-\u0219i mirosi propriile lor p\u00e2r\u021buri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Basic Channel este important, \u00eens\u0103 ei sunt cu adev\u0103rat aroma de ranch a genului. A spune c\u0103-\u021bi place <strong><em>Dub Techno<\/em><\/strong> deoarece \u021bie \u00ee\u021bi place \u0219i e\u0219ti interesat de Basic Channel este ca \u0219i cum ai spune c\u0103-\u021bi place <strong><em>EDM <\/em><\/strong>deoarece tu ai auzit un c\u00e2ntec Moby o dat\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiind a\u0219a cumva spa\u021bial, ca de pe alt\u0103 planet\u0103, dubby, \u0219i greoi cu efecte de bas \u0219i reverb, <strong><em>Dub Techno<\/em><\/strong> poate fi considerat un v\u0103r al <strong><em>Ambient Techno<\/em><\/strong> care nu este nici <strong><em>Ambient <\/em><\/strong>\u0219i nici <strong><em>Techno <\/em><\/strong>(inteligen\u021ba militar\u0103, focul prietenos, majoritatea moral\u0103, creve\u021bi jumbo, mor\u021bi plimb\u0103tori, etc.) ci chiar IDM.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nici m\u0103car fanii <strong><em>Ambient Techno<\/em><\/strong> nu vor s\u0103 aib\u0103 de-a face cu fanii <strong><em>Dub Techno<\/em><\/strong>, iar <strong><em>Ambient Techno<\/em><\/strong> de asemenea are un b\u0103\u021b preten\u021bios b\u0103gat \u00een curule\u021bul s\u0103u. Aceste 2 p\u0103r\u021bi merg \u00eempreun\u0103 precum dressing-ul dulce &amp; acri\u0219or de ranch cu Skittles \u0219i unt de arahide. Ies pistoalele dac\u0103 le vezi la o petrecere. Ele nu se joac\u0103 una cu alta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Dub Techno<\/em><\/strong> \u00eenc\u0103 mai exist\u0103 pe aici \u00een zilele de azi, de\u0219i \u00een mod ironic majoritatea arti\u0219tilor care \u00eel tot bag\u0103 pe \u021beav\u0103 \u0219i-l \u00eemping nu sunt din Detroit sau Germania, iar o groaz\u0103 din el devine fie interpretat gre\u0219it ca, sau combinat \u00eempreun\u0103 cu <strong><em>Deeptech<\/em><\/strong>, <strong><em>Minimal Tech<\/em><\/strong> sau <strong><em>Psydub <\/em><\/strong>&#8211; identitatea sa fiind co-optat\u0103 \u00een mod tragic de c\u0103tre alte genuri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ceea ce este probabil cel mai bine deoarece ultimul lucru de care avem nevoie este vreun scriitor enervant revivalist de pe Pitchfork care s\u0103-l pupe pe Basic Channel \u00een cur din nou.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Dub Techno <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-5aa257ad uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-486c365b\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Quadrent &#8211; Q1.1 (1a)<\/li>\n\n\n\n<li>Yagya &#8211; Deepchord Redesigns 1<\/li>\n\n\n\n<li>Fingers In The Noise &#8211; Amazone<\/li>\n\n\n\n<li>Outernational Spacelords &#8211; Cape East<\/li>\n\n\n\n<li>Unit 4 &#8211; Bodydub<\/li>\n\n\n\n<li>L.B. Dub Corp &#8211; Rhythm Division<\/li>\n\n\n\n<li>Murmur &#8211; Barrier<\/li>\n\n\n\n<li>Grey Area &#8211; Amphibia<\/li>\n\n\n\n<li>Silent Harbour &#8211; Aquatic Movement<\/li>\n\n\n\n<li>Secret Cinema &#8211; Timeless Altitude (Minneapolis Mix)<\/li>\n\n\n\n<li>Axs &#8211; Compass<\/li>\n\n\n\n<li>Round Four &#8211; Found A Way<\/li>\n\n\n\n<li>Grey Area &#8211; Iona<\/li>\n\n\n\n<li>Luomo &#8211; The Right Wing<\/li>\n\n\n\n<li>Octave One &#8211; Terraforming<\/li>\n\n\n\n<li>Phylyps &#8211; Trak II<\/li>\n\n\n\n<li>Aes Dana &#8211; Otherness<\/li>\n\n\n\n<li>Cosmic Replicant &#8211; Evening Reflections<\/li>\n\n\n\n<li>Lars Leonhard &#8211; Deeper Direction<\/li>\n\n\n\n<li>Theo Parrish &#8211; Heal Yourself And Move<\/li>\n\n\n\n<li>Krill.Minima &#8211; Monddiode<\/li>\n\n\n\n<li>Der Dritte Raum &#8211; Mondmalodie<\/li>\n\n\n\n<li>Human Mesh Dance &#8211; Dahlia<\/li>\n\n\n\n<li>Hawkinson &#8211; Tiefdruck (Bill Youngman mix)<\/li>\n\n\n\n<li>Gabriel Le Mar &#8211; Dreamtechnologies (Beatless)<\/li>\n\n\n\n<li>Lars Leonhard &#8211; Glideslope<\/li>\n\n\n\n<li>Modal &#8211; Powder<\/li>\n\n\n\n<li>The Other People Place &#8211; Eye Contact<\/li>\n\n\n\n<li>The Orb &#8211; God&#8217;s Mirrorball<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-60bfd8d2\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"30\">\n<li>Martin Schulte &#8211; Trip<\/li>\n\n\n\n<li>Photek &#8211; Glamourama<\/li>\n\n\n\n<li>Basic Channel &#8211; Octaedre<\/li>\n\n\n\n<li>As If &#8211; Naervaer<\/li>\n\n\n\n<li>Monolake &#8211; Cyan I<\/li>\n\n\n\n<li>Psycho Plasma &#8211; Forbidden Planet<\/li>\n\n\n\n<li>Shockt &#8211; Slo-Mo<\/li>\n\n\n\n<li>Bandulu &#8211; Shroud<\/li>\n\n\n\n<li>T++ &#8211; Aquatic<\/li>\n\n\n\n<li>Markus Homm &#8211; Red One<\/li>\n\n\n\n<li>Martin Nonstatic &#8211; Inside Eyesight<\/li>\n\n\n\n<li>Blunted Dummies &#8211; House For All<\/li>\n\n\n\n<li>Playboy &#8211; In Da Jungle (Da Original)<\/li>\n\n\n\n<li>Log &#8211; In 1<\/li>\n\n\n\n<li>Floppy Sounds &#8211; Ultrasong (Francois K Studio A mix)<\/li>\n\n\n\n<li>Perc &#8211; Mathlete<\/li>\n\n\n\n<li>Dietrich Schoenemann &#8211; Autumn Ground<\/li>\n\n\n\n<li>Metro Dade &#8211; Tyguin<\/li>\n\n\n\n<li>Gas &#8211; Oktember<\/li>\n\n\n\n<li>Iamthatiam &#8211; The Human Aura<\/li>\n\n\n\n<li>Purl &#8211; Inre Sken<\/li>\n\n\n\n<li>Zzzzra &#8211; Aquilonia<\/li>\n\n\n\n<li>Convextion &#8211; Crawling And Hungry<\/li>\n\n\n\n<li>Abacus &#8211; The Bacus Chat<\/li>\n\n\n\n<li>Signer &#8211; Building Memories Without You<\/li>\n\n\n\n<li>Stewart S. Walker &#8211; Proof Of The Long Dark Night<\/li>\n\n\n\n<li>Model 500 &#8211; Last Transport (To Alpha Centauri)<\/li>\n\n\n\n<li>Banned X &#8211; That&#8217;s Dub<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.4. Bangin Techno<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bangin Techno<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Detroit Techno, German Techno, Swedish Techno, Latin Techno, Italo Techno, Jtech<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Techno<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Bangin Techno<\/em><\/strong> este <strong><em>Detroit Techno<\/em><\/strong> (\u0219i \u00eentr-o mai mic\u0103 m\u0103sur\u0103 Swedish Techno \u0219i German Techno dar mai multe despre asta mai \u00eencolo).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este mai degrab\u0103 o chestie care le cuprinde pe toate, o \u0219aorma cu de toate, dec\u00e2t un gen, dar este cel mai accesibil \u0219i cel mai interesant, iar pentru acest motiv este at\u00e2t de aproape de produse comerciale lustruite \u0219i unsuroase \u0219i str\u0103lucitoare pentru bunici \u0219i copila\u0219i de 8 ani, c\u00e2t este dispus <strong><em>Techno <\/em><\/strong>s-o fac\u0103. Tu po\u021bi chiar s\u0103 c\u00e2n\u021bi al\u0103turi de el &#8211; de ce altceva crezi c\u0103 a explodat Aztec Mystic &#8211; Jaguar? Avea un c\u00e2rlig, un hook catchy \u0219i care prindea, caracteristic, ca \u0219i oricare c\u00e2ntec pop. \u0102la e \u0219i motivul pentru care Sony &#8211; MBG l-a smuls \u0219i ciordit f\u0103r\u0103 permisiune sau compensa\u021bie. Doamne, frate, fiind un gen muzical at\u00e2t de ferm \u0219i devotat, anti-corporate, <strong><em>Detroit Techno<\/em><\/strong> sigur este ars o groaz\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Bangin Techno<\/em><\/strong> a \u00eenceput ca \u0219i un model de perfec\u021biune de progresii filtrate \u0219i strecurate, repetitive, de percu\u021bie superficial\u0103 \u0219i de m\u00e2ntuial\u0103, care se poate compara cu ni\u0219te pantofi, chei, curele, monede, \u0219osete \u00eengr\u0103m\u0103dite, \u0219i o minge de baseball, toate b\u0103gate \u0219i blocate, \u00eenghesuite \u00eentr-un usc\u0103tor de rufe. Este <strong><em>Detroit Techno<\/em><\/strong> ajuns la esen\u021ba sa cea mai asem\u0103n\u0103toare unei ma\u0219ini, la eficien\u021ba cea mai brut\u0103 \u0219i catalizat\u0103, \u00eentr-un a\u0219a hal, \u00eenc\u00e2t dup\u0103 o vreme, oamenii se \u00eentrebau de ce cele 2 erau separate \u00een primul r\u00e2nd.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u0219a c\u0103 la un moment dat, \u00een anii &#8217;00, ele s-au pliat \u00eenapoi \u00eempreun\u0103 iar toat\u0103 lumea l-a numit pe tot <strong><em>Detroit Techno<\/em><\/strong> din nou. Chiar \u0219i chestia f\u0103cut\u0103 de oamenii din afara Detroit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ar trebui s\u0103 men\u021bionez \u0219i c\u0103 Frankie Bones a jucat un rol enorm \u00een <strong><em>Bangin Techno<\/em><\/strong>, de asemenea, \u0219i men\u021bionez asta doar pentru c\u0103 dac\u0103 n-o fac, el se va pl\u00e2nge despre asta. De fapt, primul lucru pe care el probabil c\u0103 l-a f\u0103cut atunci c\u00e2nd a vizitat acest ghid, a fost s\u0103-\u0219i caute numele s\u0103u pe aici.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Bangin Techno<\/em><\/strong> de asemenea serve\u0219te ca \u0219i o colec\u021bie de genuri regionale ce sun\u0103 a Detroit, \u0219i exist\u0103 multe dintre ele care au ap\u0103rut \u00eentre mijlocul \u0219i finalul anilor &#8217;90, toate cu arome subtile locale. Cele mai mari Swedish Techno \u0219i German Techno \u00een principal din cauza eforturilor lui Adam Beyer \u0219i respectiv Chris Liebing.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dar exist\u0103 \u00een acela\u0219i timp \u0219i scene s\u0103n\u0103toase \u00een Italia (Italo Tech), Japonia (Jtech) \u0219i Spania \/ Mexic \/ Brazilia (Latin Techno). Nu s-ar potrivi obiectivelor acestui ghid s\u0103 aib\u0103 100 de genuri <strong><em>Techno <\/em><\/strong>specifice mai multor \u021b\u0103ri. De ce ai vrea tu s\u0103 te ui\u021bi la a\u0219a ceva? Aia e doar a scoate rahatul de mu\u0219te din ardei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Detroit Techno<\/em><\/strong> a fost dintotdeauna mai mult un gen de DJ. \u00cenregistr\u0103rile sunt lansate ca \u0219i bucle repetitive (loop-uri), gen c\u00e2ntece pe jum\u0103tate terminate cu nicio melodie sau voce (uneori), adesea ca \u0219i instrumente de battle sau samplere de beats &amp; breaks cu o groaz\u0103 de spa\u021biu \u00eentre ele pe vinil pentru a-l ajuta pe DJ \u00een ale sale mix-uri \u0219i t\u0103ieri, t\u0103ieturi rapide.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arta de a DJ-ii este de a combina aceste c\u00e2ntecele \u00eempreun\u0103 pentru a crea compozi\u021bii originale (ai fi surprins c\u00e2t de mul\u021bi DJ din cei mai faimo\u0219i nu \u0219tiu cum s\u0103 fac\u0103 asta). DJ-ii buni pot coase \u0219i alipi compozi\u021biile \u00een mod expert p\u00e2n\u0103 c\u00e2nd sun\u0103 precum un c\u00e2ntec de 90 de minute perfect, f\u0103r\u0103 gre\u0219eal\u0103, \u00een continuu, f\u0103cut din 40 sau 50 de p\u0103r\u021bi din c\u00e2ntece (standardul de aur pentru mix-urile perfecte de DJ fiind Richie Hawtin&#8217;s Decks, EFX &amp; 909). Rezultatul final nu este at\u00e2t de tehnic anal-retentiv ca \u0219i <strong><em>Turntablism <\/em><\/strong>ci \u00eenc\u0103 pl\u0103cut \u0219i pl\u0103cubil \u0219i, ca \u0219i un bonus ad\u0103ugat, enerveaz\u0103 observatorii de trenuri \u0219i trend-uri. \u00cen special dac\u0103 toate sunt case de discuri albe.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/de9.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Doar un singur om, singur cu instrumentul s\u0103u.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Bangin Techno<\/em><\/strong> reprezint\u0103 ultimul mare val interesant al <strong><em>Techno<\/em><\/strong>. Dup\u0103 ce Detroit s-a derulat \u00een ale sale genuri benefice din gre\u0219eal\u0103, lucrurile au devenit super liniare \u0219i obi\u0219nuite, banale, iar DJ-ii pe care noi odat\u0103 \u00eei credeam \u0219i \u0219tiam c\u0103 erau de neatins (m\u0103 uit la tine, Mr. Hawtin) au devenit foarte plictisitori.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Bangin Techno <\/em><\/strong>&#8211; <strong><em><strong><em>Techno<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-b302a77b uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-5d942145\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Tarball &amp; Lungbutter &#8211; Bring Forth The Custard<\/li>\n\n\n\n<li>Subhead &#8211; Atlantic Bridge<\/li>\n\n\n\n<li>Quartz &#8211; Synergie<\/li>\n\n\n\n<li>Tomba Vira &#8211; Schriek<\/li>\n\n\n\n<li>Jeff Mills &#8211; In The Bush<\/li>\n\n\n\n<li>Frankie Bones &#8211; Get The Freak<\/li>\n\n\n\n<li>The Advent &#8211; Farencounters<\/li>\n\n\n\n<li>Sol &#8211; Pollenflug<\/li>\n\n\n\n<li>Pacou &#8211; Iron City<\/li>\n\n\n\n<li>Bruce &#8211; Just Getting Started<\/li>\n\n\n\n<li>Argon &#8211; Alive Poem<\/li>\n\n\n\n<li>The Vectif &#8211; The Spice<\/li>\n\n\n\n<li>Mark Hawkins &#8211; Hunger<\/li>\n\n\n\n<li>Sven Vath &#8211; Smuggler<\/li>\n\n\n\n<li>Filippo Naughty Moscatello &#8211; California<\/li>\n\n\n\n<li>Richard Harvey &#8211; 002-A B1<\/li>\n\n\n\n<li>Damon Wild &amp; Woody Mcbride &#8211; Downtown<\/li>\n\n\n\n<li>Adam Beyer &amp; Henrik B &#8211; Perfect Match<\/li>\n\n\n\n<li>CJ Bolland &#8211; The Tingler<\/li>\n\n\n\n<li>Ben Sims &#8211; Storm<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-9d6d11c8\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"21\">\n<li>DJ Hell &amp; Richard Bartz &#8211; Take A Shot<\/li>\n\n\n\n<li>Frankie Bones &#8211; The Old Dub Plate<\/li>\n\n\n\n<li>Ken IshII &#8211; Stretch<\/li>\n\n\n\n<li>Chris Liebing &#8211; Conan<\/li>\n\n\n\n<li>Andreas Kramer &amp; Thomas Pogadl &#8211; Der Racher<\/li>\n\n\n\n<li>Laurent Garnier &#8211; Dangerous Drive<\/li>\n\n\n\n<li>Jeff Mills &#8211; The Bells<\/li>\n\n\n\n<li>Switch &#8211; Bumpy Ride<\/li>\n\n\n\n<li>Chris Liebing &amp; Umek &#8211; Dong<\/li>\n\n\n\n<li>Ricky Effe &#8211; Rectifier<\/li>\n\n\n\n<li>Bryan Zentz &#8211; Algebra<\/li>\n\n\n\n<li>Technasia &#8211; Acid Storm<\/li>\n\n\n\n<li>D-Factor &#8211; Barana<\/li>\n\n\n\n<li>Adam Beyer &#8211; Analyser<\/li>\n\n\n\n<li>Bill Youngman &#8211; Connection Circuit<\/li>\n\n\n\n<li>Speedy J &#8211; Krekc<\/li>\n\n\n\n<li>Santos Rodriguez &#8211; Road to Rio A1<\/li>\n\n\n\n<li>DJ Hell &#8211; Jack The House<\/li>\n\n\n\n<li>Umek &#8211; Analok<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Techno &#8211; este un gen de muzic\u0103 dance electronic\u0103 (EDM) care este \u00een general produs\u0103 pentru folosirea \u00eentr-un set continuu al unui DJ, cu tempo adesea variind \u00eentre 120 \u0219i 150 b\u0103t\u0103i pe minut (beats per minute &#8211; bpm). 1. Detroit Techno (derivat din Electro) Gen Muzical Electronic Detroit Techno Alte Denumiri Classic Techno Sfera [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":338,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-271","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"sm","author_link":"https:\/\/smajoris.space\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Techno &#8211; este un gen de muzic\u0103 dance electronic\u0103 (EDM) care este \u00een general produs\u0103 pentru folosirea \u00eentr-un set continuu al unui DJ, cu tempo adesea variind \u00eentre 120 \u0219i 150 b\u0103t\u0103i pe minut (beats per minute &#8211; bpm). 1. Detroit Techno (derivat din Electro) Gen Muzical Electronic Detroit Techno Alte Denumiri Classic Techno Sfera&hellip;","_links":{"self":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=271"}],"version-history":[{"count":343,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/271\/revisions"}],"predecessor-version":[{"id":4779,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/271\/revisions\/4779"}],"up":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}