{"id":288,"date":"2022-04-16T22:54:44","date_gmt":"2022-04-16T22:54:44","guid":{"rendered":"https:\/\/smajoris.space\/14-bass\/"},"modified":"2022-12-07T02:02:06","modified_gmt":"2022-12-07T02:02:06","slug":"14-bass","status":"publish","type":"page","link":"https:\/\/smajoris.space\/?page_id=288","title":{"rendered":"14. Bass"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>Bass <\/em><\/strong>&#8211; termen folosit pentru a descrie mai multe genuri de muzic\u0103 dance electronic\u0103, \u0219i muzic\u0103 hip hop, ap\u0103rute \u00eencep\u00e2nd cu anii 1980, focusate pe o tob\u0103 de bas proeminent\u0103, \u0219i \/ sau sunet de linie de bas.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\t\t\t\t<div class=\"wp-block-uagb-table-of-contents uagb-toc__align-center uagb-toc__columns-5  uagb-block-15e0eac8      \"\n\t\t\t\t\tdata-scroll= \"1\"\n\t\t\t\t\tdata-offset= \"100\"\n\t\t\t\t\tstyle=\"\"\n\t\t\t\t>\n\t\t\t\t<div class=\"uagb-toc__wrap\">\n\t\t\t\t\t\t<div class=\"uagb-toc__title\">\n\t\t\t\t\t\t\tSubgenuri\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"uagb-toc__list-wrap \">\n\t\t\t\t\t\t<ol class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#1-miami-bass-derivat-din-rap\" class=\"uagb-toc-link__trigger\">1. Miami Bass (derivat din Rap)<\/a><li class=\"uagb-toc__list\"><a href=\"#11-dirty-south-rap-derivat-din-rap-southern-rap\" class=\"uagb-toc-link__trigger\">1.1. Dirty South Rap (derivat din Rap &amp; Southern Rap)<\/a><li class=\"uagb-toc__list\"><a href=\"#111-crunk-derivat-din-southern-rap\" class=\"uagb-toc-link__trigger\">1.1.1. Crunk (derivat din Southern Rap)<\/a><li class=\"uagb-toc__list\"><a href=\"#1111-trap\" class=\"uagb-toc-link__trigger\">1.1.1.1. Trap<\/a><li class=\"uagb-toc__list\"><a href=\"#12-technobass\" class=\"uagb-toc-link__trigger\">1.2. Technobass<\/a><li class=\"uagb-toc__list\"><a href=\"#121-ghetto-tech\" class=\"uagb-toc-link__trigger\">1.2.1. Ghetto Tech<\/a><li class=\"uagb-toc__list\"><a href=\"#13-moombahton\" class=\"uagb-toc-link__trigger\">1.3. Moombahton<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1. Miami Bass<\/strong> (derivat din <strong><a href=\"https:\/\/smajoris.space\/?page_id=257#rap\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=257#rap\">Rap<\/a><\/strong>)<\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Miami Bass<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Bass, Ghetto Bass<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bass<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Ma\u0219ina de drum (drum machine) Roland TR-808 nu are un kickdrum (tob\u0103 de kick).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen schimb, are un BassDrum. Nu este la fel de cald \u0219i dulce precum TR-909, \u0219i nici la fel de infec\u021bios precum LinnDrum, \u0219i nu poate fi acordat \u0219i sincronizat \u0219i nu are nicio op\u021biune de MIDI sau swing. Dar c\u00e2nd este ajustat corect, poate scoate afar\u0103, urla \u0219i zbiera o not\u0103 din registrul de jos ce face s\u0103 cl\u0103n\u021b\u0103ne din\u021bii, s\u0103 zdr\u0103ng\u0103ne, care face ma\u0219inile s\u0103 fac\u0103 BOOOOOOOM.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Era o caracteristic\u0103 \u0219i o setare fericit\u0103 \u0219i \u00eembucur\u0103toare a unui device pentru care Roland \u00een mod evident a condus 0 market research, \u00een sensul c\u0103 prima rulare a acestor unit\u0103\u021bi de fapt, efectiv, a avut un timp de sc\u0103dere \u00een amplitudine (decay) mai lung, ceea ce a \u00eensemnat c\u0103 era chiar \u0219i mai plin de bas. Lans\u0103rile ulterioare, urm\u0103toare, a &#8220;fixat&#8221; \u0219i reparat problematica sc\u0103derii \u00een amplitudine, deoarece Roland nu s-a g\u00e2ndit s\u0103 \u00eentrebe pe nimeni de ce ar avea ei nevoie de at\u00e2t de mult bas \u00een ale lor drum kick-uri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pu\u021bin a realizat Roland c\u0103 pentru reziden\u021bii \u0219i locuitorii din Florida de Sud, nu exist\u0103 a\u0219a ceva gen \u0219i prea mult bas. C\u00e2nd produc\u0103torii voiau mai mult de la ma\u0219in\u0103, ei s-au apucat s-o desfac\u0103 \u0219i s\u0103 se joace cu set\u0103rile implicite din fabric\u0103, default (Richie Hawtin a f\u0103cut asta odat\u0103 iar rezultatul a fost Spastik). Aceia care erau mai \u00eenclina\u021bi c\u0103tre partea electronic\u0103, au dus un pistol de lipit la placa de circuite, pentru a regla circuitul de b\u0103t\u0103i, de kick-uri, \u0219i s\u0103 creasc\u0103 timpul de decay, p\u00e2n\u0103 \u00een punctul de auto-oscila\u021bie (nu este greu s\u0103 faci asta &#8211; instruc\u021biunile sunt chiar aici).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O \u0219i mai bun\u0103 metod\u0103 este aceea de a folosi un sampler. C\u00e2nd E-mu SP-1200 a ap\u0103rut \u00een 1987, arti\u0219tii obi\u0219nuiau s\u0103 sample-uiasc\u0103 bassdrum-ul lui 808 iar apoi s\u0103-l manipuleze cu mult dincolo de limit\u0103rile \u0219i limita\u021biile ma\u0219inii de drum originale (sus\u021binerea sa pentru c\u00e2teva secunde, c\u00e2ntatul lui la diferite pitch-uri \u0219i tonalit\u0103\u021bi, genul \u0103sta de chestii). Asta a deschis u\u0219a c\u0103tre noi oportunit\u0103\u021bi \u00een genul emergent \u0219i ap\u0103rut pe nea\u0219teptate, <strong><em>Miami Bass<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nu exist\u0103 posibilitatea s\u0103 subestimezi asta. 3 scene \u00eentregi, 13 genuri de muzic\u0103 numai \u00een acest ghid, milioane de \u00eenregistr\u0103ri \u0219i mii de arti\u0219ti \u00eempreun\u0103 cu industriile comerciale complete, de produc\u0103tori \u0219i manufacturieri de speakere audio, cultura acordeorului ma\u0219inii, display-urile demo din magazinele de muzic\u0103, \u0219i verific\u0103rile de sunet la festivalurile de muzic\u0103, \u00ee\u0219i datoreaz\u0103 \u00eentreaga lor existen\u021b\u0103, nu unei ma\u0219ini, ci unui singur knob (unei roti\u021be) de pe o ma\u0219in\u0103.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/tr-808-bass.png\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Aia e. Acel mic knob, butona\u0219. Pur \u0219i simplu rote\u0219te-l p\u00e2n\u0103 la cap\u0103t, spre dreapta, \u0219i preg\u0103te\u0219te-te s\u0103 freci p\u0103m\u00e2ntul. De fapt, haide s\u0103 facem aia chiar acum. Aceast\u0103 muzic\u0103 este amuzant\u0103, distractiv\u0103.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/scrubdaground.mp4\"><\/video><figcaption class=\"wp-element-caption\">F\u0103 ni\u0219te zgomot \u0219i g\u0103l\u0103gie pentru Splack Pack.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Electro <\/em><\/strong>a fost primul gen care s\u0103 se \u00eendr\u0103gosteasc\u0103 de TR-808, \u00eens\u0103 <strong><em>Miami Bass<\/em><\/strong> a fost primul gen care s\u0103 ac\u021bioneze butonul acela, acela knob \u0219i care a spart \u0219i explodat subwoofer-ele \u0219i speaker-ele, boxele, peste tot. De\u0219i era tehnic o variant\u0103 de sud a <strong><em>Rap<\/em><\/strong>, <strong><em>Miami Bass<\/em><\/strong> nu a fost niciodat\u0103 despre rapping. Versurile erau \u00eendemnuri \u0219i preocup\u0103ri simple, neintelectuale, de baz\u0103 (joc de cuvinte inten\u021bionat), \u00een unele cazuri, nimic mai mult dec\u00e2t morm\u0103ieli, groh\u0103ieli \u0219i b\u00e2lb\u00e2ieli, sau apeluri-\u0219i-r\u0103spunsuri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e2nd a aspirat \u00eentr-adev\u0103r, pe bune, c\u0103tre ceva de substan\u021b\u0103, <strong><em>Miami Bass<\/em><\/strong> nu putea s\u0103 se g\u00e2ndeasc\u0103 la nimic despre care s\u0103 vorbeasc\u0103, dec\u00e2t petrec\u0103real\u0103, petreceri \u0219i sex, d\u00e2nd na\u0219tere la <strong><em>Dirty South Rap<\/em><\/strong>, care este dup\u0103 toate conturile \u0219i toate analizele, absolut \u0219i complet hilar. Puteai s\u0103-l nume\u0219ti dezagreabil \u0219i nepl\u0103cut \u0219i misogin, \u00eens\u0103 cum puteai fi, c\u00e2nd femeile sunt tot la fel de vulgare?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Din c\u00e2nd \u00een c\u00e2nd, o pies\u0103 <strong><em>Miami Bass<\/em><\/strong>, va lovi \u0219i intra \u00een topurile mainstream pentru o vreme. S-a \u00eent\u00e2mplat cu constant\u0103 regularitate \u0219i frecven\u021bialitate, frecven\u021b\u0103, \u00een anii &#8217;90. Sir Mix-a-Lot &#8211; Baby Got Back, Tag Team &#8211; Whoomp! There It Is (care este tehnic o jupuire \u0219i copiere a 95 South &#8211; Whoot, There It Is), Quad City DJs &#8211; Space Jam, de\u0219i aia e vina lui Michael Jordan, Baha Men &#8211; Who Let The Dogs Out, care este \u00een sine un cover al unui original calypso, de Anslem Douglas, \u0219i a devenit de atunci imnul oficial al facerii de ru\u0219ine \u0219i ru\u0219in\u0103rii colegilor t\u0103i de munc\u0103 negri, la petrecerea de la birou de Cr\u0103ciun. Exist\u0103 de asemenea, Peanut Butter Jelly Time, dar aia \u00een principal din cauza unui meme Flash cu o banan\u0103 dansatoare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este ciudat \u0219i dubios c\u0103 acest succes nu este sustenabil, durabil \u0219i nu exist\u0103 niciun followup real, urmare sau continuare, \u00eens\u0103 b\u0103nuiesc c\u0103 acum cu <strong><em>Trap<\/em><\/strong>, \u0219i <strong><em>Rap <\/em><\/strong>plin de bas domin\u00e2nd totul, <strong><em>Miami Bass<\/em><\/strong> nu prea mai umple vreo ni\u0219\u0103, cu adev\u0103rat. Tu ai mai putea \u00eenc\u0103 g\u0103si piesa dubioas\u0103 p-aici \u0219i pe dincolo, \u00eens\u0103 ast\u0103zi <strong><em>Miami Bass<\/em><\/strong> este precum Limba Latin\u0103: Nimeni n-o prea mai c\u00e2nt\u0103 deloc \u00eens\u0103 a sa influen\u021b\u0103 puternic\u0103 continu\u0103 s\u0103 d\u0103inuie \u0219i s\u0103 tr\u0103iasc\u0103 \u00een \u0219i prin genurile succesoare \u0219i urma\u0219e.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Miami Bass <\/em><\/strong>&#8211; <strong><em><strong><em>Bass<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-903cc109 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-02abea45\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>DJ Magic Mike &#8211; Check Out Dat Butt!<\/li>\n\n\n\n<li>Double Duce &#8211; Commin In Fresh<\/li>\n\n\n\n<li>95 South &#8211; Rodeo<\/li>\n\n\n\n<li>69 Boyz &#8211; Tootsie Roll<\/li>\n\n\n\n<li>Kyper &#8211; What Gets Your Body Hyped (Xtc)<\/li>\n\n\n\n<li>DJ Magic Mike &amp; The Royal Posse &#8211; Drop That Bass<\/li>\n\n\n\n<li>Success &#8211; N &#8211; Effect &#8211; Cruisin<\/li>\n\n\n\n<li>Afro-Rican &#8211; Give It All You Got (Doggystyle) (Dub mix)<\/li>\n\n\n\n<li>L&#8217;trimm &#8211; We Like The Cars That Go Boom<\/li>\n\n\n\n<li>MC Shy-D &#8211; We Don&#8217;t Play<\/li>\n\n\n\n<li>Original Concept &#8211; Pump That Bass<\/li>\n\n\n\n<li>Afro-Rican &#8211; All Of Puerto Rico<\/li>\n\n\n\n<li>MC Shy D &#8211; Shake It<\/li>\n\n\n\n<li>Jj Fad &#8211; Supersonic<\/li>\n\n\n\n<li>Smokey Dee &amp; Dxj &#8211; Get Hyped (Special Maggazulu Too Assault-N-Dub)<\/li>\n\n\n\n<li>Rodney O &#8211; Everlasting Bass<\/li>\n\n\n\n<li>DJ Magic Mike &#8211; You Want Bass<\/li>\n\n\n\n<li>Balli &amp; Fat Daddy &#8211; Miami Bass<\/li>\n\n\n\n<li>Anquette &#8211; Shake It (Do The 61st)<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-414e62d7\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"20\">\n<li>Breezy Beat MC &#8211; Shake The Joint<\/li>\n\n\n\n<li>Dis-N-Dat &#8211; Party (Underground Bass mix)<\/li>\n\n\n\n<li>Tag Team &#8211; Whoomp! (There It Is)<\/li>\n\n\n\n<li>Canblaster &#8211; Dawgs In Da House<\/li>\n\n\n\n<li>B-Rock &amp; The Bizz &#8211; My Baby Daddy<\/li>\n\n\n\n<li>MC Smart &#8211; Pump The Volume Up Louder<\/li>\n\n\n\n<li>Party Rock Crew &#8211; Basstown<\/li>\n\n\n\n<li>Quad City DJs &#8211; Space Jam<\/li>\n\n\n\n<li>DJ KJ &amp; MC Kooley C. &#8211; Let&#8217;s Get This Party Started<\/li>\n\n\n\n<li>Sir Mix-A-Lot &#8211; Baby Got Back<\/li>\n\n\n\n<li>24k &#8211; Teenie-Weenie<\/li>\n\n\n\n<li>Kenny B Devine &#8211; Bass In The Box<\/li>\n\n\n\n<li>Playa Poncho feat LA Sno &#8211; Whatz Up, Whatz Up<\/li>\n\n\n\n<li>Prince Rahiem feat Crazy L&#8217;eggs &#8211; Loose My Money<\/li>\n\n\n\n<li>DJ Kizzy Rock &#8211; Crank This Shit Up<\/li>\n\n\n\n<li>95 South &#8211; Whoot, There It Is<\/li>\n\n\n\n<li>DJ Taz &amp; Raheem The Dream &#8211; That&#8217;s Right<\/li>\n\n\n\n<li>A-Town Players &#8211; Bass In Yo&#8217; Face<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"dirty-south-rap\"><strong>1.1. Dirty South Rap<\/strong> (derivat din <strong><a href=\"https:\/\/smajoris.space\/?page_id=257#rap\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=257#rap\">Rap<\/a><\/strong> &amp; <a href=\"https:\/\/smajoris.space\/?page_id=257#southern-rap\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=257#southern-rap\"><strong>Southern Rap<\/strong><\/a>)<\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Dirty South Rap<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Miami Bass, Booty Bass, Bass Rap<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bass<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Miami Bass<\/em><\/strong> cu versuri vulgare \u0219i cu con\u021binut sexual explicit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vremea \u00een Florida de Sud este cu mult mai pl\u0103cut\u0103 dec\u00e2t vremea din New York. Petrecerile de <strong><em>Rap <\/em><\/strong>din Harlem sau din South Bronx, ar fi ori \u00een interior, \u00een mansarde \u0219i terase de studio-uri, garsoniere, sau cluburi, ori afar\u0103, precum petrecerile de bloc, ale lui Kool Herc, sau \u00eentr-un parc local pe undeva, dar, oricum ar fi, toat\u0103 lumea este relativ \u00eembr\u0103cat\u0103 (\u00een special iarna). Ei probabil c\u0103 chiar poart\u0103 \u0219i straturi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Miami \u0219i West Palm Beach nu au aceast\u0103 problem\u0103, a\u0219a c\u0103 petrecerile sunt \u00een mod normal afar\u0103 unde este \u00eensorit sau \u00een loca\u021bii deschise, cu aer, iar toat\u0103 lumea abia dac\u0103 poart\u0103 ceva. Bikini-uri \u0219i pantaloni fierbin\u021bi, hot, sexy, pantaloni scur\u021bi, largi, \u0219i tricouri aerisite. Exist\u0103 mai mult\u0103 piele care se vede \u0219i se arat\u0103, iar aia \u00eenseamn\u0103 sex appeal, farmec, iar rapper-ii vor rappui despre ceea ce ei v\u0103d chiar acolo \u00een fa\u021ba lor, iar dac\u0103 ei o pot face pe acea femeie s\u0103 dea din fund doar un pic mai tare, s\u0103 twerk-uiasc\u0103 mai intens, mai tare, atunci ei \u00ee\u0219i fac treaba. Cel pu\u021bin, aia este teoria mea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Dirty South Rap<\/em><\/strong> a evoluat aproape exclusiv \u00een jurul dorin\u021bei de-a vedea \u021b\u00e2\u021be, s\u00e2ni \u0219i funduri, popone\u021buri, cururi, care se mi\u0219c\u0103 \u0219i \u021bop\u0103ie, danseaz\u0103, la petreceri. \u0218i cine \u00eei poate \u00eenvinov\u0103\u021bi pe ei pentru asta, da vina pe ei? Rapp-uitul despre sex nu era o chestie nou\u0103, \u00eens\u0103 <strong><em>Dirty South Rap<\/em><\/strong> l-a dus la un nivel, de aproape gen parodie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Versurile erau pornografice, video-urile vulgare \u0219i exploatative, exploatatoare, iar r\u0103zboaiele \u00eenfinite \u0219i interminabile \u00eempotriva Parents Music Resource Center, al lui Tipper Gore (grupul care a inventat eticheta \u0219i marca &#8220;Parental Advisory Explicit Content&#8221;) au st\u00e2rnit o conversa\u021bie na\u021bional\u0103 despre cenzur\u0103, cenzurare \u0219i control \u0219i entertainment, divertisment, \u00een anii &#8217;80.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/parental_advisory.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Putea s\u0103 zic\u0103 tot a\u0219a, foarte bine, &#8220;Muzic\u0103 mi\u0219to, cool, \u0219mecher\u0103, \u00een\u0103untru!&#8221;<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Arti\u0219tii au c\u00e2\u0219tigat, desigur, deoarece nimic nu impune \u0219i oblig\u0103, for\u021beaz\u0103, constr\u00e2nge, sile\u0219te un copil s\u0103 vrea ceva, mai mult dec\u00e2t s\u0103 le spui c\u0103 ei nu au voie \u0219i dreptul, permisiunea, s\u0103 o aib\u0103. Demonstr\u00e2nd o versiune timpurie a Efectului Streisand, marca &#8220;Parental Advisory&#8221; a fost un captator de aten\u021bie gigant, pentru clien\u021bii \u0219i consumatorii minori, sub 18 ani, underage, cum c\u0103 asta era ceva \u00eendr\u0103zne\u021b \u0219i curajos, \u0219i iritant, enervant, periculos, pe care cineva \u00eel poate folosi ca s\u0103 le arate prietenilor s\u0103i.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0218i a\u0219a a pus m\u00e2na \u0219i cucerit 2 Live Crew, a pus st\u0103p\u00e2nire, pe suburbia alb\u0103. N-a f\u0103cut-o muzica, n-a f\u0103cut-o rapping-ul, \u0219i pe c\u00e2t de mult \u00eel iubesc pe Luke Campbell, nici el nu a f\u0103cut-o. Albii cei-devreme-acas\u0103 \u0219i la-ora-de-culcare-\u00een-pat, \u0219i puritanii, poc\u0103i\u021bii, \u0103ia fanatici cu religia, \u0103ia cu Dumnezeu, \u0219i-au f\u0103cut-o singuri, cu m\u00e2na lor. A avut acela\u0219i efect precum un ofi\u021ber sau poli\u021bist anti-drog, vizit\u00e2ndu-\u021bi \u0219coala ta elementar\u0103, primar\u0103, de gimnaziu, s\u0103 predea \u0219i s\u0103-i \u00eenve\u021be pe copii pericolele drogurilor, de care nu ai \u0219tiut c\u0103 exist\u0103, p\u00e2n\u0103 c\u00e2nd el \u021bi-a zis despre ele, \u0219i de efectele lor minunate, extraordinare \u0219i mirifice, \u0219i c\u00e2t de mult cost\u0103 ele \u0219i de unde s\u0103 le ob\u021bi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Da, <strong><em>Dirty South Rap<\/em><\/strong> este brut \u0219i crud, neprelucrat, \u0219i misogin, \u00eens\u0103, este de asemenea hilar de eficient. Exist\u0103 1 miliard de c\u00e2ntece acolo, despre dragostea romantic\u0103, iar ultima \u0219i eventuala expresie a dragostei este sexul. <strong><em>Dirty South Rap<\/em><\/strong> taie prin pa\u0219ii de mijloc \u0219i sare peste ei, \u0219i sare \u0219i merge la inima, centrul \u0219i esen\u021ba fiec\u0103rui c\u00e2ntec de dragoste: Este despre futere \u0219i a \u021bi-o trage. Este totul despre futere \u0219i a \u021bi-o trage. A fost mereu despre futere \u0219i a \u021bi-o trage. Lungimea standard a unui c\u00e2ntec pop este 3:20 pentru un motiv: Este exact \u0219i fix lungimea unui act sexual mediu (cu 2 strofe, un bridge, \u0219i un climax, orgasm, punct culminant). A\u0219a c\u0103 de ce s\u0103 fii timid, sfios \u0219i feciorelnic, \u0219i s\u0103 te \u00eenv\u00e2r\u021bi \u00een jurul cozii, s\u0103 vorbe\u0219ti pe l\u00e2ng\u0103 subiect, ocolindu-l, \u00een jurul chestiunii, problemei, c\u00e2nd tu po\u021bi pur \u0219i simplu s\u0103-\u021bi expui, afirmi \u0219i declari inten\u021biile tale, \u00een mod deschis?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Onestitatea \u0219i sinceritatea lui <strong><em>Dirty South Rap<\/em><\/strong>, se sustrage \u0219i evit\u0103 comunicarea gre\u0219it\u0103 \u0219i defectuoas\u0103, sau lipsa ei, \u00eencheierile de subiect subite, jocurile subtile de cap \u0219i privirile sugestive \u0219i comportamentul \u0219i pozi\u021bia psihologic\u0103 de au-de-g\u00e2nd-sau-n-au-de-g\u00e2nd \u0219i manevrarea, \u0219i merge direct la des\u0103v\u00e2r\u0219ire, \u00eendeplinire, ac\u021biune, evit\u0103 preludiul. \u0218tie ce vrea, ce-\u0219i dore\u0219te, \u0219i nu face jocuri. Tu trebuie s\u0103-l admiri pentru asta. Noi puteam to\u021bi \u00eenv\u0103\u021ba ceva despre \u00eemperechere, copula\u021bie, ag\u0103\u021bat, \u0219i ritualurile de curte \u0219i de a face curte, de la nebunia din fa\u021ba ta a <strong><em>Dirty South Rap<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Scena Floridei de Sud este doar at\u00e2t de mare, a\u0219a c\u0103 atunci c\u00e2nd un nou stil sau sunet este inventat, toat\u0103 lumea tinde s\u0103 se mi\u0219te \u00eentr-acea direc\u021bie, deodat\u0103, cu totul, pension\u00e2nd, retr\u0103g\u00e2nd \u0219i b\u0103g\u00e2nd la pensie genul anterior, de-a binelea, de tot, pentru totdeauna. A\u0219a \u00eenc\u00e2t <strong><em>Dirty South Rap<\/em><\/strong> era cam deja gata terminat, c\u00e2nd a ap\u0103rut prin peisaj <strong><em>Crunk<\/em><\/strong>, \u0219i de asemenea, \u00een acela\u0219i mod, asem\u0103n\u0103tor, acela\u0219i lucru s-a-nt\u00e2mplat cu <strong><em>Crunk<\/em><\/strong>, atunci c\u00e2nd a ap\u0103rut <strong><em>Trap<\/em><\/strong>.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Dirty South Rap <\/em><\/strong>&#8211; <strong><em><strong><em>Bass<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-40abcdc0 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-a1c5013a\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>2 Live Crew &#8211; Move Somethin&#8217;<\/li>\n\n\n\n<li>69 Boyz &#8211; Woof Woof<\/li>\n\n\n\n<li>DJ Smurf &#8211; Girls (Southside mix)<\/li>\n\n\n\n<li>The Dogs feat Disco Rick &#8211; Do The Nasty Dance (Vocal)<\/li>\n\n\n\n<li>Clay D feat MC Nas-D &amp; Aim To Please &#8211; That Booty In There<\/li>\n\n\n\n<li>Down South Bass Dawgs &#8211; Do Ya Like It \u2026playas<\/li>\n\n\n\n<li>Freak Nasty &#8211; Bump That Rump (Nasty Mixx)<\/li>\n\n\n\n<li>Splack Pack &#8211; Scrub Da Ground<\/li>\n\n\n\n<li>DJ Laz feat Danny D &#8211; Mami El Negro<\/li>\n\n\n\n<li>Dirty Dawgs &#8211; Must Be The Booty<\/li>\n\n\n\n<li>The Get Funky Crew &#8211; Shake Them Titties<\/li>\n\n\n\n<li>MC Cool Rock &amp; MC Chaszy Chase &#8211; Boot The Booty (Vocal)<\/li>\n\n\n\n<li>Pamp &amp; Da Knox &#8211; Butta (Miami Bass mix)<\/li>\n\n\n\n<li>Ghetto Style With 2 Live Crew &#8211; Trow The Dick (Dub mix)<\/li>\n\n\n\n<li>Luke &#8211; Scarred (Dirty)<\/li>\n\n\n\n<li>Pamp &amp; Da Knox &#8211; Shake (Bass mix)<\/li>\n\n\n\n<li>2 Live Crew &#8211; Me So Horny<\/li>\n\n\n\n<li>Krush 2 &#8211; Ghetto Jump<\/li>\n\n\n\n<li>DJ Trans &#8211; Ride Out<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-aec51671\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"20\">\n<li>Fresh Celeste &amp; M4 Sers &#8211; Get It Boy (X Rate)<\/li>\n\n\n\n<li>Soundmaster T &#8211; 2 Much Booty (In The Pants)<\/li>\n\n\n\n<li>Renard With No Regard &#8211; Dick Is What You Want<\/li>\n\n\n\n<li>Kilo &#8211; Nasty Dancer<\/li>\n\n\n\n<li>The Dogs &#8211; Take It Off<\/li>\n\n\n\n<li>DJ Smurf &amp; P.M.H.I. &#8211; Oohh Lawd (Party People)<\/li>\n\n\n\n<li>DJ Uncle Al &#8211; Mix It Up<\/li>\n\n\n\n<li>Disco Rick &amp; The Wolf Pack &#8211; Wiggle, Wiggle<\/li>\n\n\n\n<li>MC Luscious &#8211; Boom! I Got Your Boyfriend (X-Rated)<\/li>\n\n\n\n<li>Byron Davis &amp; The Fresh Krew &#8211; On The Nutt<\/li>\n\n\n\n<li>Jonny Z &#8211; Shake Shake<\/li>\n\n\n\n<li>Duice &#8211; Dazzey Duks<\/li>\n\n\n\n<li>Get It Boyz &#8211; Let Me See U Pop It<\/li>\n\n\n\n<li>Poison Clan &#8211; Shake Whatcha Mama Gave Ya<\/li>\n\n\n\n<li>Gucci Crew II &#8211; Sally (That Girl)<\/li>\n\n\n\n<li>12 Gauge &#8211; Dunkie Butt (Please Please Please)<\/li>\n\n\n\n<li>Beatmaster Clay D &amp; The Get Funky Crew &#8211; Do Your Duty<\/li>\n\n\n\n<li>Bust Down &#8211; Pop That Thang<\/li>\n\n\n\n<li>2 Live Crew &#8211; We Want Some Pussy<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.1. Crunk<\/strong> (derivat din <a href=\"https:\/\/smajoris.space\/?page_id=257#southern-rap\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=257#southern-rap\"><strong>Southern Rap<\/strong><\/a>)<\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Crunk<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Snap, Crunkcore, Bass Rap<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bass<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen 1993, Conan O&#8217;Brien \u0219i Andy Ritcher, intrigau \u0219i pl\u0103nuiau metode prin care s\u0103 treac\u0103 de cenzura TV, la talk show-ul lui Conan, de noaptea t\u00e2rziu, iar ei s-au hot\u0103r\u00e2t \u0219i fixat, stabilit pe un \u00eenlocuitor adecvat din toate privin\u021bele \u0219i motivele, pentru infamele 7 \u00eenjur\u0103turi murdare pe care ei nu le puteau spune la TV: <strong><em>Crunk<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alegerea de-a vedea acel cuv\u00e2nt era categoric \u0219i precis nealeatoare \u0219i nu random. Ice-T doar s-a nimerit s\u0103 fie la show \u00een acea noapte a\u0219a c\u0103 probabil c\u0103 el le-a livrat \u0219i dat cuv\u00e2ntul, dinainte, iar ei au construit o ie\u0219ire din ea, \u0219i o eschivare, o sc\u0103pare, \u0219i au continuat s\u0103 o zic\u0103 ca \u0219i un c\u0103lu\u0219 \u0219i glum\u0103, dum\u0103, alerg\u0103toare, a\u0219a, din senin, trec\u0103toare, pe tot parcursul transmisiunii televizate. De fiecare dat\u0103 c\u00e2nd ceva se \u00eent\u00e2mpla, ei foloseau cuv\u00e2ntul drept un expletiv, detaliu extra, acoperitor pentru o \u00eenjur\u0103tur\u0103 &#8211; &#8220;Aia a fost serios stricat\u0103, r\u0103u, s-a dus dracului, chiar acolo&#8221;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cens\u0103 Ice-T niciodat\u0103 nu a pretins sau recunoscut c\u0103 ar fi venit cu cuv\u00e2ntul. El probabil c\u0103 l-a luat de la rapper-ii <strong><em>Dirty South<\/em><\/strong>, care \u00eel folosiser\u0103 de ani de zile ca \u0219i un eufenism, cuv\u00e2nt finu\u021b \u0219i delicat, diplomat, pentru a o lua razna r\u0103u \u0219i a \u00eennebuni \u0219i a te face praf cu marijuana \u0219i alcool: Drogat, pr\u0103jit \u0219i beat. Cronic + Beat = <strong><em>Crunk <\/em><\/strong>(Chronic + Drunk). Sau poate c\u0103 a fost crack \u0219i beat (crack \u0219i drunk). Sau cocain\u0103 \u0219i beat (cocaine \u0219i drunk) (dar nu codein\u0103 deoarece aia nu e crunk, aia e b\u0103ut). Sau poate doar a fi nebun \u0219i beat (crazy \u0219i drunk).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Orice ar fi, \u00eenseamn\u0103 a ajunge cu adev\u0103rat nebun \u0219i pr\u0103jit, terminat, pe b\u0103utur\u0103 \u0219i substan\u021be, care m\u0103car num\u0103r\u0103 mai mult de unul &#8211; &#8220;Hai s\u0103 ne termin\u0103m, s\u0103 ne facem de cap&#8221; a fost noul &#8220;Ne facem praf \u00een ast\u0103-noapte&#8221;. Iar cu introducerea lui Conan a cuv\u00e2ntului c\u0103tre audien\u021bele nordice suburbane, <strong><em>Crunk <\/em><\/strong>a devenit \u0219i ajuns s\u0103 fie sunetul recunoscut de c\u0103tre noua genera\u021bie de <strong><em>Dirty South Rap<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cel pu\u021bin, a\u0219a merge \u0219i func\u021bioneaz\u0103 povestea. Probabil c\u0103 nu a avut nicio rela\u021bie sau raport sau impact, oricum.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen realitate, tu probabil c\u0103 po\u021bi da vina pe Three 6 Mafia c\u0103 au dus <strong><em>Dirty South Rap<\/em><\/strong> la urm\u0103torul nivel. Ei au introdus ceva ce avea un beat mai \u00eencet, dec\u00e2t majoritatea muzicii <strong><em>Bass<\/em><\/strong>, mai pu\u021bine versuri vulgare, pentru pl\u0103cere \u0219i acceptare comercial\u0103, apeluri \u0219i r\u0103spunsuri agresive, \u0219i oh daa &#8211; ei au c\u00e2\u0219tigat un Oscar. A fost pentru un c\u00e2ntec care n-avea nicio leg\u0103tur\u0103 cu <strong><em>Crunk<\/em><\/strong> (It&#8217;s Hard Out Here For A Pimp), eu doar cred c\u0103 este amuzant cum pentru o scurt\u0103 perioad\u0103, Three 6 Mafia a avut mai multe Oscar-uri dec\u00e2t Martin Scorsese.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e2t \u00een ceea ce prive\u0219te <strong><em>Crunk<\/em><\/strong>, a avut o scen\u0103 s\u0103n\u0103toas\u0103 cu ani \u00eenainte s\u0103 existe o discu\u021bie \u0219i conversa\u021bie na\u021bional\u0103 serioas\u0103 despre el. Evenimentul care chiar l-a aruncat \u0219i proiectat \u00een mainstream a fost sezonul 2 din Chappelle&#8217;s Show, \u00een 2004. Portretizarea lui Dave Chappelle de Lil&#8217; Jon trec\u00e2nd \u0219i merg\u00e2nd prin via\u021ba de zi cu zi ca \u0219i ultimul \u0219i cel mai bun b\u0103rbat \u0219i om de hype, promovare &#8211; strig\u00e2ndu-\u0219i \u0219i croindu-\u0219i drumul s\u0103u prin sarcinile banale &#8211; a convins legiuni de fra\u021bi albi de colegiu de peste tot s\u0103 r\u0103t\u0103ceasc\u0103 \u00een jur strig\u00e2nd &#8220;C\u00c2EEE! O-KAYYY! DAAAAH!&#8221; precum ni\u0219te raha\u021bi enervan\u021bi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0218i a\u0219a ob\u021bii c\u0103caturi ca \u0219i \u0103sta:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/brokencyde.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Copii Emo Punk, f\u0103c\u00e2nd <strong><em>Crunk<\/em><\/strong>. Asta se \u00eent\u00e2mpl\u0103 cu scena ta muzical\u0103, dac\u0103 tu nu o supraveghezi \u0219i p\u0103ze\u0219ti cel pu\u021bin un pic.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Istoric vorbind, oamenii albi mereu au ruinat, dintotdeauna, chestiile negrilor, \u00eens\u0103 brand-ul special al Brokencyde, de <strong><em>Crunkcore<\/em><\/strong> (definit ca \u0219i &#8220;cum ar fi dac\u0103 Slipknot ar fi violat anal Three Six Mafia&#8221;), este o f\u00e2nt\u00e2n\u0103 glorioas\u0103, aurit\u0103 \u0219i poleit\u0103, de diaree de \u0219obolan. \u0218i odat\u0103 ce ei au intrat, e greu s\u0103-i mai dai \u0219i sco\u021bi afar\u0103. Ei trebuie s\u0103 fie extra\u0219i \u00eencet, dureros, precum eliminarea \u0219i extragerea unui vierme de Guineea din glezna ta. Las\u0103 asta s\u0103 fie o alt\u0103 lec\u021bie din colec\u021bia pericolele \u0219i primejdiile mainstreamiz\u0103rii.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Timp de 3 sau 4 ani glorio\u0219i, Crunk a condus \u0219i a fost pe val. Dac\u0103 tu vrei s\u0103 consim\u021bi \u0219i notezi aceast\u0103 er\u0103, tu po\u021bi s\u0103 zici c\u0103 a \u00eenceput cu Lil&#8217; Jon &#8211; Get Low, \u0219i s-a terminat cu Soulja Boy &#8211; Crank That. \u0218i se potrive\u0219te c\u0103 Soulja Boy a terminat \u0219i sf\u00e2r\u0219it <strong><em>Crunk <\/em><\/strong>deoarece Soulja Boy termin\u0103 \u0219i \u00eencheie tot. \u00cens\u0103 mainstream-ul, \u00eentotdeauna lent \u00een asimilare \u0219i absorb\u021bie, n-a primit nota \u0219i de veste \u0219i \u00een cur\u00e2nd, f\u0103r\u0103 s\u0103-\u021bi dai seama, ai Saturday Night Live, \u00een 2009, f\u0103c\u00e2nd haz \u0219i mi\u0219to, caterinc\u0103, de un gen care a \u00eencetat s\u0103 mai fie popular \u00een 2007 \u0219i a fost cel mai fierbinte \u0219i pe val \u00een 2003.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/onaboat.mp4\"><\/video><figcaption class=\"wp-element-caption\">Nici Autotune-ul Ve\u0219tilor n-a ajutat situa\u021bia.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103 un alt subgen de <strong><em>Crunk<\/em><\/strong>, numit <strong><em>Snap<\/em><\/strong>, care sun\u0103 de nedistins fa\u021b\u0103 de <strong><em>Crunk<\/em><\/strong>, cu excep\u021bia c\u0103 \u00eei place s\u0103 foloseasc\u0103 degete care pocnesc \u00een loc de b\u0103t\u0103i din palme, aplauze, sau snare-uri (snares). Nu a devenit popular, \u00een timp ce un alt subgen &#8211; <strong><em>Trap <\/em><\/strong>&#8211; a f\u0103cut-o. De ce <strong><em>Trap <\/em><\/strong>\u0219i nu <strong><em>Snap<\/em><\/strong>? Cite\u0219te genul <strong><em>Trap <\/em><\/strong>\u0219i vei afla, ca s\u0103 afli (spoiler: Cine dracu \u0219tie).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00e2n\u0103 la finalul deceniului, decadei, <strong><em>Crunk <\/em><\/strong>nu mai era important. Fusese \u00eenlocuit \u0219i schimbat de <strong><em>Dirty South Rap<\/em><\/strong> v3: <strong><em>Trap<\/em><\/strong>. Cel pu\u021bin noi putem spune c\u0103 nu i-au trebuit 12 ani s\u0103 vin\u0103 cu un v3.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Crunk <\/em><\/strong>&#8211; <strong><em><strong><em>Bass<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-131b60fa uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-1b9df77b\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Lonely Island feat T-Pain &#8211; I&#8217;m On A Boat<\/li>\n\n\n\n<li>C-Murder &#8211; That Calliope<\/li>\n\n\n\n<li>Bone Crusher feat Chamillionaire &#8211; Get Up On It<\/li>\n\n\n\n<li>Pretty Ricky &#8211; Call Me (Explicit)<\/li>\n\n\n\n<li>Ying Yang Twins &#8211; Whistle While You Twurk<\/li>\n\n\n\n<li>Lil&#8217; Scrappy feat E-40 &amp; Sean P. &#8211; Oh Yeah<\/li>\n\n\n\n<li>Bun B feat Webbie &amp; Juvenile &#8211; Pop It 4 Pimp<\/li>\n\n\n\n<li>Trick Trick feat Ice Cube &amp; Lil&#8217; Jon &#8211; Let It Fly<\/li>\n\n\n\n<li>T.I. &#8211; Asap<\/li>\n\n\n\n<li>Lil&#8217; Wayne &#8211; A Milli (Explicit)<\/li>\n\n\n\n<li>Flo Rida feat T-Pain &#8211; Low<\/li>\n\n\n\n<li>Gangsta Boo &#8211; Suck A Little Dick<\/li>\n\n\n\n<li>Young Dro &#8211; Gangsta (Explicit)<\/li>\n\n\n\n<li>Trillville feat Pastor Troy &#8211; Get Some Crunk In Yo System<\/li>\n\n\n\n<li>Soulja Boy Tell &#8217;em &#8211; Crank That<\/li>\n\n\n\n<li>Big Tymers &#8211; Still Fly<\/li>\n\n\n\n<li>Three 6 Mafia &#8211; Ridin Spinners<\/li>\n\n\n\n<li>Three 6 Mafia &#8211; Gette&#8217;m Crunk<\/li>\n\n\n\n<li>Ying Yang Twins feat Teedra &#8211; Put That Thang Down<\/li>\n\n\n\n<li>404 Soldierz feat Lil&#8217; Jon &amp; The East Side Boys, Ga Black &amp; Rasheeda &#8211; Start Some Shit<\/li>\n\n\n\n<li>Bone Crusher &#8211; Lock And Load<\/li>\n\n\n\n<li>Lil O&#8217; &#8211; Back Back<\/li>\n\n\n\n<li>Lil Jon &amp; Eastside Boys feat Ying Yang Twins &#8211; Get Low<\/li>\n\n\n\n<li>Usher feat Lil Jon &amp; Ludacris &#8211; Yeah<\/li>\n\n\n\n<li>Killer Mike &#8211; Fuck You Pay Me<\/li>\n\n\n\n<li>Pastor Troy &#8211; Who, What, When, Where<\/li>\n\n\n\n<li>Ciara feat Petey Pablo &#8211; Goodies<\/li>\n\n\n\n<li>David Banner feat Lil&#8217; Wayne &#8211; Shawty Say<\/li>\n\n\n\n<li>Lil&#8217; Flip &#8211; Game Over<\/li>\n\n\n\n<li>Master P feat No Limit Soldiers &#8211; Make &#8217;em Say Ugh<\/li>\n\n\n\n<li>Trick Daddy feat Lil&#8217; Jon &amp; Twista &#8211; Let&#8217;s Go<\/li>\n\n\n\n<li>Chingy &#8211; Right Thurr<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-ae0bf494\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"32\">\n<li>Brisco feat Lil&#8217; Wayne &#8211; I&#8217;m In The Hood<\/li>\n\n\n\n<li>Lil&#8217; Jon &amp; The East Side Boyz &#8211; What U Gon&#8217; Do<\/li>\n\n\n\n<li>David Banner feat Pimp C &amp; Crooked Lettaz &#8211; Get Crunk<\/li>\n\n\n\n<li>Pastor Troy feat Rasheeda &#8211; Pop A Few Bottles<\/li>\n\n\n\n<li>Ludacris &#8211; Move Bitch<\/li>\n\n\n\n<li>Shawty Lo &#8211; That&#8217;s Shawty Lo<\/li>\n\n\n\n<li>Deuce Poppi &#8211; Did I Do That (Clean)<\/li>\n\n\n\n<li>Disturbing Tha Peace &#8211; Break Sumthin&#8217;<\/li>\n\n\n\n<li>Project Pat &#8211; Shake That Ass<\/li>\n\n\n\n<li>DJ Khaled &#8211; Out There Grinding<\/li>\n\n\n\n<li>Waka Flocka Flame &#8211; Hard In Da Pain<\/li>\n\n\n\n<li>Lil Italy feat Don P &amp; Magic &#8211; We Riderz<\/li>\n\n\n\n<li>Lil Jon &amp; The East Side Boyz &#8211; Get Crunk<\/li>\n\n\n\n<li>Choppa feat Master P &#8211; Choppa Style (Dirty)<\/li>\n\n\n\n<li>Brokencyde &#8211; Schizophrenia!!!<\/li>\n\n\n\n<li>Baby Bash feat Paul Wall &amp; Natalie &#8211; Throwed Off<\/li>\n\n\n\n<li>Lil&#8217; Jon feat LMFAO &#8211; Outta Your Mind<\/li>\n\n\n\n<li>Lil&#8217; Flip &amp; Z-Ro feat Yukmouth &#8211; Get It Crunk<\/li>\n\n\n\n<li>Gucci Mane feat Young Jeezy &#8211; Icy<\/li>\n\n\n\n<li>Chris Brown feat T-Pain &#8211; Kiss Kiss<\/li>\n\n\n\n<li>Lil Wayne &#8211; Where You At<\/li>\n\n\n\n<li>Pitbull feat Lil&#8217; Jon &#8211; 305 Anthem<\/li>\n\n\n\n<li>Shawty Putt feat Lil&#8217; Jon &#8211; Dat Baby (Dirty)<\/li>\n\n\n\n<li>Brooke Valentine feat Big Boi &amp; Lil&#8217; Jon &#8211; Girlfight<\/li>\n\n\n\n<li>Youngbloodz &#8211; Sean Paul (Get &#8217;em Crunk)<\/li>\n\n\n\n<li>Crime Mob &#8211; Shine Cause I Grind<\/li>\n\n\n\n<li>Chingy feat Ludacris &amp; Bobby Valentino &#8211; Gimme Dat<\/li>\n\n\n\n<li>Youngbloodz &#8211; Dis Dat Block<\/li>\n\n\n\n<li>Booba &#8211; Boulbi<\/li>\n\n\n\n<li>Ray Cash &#8211; Sex Appeal (Dirty)<\/li>\n\n\n\n<li>Silkk The Shocker &#8211; Uh Ha<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.1.1. Trap<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Trap<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Drill Music, Turn Down For What<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bass<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 10s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Trap <\/em><\/strong>a fost un subgen de via\u021b\u0103 scurt\u0103 succesor la <strong><em>Crunk <\/em><\/strong>care a ap\u0103rut cam prin 2010, sau 2011 (sau posibil mai devreme), depinde pe cine \u00eentrebi tu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A diferit de <strong><em>Crunk <\/em><\/strong>\u00een sensul c\u0103 versurile agresive de apel \u0219i r\u0103spuns, \u0219i rapping-ul, erau \u00een principiu, majoritar, absente, \u00eenlocuite de super pline \u0219i aglomerate fill-uri \u0219i umpluturi de snare, breakdown-urile \u0219i build-urile, \u0219i percu\u021bia hi-hat, \u00een loc de kick-urile de bas 808. Asta e reconfortant \u0219i lini\u0219titor. 30 de ani mai t\u00e2rziu, iar 808 este \u00eenc\u0103 standardul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cuv\u00e2ntul &#8220;trap&#8221; vine de la argoul \u0219i jargonul pentru droguri din Atlanta, \u0219i este o referin\u021b\u0103 pentru unde \u00ee\u021bi pui tu drogurile tale, unde \u00ee\u021bi vinzi drogurile tale, sau cum \u00ee\u021bi ascunzi banii t\u0103i de droguri, f\u0103c\u00e2ndu-l un substantiv, c\u00e2t \u0219i un verb, la fel de versatil \u0219i de multilateral precum &#8220;\u0219trumf aparent \u00eencep\u0103tor&#8221;. Este numit &#8220;trap&#8221; deoarece odat\u0103 ce tu intri \u0219i te bagi \u00een cercul s\u0103r\u0103ciei \u0219i crimei, este imposibil s\u0103 mai ie\u0219i.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Potrivit unor puri\u0219ti, <strong><em>Trap <\/em><\/strong>poate fi doar muzic\u0103 din Atlanta care rapp-uie\u0219te exclusiv despre chinul \u0219i lupta din Atlanta, ceea ce este o defini\u021bie at\u00e2t de \u00eengust\u0103 \u00eenc\u00e2t abia dac\u0103 este folositoare, cu greu. Asta \u00eel face abia un lucru, o chestie, cu at\u00e2t mai pu\u021bin un micro-gen. Din fericire, noi \u0219tim c\u0103 asta este gre\u0219it, fiindc\u0103 <strong><em>Trap <\/em><\/strong>instrumental a fost prin preajm\u0103 pentru at\u00e2ta timp c\u00e2t cineva l-a etichetat \u0219i numit drept <strong><em>Trap<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Precum subgenul <strong><em>Snap<\/em><\/strong>, care l-a precedat (un subgen presupus s\u0103 foloseasc\u0103 degete ce pocnesc \u00een loc de b\u0103t\u0103i din palme), <strong><em>Trap <\/em><\/strong>a fost un simplu mecanism \u0219i trick care a utilizat template-ul <strong><em>Crunk <\/em><\/strong>pentru a \u00eencerca \u0219i proba ni\u0219te drop-uri de stil de <strong><em>Dubstep<\/em><\/strong>, conduse de snare-uri. \u00cen subteran, secret, underground, a fost un moft \u0219i fi\u021b\u0103 care a tr\u0103it pu\u021bin, iar deja p\u00e2n\u0103 la mijlocul lui 2012, \u0219i-a uzat bunul venit al s\u0103u, venind \u00een urma pr\u0103bu\u0219irii <strong><em>Dubstep<\/em><\/strong>, ca o noutate curioas\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u00e2n\u0103 la finalul anului 2012, <strong><em>Trap <\/em><\/strong>era mort. Sau presupus \u0219i crezut mort. Sau admis \u0219i acceptat mort. Sau ar fi trebuit s\u0103 fie mort. Se presupunea c\u0103 trebuia s\u0103 fie mort.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Iar apoi asta s-a \u00eent\u00e2mplat:<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"https:\/\/music.ishkur.com\/videos\/harlem-shake.mp4\"><\/video><figcaption class=\"wp-element-caption\">Originalul este chiar destul de bl\u00e2nd, comparativ cu copiile \u0219i imita\u021biile sale.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Este greu de explicat cu precizie revolu\u021bia fenomenului din perspectiva underground-ului, \u00eentr-un mod care are \u0219i face sens, pentru mainstream. Youtube deja \u00ee\u0219i demonstrase puterea imens\u0103 a sa asupra culturii cu fenomenul Rebecca Black \u00een 2011, \u0219i fenomenul Gangnam Style \u00een vara anului 2012 (iar dac\u0103 tu te \u00eentrebi ce gen este Psy, el mu\u0219c\u0103 din stilul lui LMFAO de <strong><em>Fidget House<\/em><\/strong>). A\u0219a c\u0103 noi eram deja bine preg\u0103ti\u021bi pentru ca ea s\u0103 se \u00eent\u00e2mple oric\u0103rei forme de muzic\u0103 nesemnificativ\u0103 \u0219i ne\u00eensemnat\u0103, pentru orice motiv anume (ei bine, 4chan ar putea fi motivul, \u00eens\u0103 nu ar fi un motiv bun).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reala \u0219i adev\u0103rata pies\u0103 a lui Baauer (un tip alb din Philadelphia care automat c\u0103 \u00ee\u0219i face al s\u0103u hit memorabil, meme, nu <strong><em>Trap<\/em><\/strong>, potrivit \u0219i conform tipilor negri din Atlanta), a lovit cluburile \u00een vara anului 2012 &#8211; cap\u0103tul cozii a fi\u021bei <strong><em>Trap<\/em><\/strong>. \u00cens\u0103 fenomenul Harlem Shake \u00een sine nu s-a \u00eent\u00e2mplat p\u00e2n\u0103 \u00een februarie 2013, cu mult dup\u0103 ciclul de via\u021b\u0103 al piesei, melodiei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De ce aceast\u0103 pies\u0103 specific\u0103 \u00een acest moment specific, cine \u0219tie. Dac\u0103 am fi avut o \u00een\u021belegere decent\u0103 a psihologiei umane, g\u00e2ndirii de grup \u0219i meme-urilor, marketerii l-ar fi \u00eembuteliat \u0219i v\u00e2ndut p\u00e2n\u0103 acum. Vreau s\u0103 zic, putea prevedea \u0219i preconiza cineva popularitatea lui &#8220;cash me outside howbowdah&#8221;? Chiar a\u0219a, ce e asta?<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/harlemshake.gif\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Iat\u0103 t\u0103ietura din Harlem Shake.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Video-urile Harlem Shake erau furtuna perfect\u0103 de propagare \u0219i propulsare viral\u0103: Ele erau scurte, simplu de filmat, ele presupuneau \u0219i necesitau participare de grup, lucru la care social media era cel mai bun, iar toat\u0103 lumea le putea face, \u00eens\u0103 cele mai bune aveau planificare, preparare, preg\u0103tire, \u0219i previziune, precau\u021bie, a\u0219a c\u0103 ele au ie\u0219it \u00een eviden\u021b\u0103. \u00cen decursul a o lun\u0103, parodiile \u0219i copiile, imita\u021biile, au \u00eemp\u00e2nzit Youtube, cele mai multe dintre ele cu o \u00een\u021belegere precar\u0103 a muzicii <strong><em>Trap<\/em><\/strong>, sau despre ceea ce ele trebuiau \u0219i se presupunea c\u0103 trebuiau s\u0103 fac\u0103. Precum valurile dintr-un iaz, fiecare val de participan\u021bi, copiaz\u0103 valul de dinainte de el, p\u00e2n\u0103 c\u00e2nd semnalul devine mai slab \u0219i mai distorsionat \u0219i deformat, fad, pe m\u0103sur\u0103 ce se dep\u0103rteaz\u0103 de surs\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Video-urile Harlem Shake erau f\u0103cute de Saturday Night Live, ESPN, armat\u0103, fiecare talk show de noapte t\u00e2rzie, late night talk show, \u0219i chiar Partidul Republican, la dracul, iar acei tipi sunt mai albi dec\u00e2t p\u00e2inea feliat\u0103 Wonder. Harlem Shake a fost chiar o glum\u0103 de canapea \u00een Simpsons. A fost performat \u0219i realizat de c\u0103tre para\u0219uti\u0219ti, iepura\u0219i Playboy, fiecare echip\u0103 sportiv\u0103 profesional\u0103, pe acoperi\u0219uri, \u00een \u0219i pe autobuze, pe sub ap\u0103, \u00een vestiare, \u0219i desigur, universit\u0103\u021bi. O groaz\u0103 de c\u0103mine universitare au \u00eencercat s\u0103 se uneasc\u0103 \u00een video-urile Harlem Shake. A fost senza\u021bia organizat\u0103 prin social media \u0219i internet, flash mob-ul Milenialilor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cens\u0103 chiar c\u0103 a re\u00eenviat muzica <strong><em>Trap<\/em><\/strong>, iar ca \u0219i r\u0103spuns, produc\u0103torii <strong><em>Crunk<\/em><\/strong>, s-au \u00eentors la template-ul <strong><em>Trap<\/em><\/strong>, pentru a t\u0103ia noi piese. Noi \u00eenc\u0103 ne afl\u0103m \u00een aceast\u0103 er\u0103 ast\u0103zi. \u00cen era Turn Down For What. Asta este nebunia voastr\u0103 muzical\u0103 preferat\u0103. Tu de\u021bii asta. Boomer-ii l-au avut pe John Lennon, Genera\u021bia X l-au avut pe Kurt Cobain, iar voi cu cine v-a\u021bi procopsit \u0219i nimerit? Albus Dumbledore?<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Trap <\/em><\/strong>&#8211; <strong><em><strong><em>Bass<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-70abfce0 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-626f79f1\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Tnght &#8211; Higher Ground<\/li>\n\n\n\n<li>Pheo &#8211; Drop<\/li>\n\n\n\n<li>Getter &#8211; Head Splitter<\/li>\n\n\n\n<li>Baauer &#8211; Harlem Shake<\/li>\n\n\n\n<li>Lady &#8211; Twerk<\/li>\n\n\n\n<li>Morgan Zarate &#8211; Kaytsu<\/li>\n\n\n\n<li>Starkey &#8211; Beta Tester<\/li>\n\n\n\n<li>DJ Spinn &#8211; All My Teklife<\/li>\n\n\n\n<li>Boombox Cartel &#8211; Aftershock<\/li>\n\n\n\n<li>Tity Boi feat Cap1 &#8211; Too Easy<\/li>\n\n\n\n<li>Rell The Soundbender &#8211; Fuck The Party<\/li>\n\n\n\n<li>Jlin &#8211; Unknown Tongues<\/li>\n\n\n\n<li>Sines &#8211; Curb Crawler<\/li>\n\n\n\n<li>Mutrix &#8211; Hustle<\/li>\n\n\n\n<li>Doctor P &amp; Flux Pavilion &#8211; Stampede<\/li>\n\n\n\n<li>Pegboard Nerds &#8211; Badboi<\/li>\n\n\n\n<li>Tha Trickaz &#8211; I&#8217;m Back<\/li>\n\n\n\n<li>Slugabed &#8211; Heck Flex<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-be59f378\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"19\">\n<li>Crowd Kingz &#8211; Dmndz<\/li>\n\n\n\n<li>Flosstradamus &#8211; Total Recall<\/li>\n\n\n\n<li>Swizzymack &#8211; Bump<\/li>\n\n\n\n<li>Chocolate Covered Diamonds &#8211; Codeine Princess<\/li>\n\n\n\n<li>Riot Ten &#8211; Rampage<\/li>\n\n\n\n<li>Dada Life &#8211; Bong Clash Boom (Major Lazer mix)<\/li>\n\n\n\n<li>Eptic &#8211; Swords &amp; Dragons<\/li>\n\n\n\n<li>Twrk &#8211; Helicopter<\/li>\n\n\n\n<li>Nghtmre &#8211; Burn Out<\/li>\n\n\n\n<li>Kuedo &#8211; Mtzpn<\/li>\n\n\n\n<li>Money Mafia feat She Money, T.E.C. &amp; Master P &#8211; U Mad<\/li>\n\n\n\n<li>Rl Grime &#8211; Scylla<\/li>\n\n\n\n<li>Astronomar &#8211; Swordfight<\/li>\n\n\n\n<li>Chief Keef, Gucci Mane &#8211; Darker<\/li>\n\n\n\n<li>Uz &#8211; Trap Shit V7<\/li>\n\n\n\n<li>What So Not feat George Maple &#8211; Gemini<\/li>\n\n\n\n<li>Lorn &#8211; Ghosst<\/li>\n\n\n\n<li>Wrekafekt &#8211; Drive By<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.2. Technobass<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Technobass<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Electrobass, Audio Bass, Ghetto Bass<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bass<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Technobass <\/em><\/strong>este <strong><em>Miami Bass<\/em><\/strong> f\u0103r\u0103 Miami.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">P\u0103str\u00e2nd feti\u0219ul <strong><em>Electro <\/em><\/strong>pentru Kraftwerk \u0219i Afrika Bambaataa, \u00eens\u0103 refuz\u00e2nd s\u0103 dea mai \u00eencet bassdrum-ul 808, <strong><em>Technobass <\/em><\/strong>a fost primul gen <strong><em>Bass <\/em><\/strong>care s\u0103 p\u0103r\u0103seasc\u0103 Florida de Sud, \u0219i pelerinaj \u0219i c\u0103l\u0103torie lung\u0103 c\u0103tre P\u0103m\u00e2ntul \u0219i T\u0103r\u00e2mul Sf\u00e2nt, al Detroit, pentru consacrare. Din acest motiv \u0219i pentru acest motiv, este at\u00e2t un gen <strong><em>Electro<\/em><\/strong>, c\u00e2t \u0219i un gen <strong><em>Bass<\/em><\/strong>, \u00eens\u0103 eu \u00eel pot pune doar \u00eentr-o singur\u0103 loca\u021bie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Technobass <\/em><\/strong>a crescut \u00een sine ca \u0219i un tovar\u0103\u0219 demn de &#8211; \u0219i nu un \u00eenlocuitor &#8211; <strong><em>Electro<\/em><\/strong>. Artistul care chiar a \u00eempins <strong><em>Technobass <\/em><\/strong>ca \u0219i o chestie a fost Dynamix II, \u00een timp ce to\u021bi ceilal\u021bi aveau gen un joc de cuvinte cu &#8220;bass&#8221; \u00een numele lor: Bass Cube, Bass Quake, Bass Transformer, Bass Jumper, Bassment, Bassball, Safebass, Suitbass, Kim Bassinger, Leather &amp; Bass, Back to Bassics, Off To The Basses, Acid Bass Reaction (acela are \u0219i un 303 \u00een el), Turkey Basster, Rumblebasshead, Largemouth Bass, Ace of Bass, Tot Basul T\u0103u Ne Apar\u021bine Nou\u0103, Sebasstian von Basswipe Basul, Practic un Bas de Bas Basit, Bass Bass Bass Bass Bass Bass Bass, Bassssssssssssss, \u0219i desigur c\u0103 Beat Dominator.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/itcamefromouterbass.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\"><strong><em>Technobass <\/em><\/strong>are mai multe jocuri de cuvinte cu bas dec\u00e2t are industria de bere artizanal\u0103, jocuri de cuvinte cu hop.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103 un subgen al <strong><em>Technobass <\/em><\/strong>numit <strong><em>Audio Bass<\/em><\/strong> care ar trebui s\u0103 aib\u0103 mai mult dec\u00e2t doar o men\u021biune trec\u0103toare \u0219i temporar\u0103. Scopul \u0219i obiectivul lui <strong><em>Audio Bass<\/em><\/strong> este acela de a servi drept stress test pentru sistemele de sunet de subwoofere, \u0219i \u00een particular, \u00een special, sisteme audio de ma\u0219in\u0103. Mergi la orice magazin de speakere, difuzoare \u0219i boxe de muzic\u0103, \u0219i cere s\u0103 le testezi ale lor juc\u0103rioare de bas, ei probabil, mai mult ca sigur vor avea o copie a Techmaster PEB, la \u00eendem\u00e2n\u0103 pentru a trasa limitele, liniile ro\u0219ii ale nivelelor, \u0219i s\u0103 livreze nota maronie c\u0103tre fiecare c\u00e2ine din cartier.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O groaz\u0103 de CD-uri <strong><em>Audio Bass<\/em><\/strong> \u0219i-au c\u0103rat \u0219i purtat propria lor etichet\u0103 de avertizare (warning label), gen ca o parodie la sticker-ul \u0219i ab\u021bipildul Parental Advisory, de pe CD-urile de <strong><em>Dirty South<\/em><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"https:\/\/music.ishkur.com\/images\/technobass.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Parental Advisory: Booooooooooom-uri Explicite.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Audio Bass<\/em><\/strong> abia dac\u0103 e muzic\u0103; e mai mult o for\u021b\u0103 a naturii, precum un cutremur sau un camion mare care trece. Testeaz\u0103 limitele tehnologiei de subwoofer \u0219i de asemenea, intervalul auzului uman. Mie \u00eemi place, \u00eens\u0103 nu pentru prea mult timp. \u00cemi provoac\u0103 m\u00e2nc\u0103rime la nas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Technobass <\/em><\/strong>este de asemenea, extrem de folositor dac\u0103 tu ai un vecin zgomotos care \u00ee\u0219i tot pune muzica s\u0103 c\u00e2nte t\u00e2rziu noaptea. Efectiv doar \u00eendreapt\u0103-\u021bi subwoofer-ul c\u0103tre podea, declan\u0219eaz\u0103 \u0219i porne\u0219te fiecare frecven\u021b\u0103 mai jos dec\u00e2t 60hz, \u0219i arunc\u0103-i farfuriile de colec\u021bie cu Iisus de pe ale naibii lui rafturi. Tu doar ai nevoie s\u0103 \u00eel Marty McFly pe el o dat\u0103. O s\u0103 \u00een\u021beleag\u0103 el indiciul de \u00eendat\u0103, foarte repede.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nicio muzic\u0103 <strong><em>Technobass <\/em><\/strong>nu a ajuns vreodat\u0103 \u00een topuri \u00een vreun fel \u00eensemnat, ceea ce \u00eel face Underground Approved<sup>TM<\/sup>. \u00cenc\u0103 mai este prin preajm\u0103, cu toate c\u0103, de\u0219i,  \u00eentr-o form\u0103 \u0219i stare cu mult mai rezervat\u0103. <strong><em>Technobass <\/em><\/strong>timpuriu a \u00eemprumutat la greu de la <strong><em>Electro<\/em><\/strong>, cu ale sale vocodere \u0219i sample-uri Kraftwerk. Peste ani, odat\u0103 cu trecerea timpului, a evoluat odat\u0103 cu anii, prelu\u00e2nd variate \u0219i diferite \u0219i diverse influen\u021be de la <strong><em>Detroit Techno<\/em><\/strong>, <strong><em>Electrohouse<\/em><\/strong>, <strong><em>Dub<\/em><\/strong>, <strong><em>Synthwave<\/em><\/strong>, <strong><em>Moombahton<\/em><\/strong>, \u0219i <strong><em>Trap<\/em><\/strong>, \u00eens\u0103 aia e okay, at\u00e2ta timp c\u00e2t \u00eenc\u0103 are basul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dac\u0103 tu vreodat\u0103 \u00eent\u00e2lne\u0219ti pe cineva dornic \u0219i binevoitor, ner\u0103bd\u0103tor, s\u0103-\u021bi arate iubirea lor pentru muzica bas, screm\u00e2nd \u0219i b\u0103g\u00e2ndu-\u021bi pe sub nas vreun CD de c\u0103cat cu <strong><em>Brostep <\/em><\/strong>sau <strong><em>Glitch Hop<\/em><\/strong>, tu ai permisiunea de la mine s\u0103-l plezne\u0219ti pe acel ipocrit \u0219i ignorant pe dup\u0103 ceaf\u0103. Iar apoi s\u0103-i spargi \u0219i crapi ferestrele lui cu atotputernica putere a <strong><em>Technobass<\/em><\/strong>, cel mai bas care exist\u0103.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Technobass <\/em><\/strong>&#8211; <strong><em><strong><em>Bass<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-772a922a uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-aaf89358\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Bass Quake &#8211; Street Knowledge<\/li>\n\n\n\n<li>Bass Cube &#8211; Planet Bass<\/li>\n\n\n\n<li>Illektrolab &#8211; Real Pimp<\/li>\n\n\n\n<li>DJ Billy E &#8211; Blue Blur<\/li>\n\n\n\n<li>DJ Interface &#8211; These Beats Won&#8217;t Stop<\/li>\n\n\n\n<li>The Staff &#8211; Don&#8217;t Hold Back<\/li>\n\n\n\n<li>Bass Addiction &#8211; Return To Techno Bass<\/li>\n\n\n\n<li>Beat Dominator &#8211; Bassik Instinkt<\/li>\n\n\n\n<li>DJ Magic Mike &amp; Techmaster PEB &#8211; Bass Planet<\/li>\n\n\n\n<li>Techmaster PEB &#8211; Bass Computer<\/li>\n\n\n\n<li>Maggotron Crushing Crew &#8211; Return Of The Bass That Ate Miami<\/li>\n\n\n\n<li>Bass Mekanik &#8211; Get Yo Bass On<\/li>\n\n\n\n<li>Bass Tech Dxj &#8211; Bass Bumschludged<\/li>\n\n\n\n<li>DJ Droppin&#8217; &#8211; The Bass Files (We Are Not Alone)<\/li>\n\n\n\n<li>Bass Transmission &#8211; Techno Bass Transmission<\/li>\n\n\n\n<li>DJ Bass Boy &#8211; I Got The Bass<\/li>\n\n\n\n<li>Bass Mekanik &amp; Bassotronics &#8211; DJinn Tonic<\/li>\n\n\n\n<li>Eric G &amp; The Juice Troop &#8211; Something For My DJ<\/li>\n\n\n\n<li>DIE &#8211; Get Up<\/li>\n\n\n\n<li>Dynamik Bass System &#8211; Robotmachine (Detroit In Effect mix)<\/li>\n\n\n\n<li>Bass Patrol &#8211; Rock This Planet<\/li>\n\n\n\n<li>Bass Daddy &#8211; Turn Up The Bass<\/li>\n\n\n\n<li>Benito &#8211; Diamond Feet<\/li>\n\n\n\n<li>Todd Walker &#8211; Control Your Body<\/li>\n\n\n\n<li>Bass Mekanik &#8211; Sunsonique<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-4e9b8f4e\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"26\">\n<li>Iceman Ja &#8211; Mega Jon&#8217;s Bass (Vocal)<\/li>\n\n\n\n<li>Ubik &#8211; Bass Generation<\/li>\n\n\n\n<li>Bass Mekanik &#8211; Lock On Target<\/li>\n\n\n\n<li>Valley Of The Big Bass And Big Bass Drum &#8211; This Is The United States Calling<\/li>\n\n\n\n<li>Techno Bass Crew &#8211; Galaxy Of Bass (Sub Woofer Rave mix)<\/li>\n\n\n\n<li>Industrial Bass Machine &#8211; The Voice Of World Control<\/li>\n\n\n\n<li>Bass Outlaws &#8211; Stereo Bass (Extreme Woofer Test)<\/li>\n\n\n\n<li>Dynamix II feat MC Kid Money &#8211; Feel The Bass (Scratch Version)<\/li>\n\n\n\n<li>Circuit Breaker &#8211; Jump Rhythm Pump<\/li>\n\n\n\n<li>We Down Express &#8211; Bass Attack<\/li>\n\n\n\n<li>Dynamix II &#8211; Bass Generator<\/li>\n\n\n\n<li>Marc The 808 Bass Queen &#8211; 1-900-Bass<\/li>\n\n\n\n<li>Bass Citation &#8211; Moving Violations<\/li>\n\n\n\n<li>Bass Transformers &#8211; Don&#8217;t Stop<\/li>\n\n\n\n<li>Mega Jon Bass &#8211; Drop That Bottom<\/li>\n\n\n\n<li>Maggazulu Too &#8211; Alleycruiser Boom<\/li>\n\n\n\n<li>B.A.S.S. &#8211; B.A.S.S.<\/li>\n\n\n\n<li>Beat Dominator &#8211; 1,2,3,4,5,6 Bass<\/li>\n\n\n\n<li>Techmaster PEB &#8211; Activated Circuits<\/li>\n\n\n\n<li>Bass Tech DXJ &#8211; S.N.A.B.O.<\/li>\n\n\n\n<li>Techno Bass Crew &#8211; The Age Of Machines<\/li>\n\n\n\n<li>Bass 305 &#8211; Cyber Travel<\/li>\n\n\n\n<li>Sleeze Boys &#8211; Robocop<\/li>\n\n\n\n<li>Dre-Town &#8211; Ghetto Bass<\/li>\n\n\n\n<li>Bass Launch &#8211; Bass-Tech<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.2.1. Ghetto Tech<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Ghetto Tech<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Ghetto House, Jit, Footwork<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bass<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Acesta este v\u00e2rful cel mai de sus al Ghidului. Dac\u0103 tu e\u0219ti unul dintre acele tipuri completiste obsesiv-compulsive, care trebuie s\u0103 treac\u0103 prin tot \u00eentr-o ordine anume, specific\u0103, iar acesta este primul gen pe care tu-l vizitezi &#8211; de parc\u0103 tu efectiv trebuie s\u0103 sortezi toate \u0219uruburile din trusa ta de instrumente, \u00eenainte ca tu s\u0103 po\u021bi \u00eencepe s\u0103 lucrezi la ma\u0219in\u0103 &#8211; asta nu este probabil cum vreau eu s\u0103 te bucuri de acest ghid. Dar, hey, nu faci cum vrei tu, cum \u00ee\u021bi place mai mult.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Ghetto Tech<\/em><\/strong> este versiunea Detroit a <strong><em>Miami Bass<\/em><\/strong>, cu t\u0103ieturi de produc\u021bie proaste, groaznice \u0219i rele (o caracteristic\u0103 deliberat\u0103, inten\u021bionat\u0103 \u0219i premeditat\u0103). Sau ce s-ar \u00eent\u00e2mpla dac\u0103 un DJ ar fi mixat Kraftwerk \u0219i 2 Live Crew \u00een acela\u0219i timp. El probabil c\u0103 l-ar numi Das Booty.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ideea e s\u0103 capteze sunetul oldskool de <strong><em>Detroit Techno<\/em><\/strong> folosind echipamente analogice de rahat \u0219i proaste, pentru a crea un groove curajos, ne\u0219lefuit, lo-fi, nefinisat, gol, \u00een pieles goal\u0103, doar-\u00een-oase, de-rupt-\u00een-cur, s\u0103rac (de aici: ghetto), \u0219i s\u0103-i pun\u0103 capac cu versuri &#8211; adesea doar o fraz\u0103 scurt\u0103 care loopuie\u0219te &#8211; de asemenea f\u0103cute s\u0103 sune lo-fi, granulate \u0219i curajoase, ne\u0219lefuite, rupte-n-cur \u0219i mono. Iar apoi DJ-ii \u00eel c\u00e2nt\u0103 \u00een timp dublu (sau cel pu\u021bin vitez\u0103 de 1.5x) \u0219i \u00eel mixeaz\u0103 \u00een stil de battle, de confruntare \u0219i concurs, tr\u00e2ntind \u00eenregistr\u0103rile \u0219i t\u0103ind la fiecare 1.15 minute sau 48 de m\u0103suri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Muzica este ieftin\u0103, dispensabil\u0103, de unic\u0103 folosin\u021b\u0103, \u0219i poate fi f\u0103cut\u0103 cam at\u00e2t de rapid\u0103 c\u00e2t este nevoie s-o c\u00e2n\u021bi (ceea ce este un v\u00e2rf de c\u00e2teva minute). Sun\u0103 at\u00e2t de bine pentru c\u0103 sun\u0103 at\u00e2t de r\u0103u. Unii produc\u0103tori, au sute de mici c\u00e2ntecele de 2-3 minute, \u00een arsenalul lor, con\u021bin\u00e2nd numai un beat care loopuie\u0219te \u0219i o fraz\u0103. Aceast\u0103 muzic\u0103 este f\u0103cut\u0103 pentru mix-uri de DJ ale naibii de rapide, precum focul.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/ghettotech_flyer.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">P\u00e2n\u0103 \u0219i fly-erele \u0219i afi\u0219ele sunt ghetto, de ghetou.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Tu ai putea crede \u0219i te-ai putea g\u00e2ndi c\u0103 exist\u0103 vreun subtext la asta, un schepsis, ceva despre Detroit \u0219i descompunerea \u0219i putrezirea \u0219i s\u0103r\u0103cia ora\u0219ului interior, central, \u0219i f\u0103cutul de art\u0103 prin \u0219i trec\u00e2nd prin adversitate, \u00eens\u0103 nimic din ce \u021bine de declinul Detroit nu sugereaz\u0103 c\u0103 <strong><em>Ghetto Tech<\/em><\/strong> era vreun fel de g\u00e2f\u00e2it \u0219i suspin, respira\u021bie creativ\u0103 final\u0103, dintr-un ora\u0219 muribund, care trage \u0219i st\u0103 s\u0103 moar\u0103. Adev\u0103rul este c\u0103 Detroit mereu a venit cu muzic\u0103 nou\u0103, \u00een toate timpurile, tot timpul, indiferent de starea sa de repara\u021bie. <strong><em>Ghetto Tech<\/em><\/strong> ar putea fi informat de condi\u021biile de prin ora\u0219, \u00eens\u0103 nu-l definesc.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">B\u0103nuiesc c\u0103 ceea ce eu \u00eencerc s\u0103 spun este: Detroit este precum Shaft. Este un ora\u0219 complicat (\u00eens\u0103 tu-l po\u021bi s\u0103pa). Tu nu vei \u00een\u021belege totul, din acest ora\u0219, \u00eentr-un singur c\u00e2ntec, sau chiar \u00eentr-un singur gen muzical. Sau o singur\u0103 scen\u0103 sau mi\u0219care.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Ghetto Tech<\/em><\/strong> a fost ini\u021bial, la \u00eenceput, o chestie localizat\u0103 din Detroit (fiecare ora\u0219 are un sunet familiar, al s\u0103u, care nu p\u0103r\u0103se\u0219te limitele \u0219i grani\u021bele ora\u0219ului &#8211; m\u0103 uit la tine, <strong><em>Baltimore Club<\/em><\/strong>) p\u00e2n\u0103 c\u00e2nd DJ Assault (cu accent pe Ass) a introdus versurile vulgare \u00een stil <strong><em>Dirty South<\/em><\/strong>, c\u00e2\u0219tig\u00e2nd chicoteli de la fiecare copila\u0219 petrec\u0103re\u021b imatur, care se uita la Beavis &amp; Butthead, care exista. Mix-ul care a definit genul a fost Straight Up Detroit Shit, dar cel care a explodat \u0219i a spart ghea\u021ba \u0219i dat lovitura, a fost Belle Isle Tech.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/belleisletech.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Iar prin Belle Isle Tech eu vreau s\u0103 zic Ass-n-Titties, piesa care a devenit un minor meme pe Internet pe la finalul anilor &#8217;90. E posibil s\u0103 fi avut eu ceva de-a face cu asta.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Mix-urile lui Assault, au stabilit template-ul pentru sunetul de \u00eentoarcere al genului, \u0219i mixing-ul de DJ, agresiv, c\u00e2\u0219tig\u00e2nd \u0219i ob\u021bin\u00e2nd respectul altor produc\u0103tori <strong><em>Technobass <\/em><\/strong>care p\u00e2n\u0103 pe atunci \u00eel f\u0103ceau doar ca pe o prostie. Apoi ace\u0219ti produc\u0103tori au realizat c\u0103 ei pot merge \u00een turnee, \u0219i c\u0103 pot face o mul\u021bime de bani c\u00e2nt\u00e2nd \u0219i pun\u00e2nd aceast\u0103 muzic\u0103, la audien\u021bele \u0219i publicurile albe ironice. Iar asta este ceea ce face un gen, un gen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Acesta este unul dintre acele genuri unde, de\u0219i, \u00een ciuda faptului c\u0103 este un copil cu s\u00e2nge ro\u0219u, robust, viguros, al Detroit, pare c\u0103 se simte mult mai aproape de verii s\u0103i <strong><em>Bass<\/em><\/strong>, dec\u00e2t cu ai s\u0103i drep\u021bi \u0219i total serio\u0219i fra\u021bi <strong><em>Techno<\/em><\/strong>. Tu \u00eel po\u021bi numi un membru al oric\u0103rei scene (<strong><em>Bass <\/em><\/strong>sau <strong><em>Techno<\/em><\/strong>, alege-\u021bi preferata), nu va ofensa pe nimeni. Eu am primit lumina \u0219i unda verde de la Electronic Music Genre Standards and Classifications Consortium pentru asta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen ciuda faptului c\u0103 este extrem \u0219i extraordinar de ni\u0219at \u0219i o \u0219mecherie repetitiv\u0103 de o not\u0103, de care majoritatea oamenilor se plictisesc dup\u0103 c\u00e2teva ore, <strong><em>Ghetto Tech<\/em><\/strong> a ar\u0103tat o putere de statornicie \u0219i rezisten\u021b\u0103 remarcabil\u0103, de-a lungul anilor. Recent, a evoluat \u00eentr-un rival al muzicii Chicago, <strong><em>Hard House \/ Juke<\/em><\/strong>, venind cu propriul s\u0103u brand, numit <strong><em>Jit<\/em><\/strong>. Nazurile \u0219i discu\u021biile sunt despre cine a inventat dansul &#8220;Footwork&#8221;, care vine la pachet cu el. Nu m\u0103 \u00eentreba pe mine de ce asta conteaz\u0103 pentru oameni.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cens\u0103 ziua de glorie \u0219i apogeul lui <strong><em>Ghetto Tech<\/em><\/strong> au fost ultimii ani ai anilor &#8217;90, \u0219i niciodat\u0103 vreun alt moment \u00een timp. Nu am s\u0103 zic c\u0103 este mort, deoarece niciun gen nu moare cu adev\u0103rat, \u00eens\u0103 clar c\u0103 nu mai este c\u00e2ntat \u00eenafara Detroit. Poate tu \u00eenc\u0103 \u00eel mai po\u021bi auzi la DEMF.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Ghetto Tech <\/em><\/strong>&#8211; <strong><em><strong><em>Bass<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-de017868 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-7c4eac21\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Erik Travis &#8211; Hips<\/li>\n\n\n\n<li>DJ Assault &#8211; Yo Relatives<\/li>\n\n\n\n<li>Six Foe &#8211; Make &#8217;em Bounce<\/li>\n\n\n\n<li>Disco D &amp; DJ Profit &#8211; Booty Bar Anthem<\/li>\n\n\n\n<li>DJ Rashad feat DJ Spinn &amp; Taso &#8211; Only One<\/li>\n\n\n\n<li>DJ Nasty &#8211; Hydraulic Style<\/li>\n\n\n\n<li>Craig Diamonds &#8211; Drop Dem Panties<\/li>\n\n\n\n<li>Erotek &#8211; Guess Your Weight (Version 2)<\/li>\n\n\n\n<li>Detroit Grand Pubahs &#8211; Sandwiches<\/li>\n\n\n\n<li>Mark Pritchard &#8211; Wind It Up<\/li>\n\n\n\n<li>DJ Deeon &#8211; Like It Raw<\/li>\n\n\n\n<li>DJ Taye &#8211; Get Em Up<\/li>\n\n\n\n<li>Gta feat DJ Funk &#8211; Booty Bounce<\/li>\n\n\n\n<li>Michael Forshaw &#8211; Turn Around Touch The Ground<\/li>\n\n\n\n<li>Starski &amp; Clutch &#8211; Triple Gold<\/li>\n\n\n\n<li>Parris Mitchell &#8211; Ghetto Shout Out!!<\/li>\n\n\n\n<li>DJ Deeon &amp; DJ Funk &#8211; Bar Codes<\/li>\n\n\n\n<li>DJ Dick &#8211; I&#8217;m Yo&#8217; Pimp (Dirty)<\/li>\n\n\n\n<li>Slick Shoota &#8211; Wile Out<\/li>\n\n\n\n<li>DJ Slugo &#8211; Cardboard Booty<\/li>\n\n\n\n<li>Celebrity DJ Cexwell &#8211; Color Suit<\/li>\n\n\n\n<li>DJ Omega &#8211; Titty Bar 06<\/li>\n\n\n\n<li>DJ Pj &#8211; Shake Them Titties<\/li>\n\n\n\n<li>DJ Slugo &#8211; Strap Up Before You Hit It<\/li>\n\n\n\n<li>D.I.E. &#8211; R U Married<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-31626e71\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"26\">\n<li>Heavee &#8211; Icemaster<\/li>\n\n\n\n<li>Disco D feat Princess Superstar &#8211; Fuck Me On The Dancefloor<\/li>\n\n\n\n<li>Mr. De&#8217; &#8211; Big Booty Hoes And Sluts Too<\/li>\n\n\n\n<li>DJ Omega &#8211; Shake That Thang (DJ Godfather mix)<\/li>\n\n\n\n<li>Aj Mcghee &#8211; 5th Of Remy<\/li>\n\n\n\n<li>DJ Godfather &amp; DJ Nasty &#8211; Get Yo Jit On!<\/li>\n\n\n\n<li>DJ Deeon &#8211; Gimme Head<\/li>\n\n\n\n<li>Raffertie &#8211; Mimetic<\/li>\n\n\n\n<li>DJ Assault &#8211; Asses Jiglin&#8217;<\/li>\n\n\n\n<li>Djunya &#8211; Only The Strong Will Survive<\/li>\n\n\n\n<li>D.I.E. &#8211; Let Yo Body Rock<\/li>\n\n\n\n<li>Bitch Ass Darius &#8211; Dolphin Massacre<\/li>\n\n\n\n<li>Erik Travis &#8211; Rollin&#8217; Through Time Pt. 2<\/li>\n\n\n\n<li>Mr. De&#8217; &#8211; Cum<\/li>\n\n\n\n<li>B.calloway &#8211; Late Night Ride<\/li>\n\n\n\n<li>DJ Earl &#8211; I&#8217;m Gonna Get You<\/li>\n\n\n\n<li>DJ Nehpets &#8211; Lay It Down (Millenium mix)<\/li>\n\n\n\n<li>Big Daddy Rick &#8211; Tit&#8217;s Like Balloons<\/li>\n\n\n\n<li>DJ Clent &#8211; Back Seat Hoe<\/li>\n\n\n\n<li>Soft Tigers &#8211; Mr. Ice Cream (Waxmaster mix)<\/li>\n\n\n\n<li>Disco D &#8211; I.r.s. (Bass mix)<\/li>\n\n\n\n<li>DVA &#8211; Mad Hatter<\/li>\n\n\n\n<li>DJ Shortstop &#8211; Throw &#8217;em Out<\/li>\n\n\n\n<li>DJ Godfather &#8211; Giggle Dat<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.3. Moombahton<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Moombahton<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Moombah<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Bass<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 00s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Moombahton <\/em><\/strong>este \u00eenc\u0103 o \u00eencercare de a face oamenii albi s\u0103 plac\u0103 ritmurile Latine, ceea ce este cumva ca \u0219i cum i-ai da lui Buffalo Bill \u00eenc\u0103 o \u0219ans\u0103 de-a o salva pe fata din subsolul s\u0103u.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tu ai putea crede c\u0103 o \u00eentreag\u0103 scen\u0103 aproape complet dezvoltat\u0103 \u0219i \u00eencurajat\u0103 \u00een Florida de Sud, s\u0103 aib\u0103 \u00een mod natural mai multe influen\u021be latine, latine\u0219ti. Cultura latin\u0103 chiar a influen\u021bat muzica electronic\u0103 \u00een o mul\u021bime de moduri, \u00eens\u0103 nu \u0219i scena <strong><em>Bass<\/em><\/strong>. <strong><em>Moombahton <\/em><\/strong>este excep\u021bia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Moombahton este unul dintre pu\u021binele genuri care a l\u0103sat urme de la ale sale origini &#8211; \u0219i al s\u0103u nume &#8211; c\u0103tre o singur\u0103 \u00eenregistrare. \u00cen 2009, Silvio Ecomo &amp; Chuckie au lansat o pies\u0103 numit\u0103 &#8220;Moombah!&#8221; care nu era nimic special &#8211; nonsens tipic necreativ, ieftin \u0219i nepl\u0103cut, olandez, german, nem\u021besc (unde toate chestiile \u0219i lucrurile hidoase, \u0219i ru\u0219inoase, din fiecare parte \u0219i col\u021b al lumii \u00ee\u0219i g\u0103sesc centrul \u0219i devin populare).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cu toate acestea, pe B-side era un remix al lui Afrojack care avea o caden\u021b\u0103 latineasc\u0103 s\u0103ritoare \u0219i s\u0103lt\u0103rea\u021b\u0103, bouncey, \u0219i un lead de corn, claxon, trompet\u0103, care sc\u00e2r\u021b\u00e2ia, \u0219i cu tent\u0103 reggae. Asta l-a f\u0103cut s\u0103 sune \u0219i s\u0103 par\u0103, s\u0103 se simt\u0103, cu mult mai etnic dec\u00e2t trebuia s\u0103 fie, iar kick-ul s\u0103u plin de bas, l-a f\u0103cut esen\u021bial pentru consumerismul sudic, de Sud. \u00cen timp ce Afrojack din neaten\u021bie \u0219i gre\u0219eal\u0103 a \u00eenceput genul, tipul care chiar c\u0103 l-a pus \u00een proeminen\u021b\u0103, a fost nativul din DC, Dave Nada, a\u0219a c\u0103 d\u0103 vina pe el pentru tot.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/davenada.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">&#8220;Este complet vina mea iar tu nu ai ce face \u00een leg\u0103tur\u0103 cu asta.&#8221;<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Moombahton <\/em><\/strong>este de asemenea unul dintre genurile care s\u0103 conduc\u0103 nebunia \u0219i mania anti-imnului.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La un anumit moment dat, \u00een anii 2000, oamenii \u00eencepeau s\u0103 se plictiseasc\u0103 \u0219i s\u0103 li se fac\u0103 r\u0103u de template-ul de breakdown-construc\u021bie-imn, din muzica electronic\u0103. Era formulaic, structurat, predictibil, evident, \u0219i o metod\u0103 ieftin\u0103 de a-i face pe oameni s\u0103 \u021bipe \u0219i s\u0103 sar\u0103 \u00een sus \u0219i s\u0103-\u0219i \u021bin\u0103 m\u00e2inile \u00een aer mai degrab\u0103 dec\u00e2t s\u0103 danseze pe bune. A\u0219a c\u0103 anumi\u021bi produc\u0103tori, s-au g\u00e2ndit c\u0103 ei ar putea s\u0103 arunce mul\u021bimii o minge curbat\u0103, \u00een momentul climax-ului, ceva nea\u0219teptat pe care oamenii nu l-au auzit \u00eenc\u0103, deja, \u00een o mie de piese vopsite dup\u0103 numere: Anti-imnul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anti-imnul este fix exact opusul imnului. Piesa p\u0103streaz\u0103 \u0219i continu\u0103 breakdown-ul \u0219i structura de construc\u021bie, de build, \u00eens\u0103 nu exist\u0103 niciun crescendo exploziv. Efectiv doar se rostogole\u0219te \u0219i ruleaz\u0103 \u00een ceva slab, sl\u0103bu\u021b, \u0219i non-energetic, uneori nimic mai mult dec\u00e2t un kick \u0219i o linie de synth, synthline. Era anti-crescendo-ul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La \u00eenceput, oamenii au crezut c\u0103 este o gre\u0219eal\u0103, de parc\u0103 DJ-ul a str\u00e2ns \u0219i tr\u00e2ntit fader-ul la un alt c\u00e2ntec, la o alt\u0103 pies\u0103, la momentul gre\u0219it, nepotrivit (c\u00e2\u021biva DJ au folosit aceast\u0103 concep\u021bie gre\u0219it\u0103 \u0219i ne\u00een\u021belegere ca s\u0103 taie \u00een mod legitim pe piese rock, soft \u0219i moi, blege, ca \u0219i troll. Unul dintre cele mai faimoase troll-uri este de a t\u0103ia pe Spandau Ballet &#8211; True. \u00cent\u00e2mpl\u0103tor, apropo, ca fapt divers, dac\u0103 tu e\u0219ti un DJ, nu face asta. Este stupid \u0219i t\u00e2mpit).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De ce numele <strong><em>Moombahton<\/em><\/strong>? Probabil pentru c\u0103 acest beat este ridicat \u0219i luat complet de la <strong><em>Reggaeton<\/em><\/strong>, un gen <strong><em>Urban<\/em><\/strong>, care a ap\u0103rut la \u00eenceputul anilor 2000. Aia este practic ce este <strong><em>Moombahton<\/em><\/strong>: <strong><em>House <\/em><\/strong>olandez, nem\u021besc, cu ritmuri <strong><em>Reggaeton<\/em><\/strong>, \u0219i kick-uri de bas 808. A fost un moft \u0219i o senza\u021bie scurt\u0103, care s-a pierdut \u0219i limpezit p\u00e2n\u0103 \u00een 2012, \u0219i probabil c\u0103 ar fi trebuit s\u0103 fie uitat, \u00eens\u0103 apoi Iggy Azalea \u0219i Jennifer Lopez au s\u0103rit \u00een vagonul de spectacol \u0219i parad\u0103 al <strong><em>Moombahton<\/em><\/strong>, a\u0219a c\u0103 eu b\u0103nuiesc c\u0103 aceast\u0103 form\u0103 de muzic\u0103 mai urmeaz\u0103 s\u0103 mai fie prin preajm\u0103 o vreme.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103 un num\u0103r de subgenuri <strong><em>Moombahton<\/em><\/strong>, care sunt. Niciunul dintre ele nu sunt foarte importante \u00eenc\u0103.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Moombahton <\/em><\/strong>&#8211; <strong><em><strong><em>Bass<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-e06f80c7 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-c536e911\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Munchi &#8211; Sandungueo<\/li>\n\n\n\n<li>Alvaro feat Lil Jon &#8211; Fucking Ghetto<\/li>\n\n\n\n<li>Dillon Francis &#8211; Masta Blasta<\/li>\n\n\n\n<li>Dawin &#8211; Dessert<\/li>\n\n\n\n<li>Major Lazer &#8211; Pon De Floor<\/li>\n\n\n\n<li>Showtek &#8211; Swipe<\/li>\n\n\n\n<li>Dillon Francis &amp; Skrillex &#8211; Bun Up The Dance<\/li>\n\n\n\n<li>Heartbreak &#8211; Jump Up &amp; Twist<\/li>\n\n\n\n<li>Jwls &#8211; Move<\/li>\n\n\n\n<li>Douster &#8211; Pop That Bubble<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-4a00d192\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"11\">\n<li>Bro Safari &#8211; Da Worm<\/li>\n\n\n\n<li>Sandro Silva &#8211; Told Ya (Melo Moombahton Edit)<\/li>\n\n\n\n<li>Crookers feat Carli &#8211; Dr. Gonzo&#8217;s Anthem<\/li>\n\n\n\n<li>Sazon Booya &#8211; Mis Armas<\/li>\n\n\n\n<li>Bare &amp; Datsik &#8211; King Kong (Billy The Gent &amp; Long Jawns mix)<\/li>\n\n\n\n<li>Dave Nada &#8211; Moombahton<\/li>\n\n\n\n<li>iLL BLU &#8211; Clapper<\/li>\n\n\n\n<li>Alex Clare &#8211; Up All Night (Nadastrom mix)<\/li>\n\n\n\n<li>Silvio Ecorno &amp; Chuckie &#8211; Moombah (Afrojack mix)<\/li>\n\n\n\n<li>Munchi &#8211; Sandungueo<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Bass &#8211; termen folosit pentru a descrie mai multe genuri de muzic\u0103 dance electronic\u0103, \u0219i muzic\u0103 hip hop, ap\u0103rute \u00eencep\u00e2nd cu anii 1980, focusate pe o tob\u0103 de bas proeminent\u0103, \u0219i \/ sau sunet de linie de bas. 1. Miami Bass (derivat din Rap) Gen Muzical Electronic Miami Bass Alte Denumiri Bass, Ghetto Bass Sfera [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":338,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-288","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"sm","author_link":"https:\/\/smajoris.space\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Bass &#8211; termen folosit pentru a descrie mai multe genuri de muzic\u0103 dance electronic\u0103, \u0219i muzic\u0103 hip hop, ap\u0103rute \u00eencep\u00e2nd cu anii 1980, focusate pe o tob\u0103 de bas proeminent\u0103, \u0219i \/ sau sunet de linie de bas. 1. Miami Bass (derivat din Rap) Gen Muzical Electronic Miami Bass Alte Denumiri Bass, Ghetto Bass Sfera&hellip;","_links":{"self":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=288"}],"version-history":[{"count":238,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/288\/revisions"}],"predecessor-version":[{"id":4100,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/wp\/v2\/pages\/288\/revisions\/4100"}],"up":[{"embeddable":true,"href":"https:\/\/smajoris.space\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/smajoris.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}