{"id":292,"date":"2022-04-16T22:54:44","date_gmt":"2022-04-16T22:54:44","guid":{"rendered":"https:\/\/smajoris.space\/16-breakbeat\/"},"modified":"2022-12-29T20:25:56","modified_gmt":"2022-12-29T20:25:56","slug":"16-breakbeat","status":"publish","type":"page","link":"https:\/\/smajoris.space\/?page_id=292","title":{"rendered":"16. Breakbeat"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>Breakbeat <\/em><\/strong>&#8211; termen folosit pentru a descrie o colec\u021bie de subgenuri a muzicii electronice, de obicei caracterizate prin folosirea unui ritm de tobe sincopat, de 4\/4, spre deosebire de beat-ul house, techno sau trance, ce con\u021bine 4 sunete de tob\u0103 mare, a\u0219ezate la distan\u021b\u0103 egal\u0103 \u00een cadrul unei m\u0103suri; este un tip larg de muzic\u0103 electronic\u0103, care tinde s\u0103 foloseasc\u0103 drum break-uri sampluite de la \u00eenregistr\u0103rile timpurii de funk, jazz, \u0219i R&amp;B.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\t\t\t\t<div class=\"wp-block-uagb-table-of-contents uagb-toc__align-center uagb-toc__columns-5  uagb-block-5acce5fa      \"\n\t\t\t\t\tdata-scroll= \"1\"\n\t\t\t\t\tdata-offset= \"100\"\n\t\t\t\t\tstyle=\"\"\n\t\t\t\t>\n\t\t\t\t<div class=\"uagb-toc__wrap\">\n\t\t\t\t\t\t<div class=\"uagb-toc__title\">\n\t\t\t\t\t\t\tSubgenuri\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"uagb-toc__list-wrap \">\n\t\t\t\t\t\t<ol class=\"uagb-toc__list\"><li class=\"uagb-toc__list\"><a href=\"#1-breaks-derivat-din-acid-house-oldskool-rave-hardcore\" class=\"uagb-toc-link__trigger\">1. Breaks (derivat din Acid House &amp; Oldskool Rave Hardcore)<\/a><li class=\"uagb-toc__list\"><a href=\"#11-chemical-breaks\" class=\"uagb-toc-link__trigger\">1.1. Chemical Breaks<\/a><li class=\"uagb-toc__list\"><a href=\"#111-big-beat\" class=\"uagb-toc-link__trigger\">1.1.1. Big Beat<\/a><li class=\"uagb-toc__list\"><a href=\"#1111-nu-skool-breaks\" class=\"uagb-toc-link__trigger\">1.1.1.1. Nu Skool Breaks<\/a><li class=\"uagb-toc__list\"><a href=\"#11111-freeland-breaks\" class=\"uagb-toc-link__trigger\">1.1.1.1.1. Freeland Breaks<\/a><li class=\"uagb-toc__list\"><a href=\"#12-progressive-breaks\" class=\"uagb-toc-link__trigger\">1.2. Progressive Breaks<\/a><\/ol>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"breaks\"><strong>1. Breaks<\/strong> (derivat din <a href=\"https:\/\/smajoris.space\/?page_id=290#acid-house\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=290#acid-house\"><strong>Acid House<\/strong><\/a> &amp; <a href=\"https:\/\/smajoris.space\/?page_id=294#oldskool-rave-hardcore\" data-type=\"URL\" data-id=\"https:\/\/smajoris.space\/?page_id=294#oldskool-rave-hardcore\"><strong>Oldskool Rave Hardcore<\/strong><\/a>)<\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Breaks<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Breakbeat, Funky Breaks, Breakbeat House<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Breakbeat<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 80s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nu toat\u0103 muzica electronic\u0103 are un kick, o b\u0103taie, de 4\/4.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Exist\u0103, de asemenea, <strong><em>Breakbeat <\/em><\/strong>sau <strong><em>Breaks<\/em><\/strong>, scena (\u0219i genul principal al acelei scene) care specific\u0103 chiar \u00een al s\u0103u nume, \u00een propriul nume, c\u0103 nu are un kick de 4\/4.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cuv\u00e2ntul &#8220;breaks&#8221; efectiv vine de la vechiul drum breaks, din c\u00e2ntecele funk, soul, disco \u0219i R&amp;B, ale anilor &#8217;60 \u0219i &#8217;70, \u00een care muzica se oprea, iar tobo\u0219arul, drummer-ul, continua neacompaniat, pentru 1 m\u0103sur\u0103 sau 2, f\u0103c\u00e2ndu-l perfect pentru sampling.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cele mai timpurii, printre primele <strong><em>Breaks<\/em><\/strong>, erau chiar asta &#8211; drum breaks care loopuiau maturiz\u00e2ndu-se \u0219i ajung\u00e2nd la majorat \u00eentr-o vreme c\u00e2nd sampling-ul era rege, senza\u021bie, \u0219i nu era nimic ce \u0103ia cu costume puteau face \u00een leg\u0103tur\u0103 cu asta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Precum <strong><em>Hip Hop<\/em><\/strong>, cele mai timpurii \u00eenregistr\u0103ri <strong><em>Breakbeat<\/em><\/strong>, au sampluit \u0219i dracii \u0219i mor\u021bi \u0219i vii din \u00eenregistr\u0103rile vechi de vinil, \u00een unele cazuri, fix exact acelea\u0219i beat-uri \u0219i break-uri pe care le-a sampluit <strong><em>Hip Hop<\/em><\/strong> (iar tu le \u0219tii deja \u0219i le-ai auzit pe ele \u00een mii de piese \u0219i melodii: Funky Drummer, Amen, Scorpio, Take Me To The Mardi Gras, Ashley&#8217;s Roachclip, Think, The Champ, Apache, etc), f\u0103c\u00e2nd <strong><em>Breaks<\/em><\/strong>, practic o form\u0103 de instrumental accelerat\u0103, de <strong><em>Hip Hop<\/em><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"http:\/\/music.ishkur.com\/videos\/clyde-stubblefield-funky-drummer.mp4\"><\/video><figcaption class=\"wp-element-caption\">Aici, regretatul \u0219i marele &#8220;Funky Drummer&#8221;, Clyde Stubblefield, demonstreaz\u0103 c\u0103 drumming-ul bun nu este despre vitez\u0103 sau competen\u021b\u0103 tehnic\u0103 \u0219i experien\u021b\u0103, este despre tr\u0103ire, sentiment, emo\u021bie, senza\u021bie, sim\u021bire, feel. Despre groove \u0219i timing. Un break bun nu este doar ni\u0219te sunete de percu\u021bie \u00eenl\u0103n\u021buite, secven\u021biate, ci insufl\u0103 o stare de spirit. Cu un singur hit de snare el face de ru\u0219ine, de r\u00e2s, \u0219i pune la zid \u0219i la col\u021b, la locul lui, pe orice tobo\u0219ar, drummer, de metal, de vitez\u0103 de timp dublu, \u0219i orice idiot labagiu de rock progresiv, canadian, care pare un timid de 32.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dar precum majoritatea altor genuri care s-au bazat pe sampling la greu (\u00een special <strong><em>New Beat<\/em><\/strong> \u0219i <strong><em>Collage<\/em><\/strong>), expresia muzical\u0103 creativ\u0103 de a canibaliza c\u00e2ntecele vechi, ca \u0219i o form\u0103 de art\u0103 popular\u0103 \u0219i comercial\u0103, a fost zdrobit\u0103 de legisla\u021bie, \u00een anii &#8217;90. \u0218i la fel de bine, pentru c\u0103 sampling-ul n-a fost niciodat\u0103 despre comercializare \u0219i merge cel mai bine ca \u0219i o form\u0103 de art\u0103 renegat\u0103 \u0219i underground, ascuns\u0103, care se fere\u0219te \u0219i fuge de popularitate \u0219i bani, precum poezia penetrativ\u0103 \u0219i plin\u0103 de emo\u021bii (auto)biografic\u0103 sau graffiti-ul lui Banksy. Va exista \u00eentotdeauna, mereu. Doar c\u0103 nu va lovi topurile vreodat\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 perioada de &#8220;sampluie\u0219te un drum break gol dintr-un hit R&amp;B al anilor &#8217;70&#8221;, care era cam terminat\u0103 \u0219i dus\u0103 p\u00e2n\u0103 pe la finalul anilor &#8217;90, <strong><em>Breaks <\/em><\/strong>s-a a\u0219ezat \u0219i stabilit \u00een ceva fresh, nou, funky, proasp\u0103t, \u0219i inventiv. Divor\u021bat fiind de kick-ul de 4\/4, era liber s\u0103 fac\u0103 orice \u00ee\u0219i dorea, efectiv orice. Singura limit\u0103 era chiar el, precum Zombocom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dar a\u0219a cum este cazul multor noi genuri de muzic\u0103 electronic\u0103, dup\u0103 perioada ini\u021bial\u0103 de &#8220;vest s\u0103lbatic&#8221;, unde diferite lucruri \u0219i chestii sunt \u00eencercate cu grade variate de succes \u0219i e\u0219ec, lucrurile se a\u0219eaz\u0103 \u0219i lini\u0219tesc \u00een 1 sau 2 formate decise, de obicei av\u00e2nd \u00een frunte de lance 1 c\u00e2ntec foarte popular, sau 2. Asta este ceea ce creeaz\u0103 genuri \u0219i subgenuri.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pentru <strong><em>Breaks<\/em><\/strong>, a fost decizia c\u0103 <s>James Brown<\/s> Clyde Stubblefield &#8211; Funky Drummer este cel mai bun drum break al tuturor timpurilor. <strong><em>Jungle <\/em><\/strong>are Amen, \u00eens\u0103 <strong><em>Breaks <\/em><\/strong>are Funky Drummer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 \u0219i pentru mine, sunetul <strong><em>Breakbeat <\/em><\/strong>pur este unul care se focuseaz\u0103 \u00een aparen\u021b\u0103, aparent, pe break \u0219i nimic altceva. Break-ul este motivul pentru existen\u021ba piesei, \u0219i nu este nevoie de drop-uri sau breakdown-uri sau imnuri sau bassline-uri, linii de bas smulg\u0103toare, sau orice alt astfel de nonsens \u0219i prostie, absurditate, care intervine \u0219i st\u0103 \u00een calea unei percu\u021bii groovy bune.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e2teva alte genuri din scen\u0103 folosesc break-ul ca \u0219i fundal, background \u0219i setting pentru altceva &#8211; acid pentru <strong><em>Chemical Breaks<\/em><\/strong>, bassline sau linie de bas pentru <strong><em>Nu Skool Breaks<\/em><\/strong>, rock pentru <strong><em>Big Beat<\/em><\/strong>. \u00cens\u0103 breaks \u00een a sa esen\u021b\u0103 este despre breakbeat, \u0219i nu ar trebui s\u0103 fie despre nimic altceva.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-mixcloud wp-block-embed-mixcloud wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Ultimate Breaks Mix\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2FIshkur%2Fthe-ultimate-breaks-mix%2F&amp;hide_cover=1\" frameborder=\"0\"><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">O c\u0103l\u0103torie prin istoria <strong><em>Breaks<\/em><\/strong>, \u00eencep\u00e2nd cu cel mai timpuriu <strong><em>Breaks<\/em><\/strong>, de sample-\u0219i-loop, \u00eenaint\u00e2nd prin <strong><em>Funky Breaks<\/em><\/strong>, <strong><em>Chemical Breaks<\/em><\/strong>, <strong><em>Big Beat<\/em><\/strong>, iar apoi ni\u0219te alte prostii. Dar niciun <strong><em>Nu Skool<\/em><\/strong>, pentru c\u0103, serios acum.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Breaks <\/em><\/strong>a fost deturnat \u0219i evitat \u00een mod inten\u021bionat de c\u0103tre descenden\u021bii s\u0103i, aruncat \u00een sl\u0103vi, to\u021bi dintre ei \u00eencerc\u00e2nd s\u0103 fac\u0103 <strong><em>Breaks <\/em><\/strong>mai mult dec\u00e2t ceea ce este. Dar \u00een miezul a tot, \u00een esen\u021b\u0103, <strong><em>Breaks <\/em><\/strong>a fost dintotdeauna \u0219i mereu \u0219i \u00eentotdeauna despre breakbeat-ul funky. Dac\u0103 nu are aia, atunci nu este <strong><em>Breaks<\/em><\/strong>.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Breaks <\/em><\/strong>&#8211; <strong><em><strong><em>Breakbeat<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-9d7cde42 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-dfdc0268\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>4kuba &#8211; Cheap<\/li>\n\n\n\n<li>The Sandals &#8211; Feet<\/li>\n\n\n\n<li>Linea Alba &#8211; Chill-O-Matic<\/li>\n\n\n\n<li>Crystal Distortion &#8211; Only Wish<\/li>\n\n\n\n<li>Paninaro &#8211; Wildstyle Groove (Luvdup Homey And A Handbag mix)<\/li>\n\n\n\n<li>Word Up &#8211; We Wanna Go Back<\/li>\n\n\n\n<li>Mike &amp; Charlie &#8211; Chunky Love<\/li>\n\n\n\n<li>Ceasefire &#8211; Trickshot<\/li>\n\n\n\n<li>Flint &#8211; Everybody&#8217;s Funkin&#8217;<\/li>\n\n\n\n<li>Rob Reng &#8211; Shook One<\/li>\n\n\n\n<li>Doom Selector &#8211; Broken Joint<\/li>\n\n\n\n<li>Bitin&#8217; Back &#8211; Boom Box<\/li>\n\n\n\n<li>Holy Ghost Inc. &#8211; Stealth<\/li>\n\n\n\n<li>Deekline &amp; Wizard vs Freq Nasty &#8211; Keep It Pushng<\/li>\n\n\n\n<li>Outcast &#8211; Criminals<\/li>\n\n\n\n<li>The Mixbuster &#8211; Dancefloor Justice (Instrumental mix)<\/li>\n\n\n\n<li>Dimension &#8211; Flatline<\/li>\n\n\n\n<li>Flint &#8211; Theme From Flint<\/li>\n\n\n\n<li>Stereo 8 &#8211; Never Coming Back<\/li>\n\n\n\n<li>Genaside II &#8211; Death Of The Kamikazee (Interstate Alchemy mix)<\/li>\n\n\n\n<li>The Beat Pirate &#8211; Good Times (Free Yourself)<\/li>\n\n\n\n<li>16 Bit &#8211; Hi Score (Level 02 mix)<\/li>\n\n\n\n<li>Rektchordz &#8211; Slappahoe<\/li>\n\n\n\n<li>Red Seal &#8211; Freak Me<\/li>\n\n\n\n<li>Bisca &#8211; Learn (Tenebrae mix)<\/li>\n\n\n\n<li>Baymont Bross feat General Levy &amp; Sunshyne &#8211; Wine Up Ya Waist<\/li>\n\n\n\n<li>Awareness &#8211; Anguish<\/li>\n\n\n\n<li>Jammin&#8217; &#8211; Distraction<\/li>\n\n\n\n<li>DJ Icey &#8211; Impact Track<\/li>\n\n\n\n<li>Freestylers feat Tenor Fly &#8211; B-Boy Stance<\/li>\n\n\n\n<li>Just Pure Rhythm &#8211; The Situation<\/li>\n\n\n\n<li>Wiccatron &#8211; Any Given Pitch<\/li>\n\n\n\n<li>Hardcore &#8211; Hey R U Ready<\/li>\n\n\n\n<li>Bassbin Twins &#8211; Dirty Crystal<\/li>\n\n\n\n<li>Beat Assassins &#8211; Straight To The World<\/li>\n\n\n\n<li>Meat Beat Manifesto &#8211; Original Control (Version 2)<\/li>\n\n\n\n<li>DJ Fen &#8211; Across The Moon<\/li>\n\n\n\n<li>Project Ae &#8211; Whales Alive<\/li>\n\n\n\n<li>Nicolette &#8211; Single Minded People<\/li>\n\n\n\n<li>Peter Bouncer &#8211; Love Is All We Need<\/li>\n\n\n\n<li>Scratchy Muffin &#8211; Wishing<\/li>\n\n\n\n<li>Jesus Jones &#8211; Zeroes And Ones<\/li>\n\n\n\n<li>Bill, Ben, And Baggio &#8211; Pusherman (Unagroover mix)<\/li>\n\n\n\n<li>The Rhythm Masters &#8211; Give Me A Breakbeat<\/li>\n\n\n\n<li>Cdee &amp; Dove &#8211; Get Funky<\/li>\n\n\n\n<li>God Within &#8211; Raincry (Spiritual Thirst)<\/li>\n\n\n\n<li>The Wiseguys &#8211; Ooh La La<\/li>\n\n\n\n<li>Renegade Soundwave &#8211; The Phantom<\/li>\n\n\n\n<li>Jinx &#8211; Acid Shuffle<\/li>\n\n\n\n<li>Tom Tonic &#8211; Something Like That<\/li>\n\n\n\n<li>The Scientist &#8211; The Bee<\/li>\n\n\n\n<li>Freddy Fresh &#8211; Chupacabbra (Bassbin Twins mix)<\/li>\n\n\n\n<li>Slyde &#8211; The Click<\/li>\n\n\n\n<li>The Ragga Twins &#8211; Hooligan 69<\/li>\n\n\n\n<li>Soul Of Man &#8211; Love &amp; Hate (Instrumental)<\/li>\n\n\n\n<li>Shut Up And Dance &#8211; Cream (Afghan Head Spin mix)<\/li>\n\n\n\n<li>Undercut &#8211; Both Ends<\/li>\n\n\n\n<li>Anoesis &#8211; Rhythmic Itch<\/li>\n\n\n\n<li>Sol Brothers &#8211; That Elvis Track<\/li>\n\n\n\n<li>Deeper Throat &#8211; Mouth Organ (Dust Brothers mix)<\/li>\n\n\n\n<li>Punks &#8211; She Not In<\/li>\n\n\n\n<li>Mint Royale &#8211; Take It Easy<\/li>\n\n\n\n<li>Violet &#8211; Burn The Elastic (Chris Duckenfield mix)<\/li>\n\n\n\n<li>The Bogey Man &#8211; Horrors (Pt. 1)<\/li>\n\n\n\n<li>Euphoreal &#8211; Ragga Mutha<\/li>\n\n\n\n<li>Slab &#8211; Rampant Prankster<\/li>\n\n\n\n<li>The Ultraviolet Catastrophe &#8211; Trip Harder<\/li>\n\n\n\n<li>Lost &#8211; The Gonzo<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-08f24441\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"69\">\n<li>Chops EMC And Extensive &#8211; Me&#8217; Israelites<\/li>\n\n\n\n<li>Basement Freaks &#8211; Balkanizacia (Badboe Regganizacia mix)<\/li>\n\n\n\n<li>Fatliners &#8211; Lo Life<\/li>\n\n\n\n<li>Full Moon Scientist &#8211; Old Man River&#8217;s Crying (Door Of Common Sense Edit)<\/li>\n\n\n\n<li>Timebase &#8211; Unity<\/li>\n\n\n\n<li>Jinx &#8211; Mindless Drugs Freak<\/li>\n\n\n\n<li>12 From A Dozen &#8211; Outer Nation<\/li>\n\n\n\n<li>Space Raiders &#8211; Fly New Pumps<\/li>\n\n\n\n<li>Ek &amp; C83 &#8211; Threshold<\/li>\n\n\n\n<li>Freaky Jalapeno &#8211; Gotta Get It<\/li>\n\n\n\n<li>Dee Patten &#8211; Who&#8217;s The Badman<\/li>\n\n\n\n<li>Divine Frequency feat Stacey Q &#8211; Hear The Feeling (Simply Jeff mix)<\/li>\n\n\n\n<li>Drumattic Twins &#8211; Pumped Up Funk<\/li>\n\n\n\n<li>Rum &amp; Black &#8211; Fuck The Legal Station<\/li>\n\n\n\n<li>Weird Continental Types &#8211; What The Funk<\/li>\n\n\n\n<li>Elite Force &#8211; Ghetto Fabulous<\/li>\n\n\n\n<li>Osmosis &#8211; Jungle Freak (Persuaders mix)<\/li>\n\n\n\n<li>Awareness &#8211; Religion (Geestrumental mix)<\/li>\n\n\n\n<li>Tsuyoshi Suzuki &#8211; Tokio Drome<\/li>\n\n\n\n<li>Codine &#8211; Holistic<\/li>\n\n\n\n<li>Meat Beat Manifesto &#8211; Radio Babylon<\/li>\n\n\n\n<li>Shut Up And Dance &#8211; 20 To Get In<\/li>\n\n\n\n<li>Slyde &#8211; Slippedy Slide<\/li>\n\n\n\n<li>Brothers And Systems &#8211; One Voice (Dub Mania And Philth Version 1)<\/li>\n\n\n\n<li>Break The Box &#8211; Drop The Bass (Bbp mix)<\/li>\n\n\n\n<li>Scuba &#8211; Ne1butu<\/li>\n\n\n\n<li>Bosch &#8211; Rattlesnake (Nick Thayer mix)<\/li>\n\n\n\n<li>Soundcraft &#8211; The Wibbler<\/li>\n\n\n\n<li>Eze-Ozo &#8211; Kick The Break In<\/li>\n\n\n\n<li>Return Of The Living Acid &#8211; Get Funky In Cardington Hangers<\/li>\n\n\n\n<li>Bentley Rhythm Ace &#8211; How&#8217;d I Do Dat (Danny Saber mix)<\/li>\n\n\n\n<li>Lab Technicians &#8211; St. Vitus<\/li>\n\n\n\n<li>Silver Bullet &#8211; Ruff Karnage (The Bullet mix)<\/li>\n\n\n\n<li>The Break Boys &#8211; And The Break Goes On<\/li>\n\n\n\n<li>Addis Posse &#8211; Let The Warriors Dance (Funky Funky Drum Drum mix)<\/li>\n\n\n\n<li>Sam Hell &#8211; Grunge<\/li>\n\n\n\n<li>Nicolette &#8211; Wicked Mathematics<\/li>\n\n\n\n<li>Mental Cube &#8211; Chile Of The Bass Generation<\/li>\n\n\n\n<li>Effective Force &#8211; Diamond Bullet (Act 6 &#8211; Virtural Power)<\/li>\n\n\n\n<li>Casanovas Revenge &#8211; Here We Go (R U Ready)<\/li>\n\n\n\n<li>Kenny Dope Presents Powerhouse 3 &#8211; Makin&#8217; A Living<\/li>\n\n\n\n<li>M5 &#8211; Sanctuary (Electroliners mix)<\/li>\n\n\n\n<li>Propellerheads &#8211; Take California<\/li>\n\n\n\n<li>Think Tank &#8211; A Knife And A Fork (The Massively Parallel mix)<\/li>\n\n\n\n<li>True Faith &#8211; Take Me Away (Pin-Up mix)<\/li>\n\n\n\n<li>Plaza De Funk &#8211; Got The Funk<\/li>\n\n\n\n<li>Shades Of Rhythm &#8211; Just Feel It<\/li>\n\n\n\n<li>Bomb The Bass &#8211; Beat Dis (Extended Dis)<\/li>\n\n\n\n<li>Soul Of Man &#8211; Dirty Waltzer<\/li>\n\n\n\n<li>Eastern Dub Tactik &#8211; Brothers And Sisters<\/li>\n\n\n\n<li>Missing &#8211; Thr33 Blak Bros (Ifc mix)<\/li>\n\n\n\n<li>Bushwacka &#8211; Monster<\/li>\n\n\n\n<li>Art Science Technology &#8211; AST<\/li>\n\n\n\n<li>Criminal Element Orchestra &#8211; Put The Needle On The Record (Drumattic Twins &amp; Lee Coombs mix)<\/li>\n\n\n\n<li>Mcmillan &amp; Tab &#8211; Supersonic<\/li>\n\n\n\n<li>DJ Quest vs Kalibre &#8211; Old Skool<\/li>\n\n\n\n<li>Reflex One &#8211; Dub Shaker<\/li>\n\n\n\n<li>Geeneus &#8211; Congo<\/li>\n\n\n\n<li>2 Young Brothers &#8211; Check Out Tha Hook (Dangerous DJ mix)<\/li>\n\n\n\n<li>Wiccatron &#8211; Generation Dust<\/li>\n\n\n\n<li>Panic &#8211; Voices Of Energy (Mix 1)<\/li>\n\n\n\n<li>The Black Dog &#8211; Age Of Slack<\/li>\n\n\n\n<li>N-Joi &#8211; Anthem<\/li>\n\n\n\n<li>Plaza De Funk feat Miss Trouble &#8211; Push &amp; Pull<\/li>\n\n\n\n<li>Depth Charge &#8211; Shaolin Buddha Finger<\/li>\n\n\n\n<li>Appleseed &#8211; Mile High Express (Original Trip)<\/li>\n\n\n\n<li>Direct &#8211; Let It Ride<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1. Chemical Breaks<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Chemical Breaks<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Acid Breaks<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Breakbeat<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Poate fi argumentat c\u0103 <strong><em>Chemical Breaks<\/em><\/strong> a ap\u0103rut de fapt \u00eenainte ca <strong><em>Breaks <\/em><\/strong>s\u0103 devin\u0103 <strong><em>Breaks<\/em><\/strong>. Ei doar c\u0103 nu l-au numit <strong><em>Chemical Breaks<\/em><\/strong>. Sau m\u0103car doar <strong><em>Breaks<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cele mai vechi chestii <strong><em>Breaks<\/em><\/strong>, printre primele, au fost derulate \u0219i scoase din <strong><em>Acid House<\/em><\/strong>, de obicei, ca \u0219i linii de acid simple, cu sample-uri de drum break vechi, mai degrab\u0103 dec\u00e2t un kick care loopuie\u0219te de 808, sau ca \u0219i remix-uri de <strong><em>Acid House<\/em><\/strong> (sau \u00eencruci\u0219\u0103ri de la <strong><em>Chill Out<\/em><\/strong> sau <strong><em>Industrial<\/em><\/strong> &#8211; aia s-a \u00eent\u00e2mplat uneori, ca de exemplu, Meat Beat Manifesto). Introducerea de breakbeat-uri la <strong><em>Acid<\/em><\/strong>, i-a conferit ni\u0219te varietate, \u00eens\u0103 tot era numit <strong><em>Acid House<\/em><\/strong>, la momentul \u0219i vremea respectiv\u0103.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/orbital.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">\u00cen timp ce Orbital a f\u0103cut \u00eentr-adev\u0103r ni\u0219te piese \u0219i melodii <strong><em>Breakbeat <\/em><\/strong>faimoase, iar <strong><em>Breaks <\/em><\/strong>a fost ritmul lor de alegere, eu nu le-a\u0219 considera pe ele un act de <strong><em>Breakbeat<\/em><\/strong>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Noile scene \u0219i genuri, \u00een general, nu prea izvor\u0103sc \u0219i se nasc din cele existente, imediat, instant. Exist\u0103 o perioad\u0103 de suprapunere, \u00eentret\u0103iere \u0219i coincidere, o er\u0103 a diagramelor Venn, unde \u0219i \u00een care un sunet nou ar putea fi considerat ca fiind parte a unui sunet vechi, p\u00e2n\u0103 c\u00e2nd este disecat\u0103 \u0219i luat\u0103 \u0219i analizat\u0103 de c\u0103tre o a 2-a genera\u021bie de observatori impar\u021biali, ajuta\u021bi de marketing catchy. Asta ar putea lua \u0219i dura oriunde \u00eentre 1-3 ani, depinz\u00e2nd pe c\u00e2t de popular este sunetul (genurile mai populare se fragmenteaz\u0103 \u0219i despart, desprind, mai repede, din pur volum).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u0219a c\u0103 deciderea de c\u00e2nd <strong><em>Acid House<\/em><\/strong> a devenit <strong><em>Breaks <\/em><\/strong>cu <strong><em>Acid<\/em><\/strong>, ceea ce eventual \u0219i \u00een final a devenit <strong><em>Acid Breaks<\/em><\/strong>, este un argument, ra\u021bionament, dezbatere \u0219i discu\u021bie academic\u0103, de care nim\u0103nui nu i-a p\u0103sat la vremea respectiv\u0103, iar nimeni nu are vreun r\u0103spuns definitiv. \u0218i nici mie nu prea \u00eemi pas\u0103, real. \u00cenc\u0103 este destul de neclar \u0219i confuz, s\u0103 nu mai zic c\u0103, este suficient s\u0103 spun c\u0103 atunci c\u00e2nd chiar a ap\u0103rut pe bune ca \u0219i scena sa proprie, cu al s\u0103u stil \u0219i mod\u0103 \u0219i limb\u0103 str\u0103in\u0103 \u0219i audien\u021b\u0103, deja s\u0103rise prin alte scene de asemenea, incluz\u00e2nd <strong><em>Hardcore<\/em><\/strong>, <strong><em>Chill Out<\/em><\/strong>, \u0219i <strong><em>Jungle<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e2nd <strong><em>Acid Breaks<\/em><\/strong> a ap\u0103rut ca \u0219i o chestie de sine st\u0103t\u0103toare, proprie, nu mai era doar folosirea de acid, ci efectiv, pur \u0219i simplu, orice synth care putea livra \u0219i oferi sunetul cauciucos lichid, al Roland TB-303, iar c\u00e2nd ei nu puteau g\u0103si unul, ei foloseau arpegiere sau por\u021bi (gates), pentru a aproxima efectele groaznice, zv\u00e2rcolite, s\u0103lt\u0103re\u021be, de skip-hop, funky \u0219i trippy, halucinogenice, ale <strong><em>Acid<\/em><\/strong>, f\u0103r\u0103 prea mult\u0103 deviere.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aceasta a fost o a\u0219a distinctiv\u0103 caracteristic\u0103 \u00eenc\u00e2t a devenit cunoscut\u0103 drept <strong><em>Chemical Breaks<\/em><\/strong> (deoarece nu era strict \u0219i exclusiv <strong><em>Acid<\/em><\/strong>, \u00eens\u0103 era sintetic, synthetic), \u0219i ar trebui s\u0103 men\u021bionez c\u0103 numele nu a venit de la The Chemical Brothers, deoarece ei erau numi\u021bi The Dust Brothers la acea vreme (ei au trebuit s\u0103-\u0219i schimbe numele c\u00e2nd adev\u0103ra\u021bii \u0219i realii Dust Brothers &#8211; ai faimei \u0219i gloriei Beastie Boys \u0219i Fight Club &#8211; au obiectat), \u0219i a fost o inven\u021bie american\u0103, hot\u0103r\u00e2t\u0103 \u0219i incontestabil\u0103, mai precis \u0219i specific, colectivul \u0219i grupul social Moontribe, al rave-urilor legendare, funky, \u0219i din de\u0219ert, din California, care a coincis cu cre\u0219terea \u0219i na\u0219terea neo-hippie-lor, contraculturalismul, declara\u021biile \u0219i afirma\u021biile radicale, de cascadorii de art\u0103, \u0219i primul Burning Man.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/funkydesertbreaks.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Uneori, tot ce are nevoie un gen este un mix de lovitur\u0103 zdrobitoare, ca s\u0103-l \u00eemping\u0103 c\u0103tre proeminen\u021b\u0103, importan\u021b\u0103 \u0219i eviden\u021biere.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Chemical Breaks<\/em><\/strong> re\u021bine excesul oldskool de a \u00eencerca s\u0103 maximizeze starea de \u00een\u0103l\u021bare \u0219i drogare a cuiva, de la droguri, care pe bune, sincer, ar trebui s\u0103 fie obiectivul primordial \u0219i conduc\u0103tor al \u00eentregii muzici bazate pe rave. Prea mul\u021bi produc\u0103tori pierd din vizor \u0219i din vedere pentru ce este muzica lor, \u00eenc\u00e2t ei \u00eencearc\u0103 s\u0103 ating\u0103 \u0219i ob\u021bin\u0103, urm\u0103reasc\u0103, o percep\u021bie ceva mai \u00eenalt\u0103 \u0219i superioar\u0103, m\u0103rea\u021b\u0103, cum c\u0103 muzica lor ar schimba vie\u021bi, sau ar fi un transmi\u021b\u0103tor \u0219i conductor de cultur\u0103, c\u00e2nd de fapt nu face nimic din toate alea. Este doar amuzant \u0219i fun, s\u0103 o ascul\u021bi atunci c\u00e2nd e\u0219ti high, \u0219i sub influen\u021ba drogurilor, iar <strong><em>Chemical Breaks<\/em><\/strong> este un gen care nu pierde din vedere asta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Chemical Breaks<\/em><\/strong> a explodat c\u00e2nd totul rave a explodat \u00een finalul anilor &#8217;90, iar acte \u0219i proiecte precum The Crystal Method, Propellerheads, Chemical Brothers \u0219i Uberzone au devenit nume de familie, de gospod\u0103rie, populare, celebre, \u00een casa oricui, ori prin compila\u021biile Mortal Kombat, ori prin soundtrack-urile \u0219i coloanele sonore ale filmelor de ac\u021biune. Asta face ca <strong><em>Chemical Breaks<\/em><\/strong> s\u0103 fie unul dintre genurile \u00eenso\u021bitoare \u0219i concomitente care formeaz\u0103 \u0219i alc\u0103tuiesc, construiesc, &#8220;Electronica&#8221;. \u00cens\u0103 nu a fost genul <strong><em>Breakbeat <\/em><\/strong>cu cel mai mare \u0219i mult succes comercial &#8211; aia ar merge c\u0103tre succesorul s\u0103u, <strong><em>Big Beat<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Al naibii \u0219i al dracului de <strong><em>Big Beat<\/em><\/strong>.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Chemical Breaks <\/em><\/strong>&#8211; <strong><em><strong><em>Breakbeat<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-e5fa310e uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-65666c1c\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Lee Coombs &amp; Andy Gardner &#8211; Obsessional Rhythm (Lee Coombs mix)<\/li>\n\n\n\n<li>Tanith &#8211; Bronco (Wizard Of Oh mix)<\/li>\n\n\n\n<li>Bass Addiction &#8211; Bass Deejay<\/li>\n\n\n\n<li>Rebel Sonix &#8211; Dirty Dancing<\/li>\n\n\n\n<li>Thursday Club &#8211; Place Called Acid (Rennie&#8217;s Acid Indigestion mix)<\/li>\n\n\n\n<li>Metro LA &#8211; Twist Me Up<\/li>\n\n\n\n<li>Southside Reverb &#8211; Here We Go (Electro mix)<\/li>\n\n\n\n<li>Cotton Club &#8211; Nu Jack (Nu Jack&#8217;s Tweaked Out mix)<\/li>\n\n\n\n<li>Kraymon &#8211; One Day, Maybe One Day (Bite The Bullet mix)<\/li>\n\n\n\n<li>DJ Rob-E &#8211; Listen<\/li>\n\n\n\n<li>The Slag Brothers &#8211; Old Spice (303 mix)<\/li>\n\n\n\n<li>R-Damski &#8211; The Lord<\/li>\n\n\n\n<li>Dirty Habits &#8211; Rock Box<\/li>\n\n\n\n<li>Metro &#8211; To A Nation Rockin&#8217;<\/li>\n\n\n\n<li>Funky Robots &#8211; Tb303<\/li>\n\n\n\n<li>Uberzone &#8211; Botz (Cyborganik)<\/li>\n\n\n\n<li>The Crystal Method &#8211; Keep Hope Alive<\/li>\n\n\n\n<li>Kraymon &#8211; Got To Get Busy<\/li>\n\n\n\n<li>DJ Friction And Spice &#8211; You Make Me Feel So Good<\/li>\n\n\n\n<li>Freaky Chakra &#8211; Halucifuge (Freaky Chicken Peck)<\/li>\n\n\n\n<li>Kultur &#8211; Right Now<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-c88fe39a\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"22\">\n<li>Leo &#8211; Brave New World<\/li>\n\n\n\n<li>Jmekka &#8211; Bear In Mind<\/li>\n\n\n\n<li>Electroliners &#8211; Loose Caboose (Bassbin Twins mix)<\/li>\n\n\n\n<li>Fingers Project &#8211; Give Me A Wink (Thursday&#8217;s Club&#8217;s Orlando Boom mix)<\/li>\n\n\n\n<li>The Tweakers &#8211; All Tweaked Out (Ear Screamer mix)<\/li>\n\n\n\n<li>The Crystal Method &#8211; Busy Child<\/li>\n\n\n\n<li>Myagi &#8211; The 57 Chevy (Slyde mix)<\/li>\n\n\n\n<li>B-Phreak &#8211; Funkbox<\/li>\n\n\n\n<li>Simply Jeff &#8211; Left Hook (Mental Blox mix)<\/li>\n\n\n\n<li>Josh Wink &#8211; Higher State Of Conciousness<\/li>\n\n\n\n<li>District &#8211; Feel This Thing<\/li>\n\n\n\n<li>All Good Funk Alliance &#8211; On The Prowl<\/li>\n\n\n\n<li>Kingsize &#8211; Acid Or Xtc<\/li>\n\n\n\n<li>Boston Bruins &#8211; I Will Be Free (DJ Stew&#8217;s Ghetto Trip)<\/li>\n\n\n\n<li>Red Myers &#8211; Silent Partner<\/li>\n\n\n\n<li>The Beat Brothers &#8211; Acid Drop<\/li>\n\n\n\n<li>The Dark Side Of The Shroom &#8211; Green Mushroom<\/li>\n\n\n\n<li>Keoki &#8211; Majick (Uberzone mix)<\/li>\n\n\n\n<li>Mental Blox &#8211; Next Stop The Techstar<\/li>\n\n\n\n<li>DJ Rob-E &#8211; Let The Beat Control Your Body<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.1. Big Beat<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Big Beat<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Block Rockin&#8217; Beats<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Breakbeat<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">mid 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen timp ce <strong><em>Chemical Breaks<\/em><\/strong> a fost majoritar \u0219i \u00een principiu o treab\u0103 \u0219i chestie american\u0103, americ\u0103neasc\u0103, <strong><em>Big Beat<\/em><\/strong> a fost majoritar \u0219i \u00een principiu o treab\u0103 \u0219i o chestie a UK.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Big Beat<\/em><\/strong> este cel mai comercial gen de <strong><em>Breaks<\/em><\/strong>, dar nu neap\u0103rat \u0219i cel mai r\u0103u \u0219i nasol (\u0103la ar fi <strong><em>Nu Skool<\/em><\/strong>). Legenda spune, pretinde \u0219i afirm\u0103 c\u0103 \u0219i-a luat numele de la clubul Big Beat Boutique, unde un pe atunci necunoscut DJ numit Fatboy Slim ar fi manevrat acest gen de piese. Aia ar putea fi apocrif (ca Fatboy Slim s\u0103 inventeze chestia cu <strong><em>Big Beat<\/em><\/strong>, \u0219i nu treaba cu reziden\u021ba lui Fatboy Slim la Big Beat Boutique), \u00eens\u0103 eu nu am nicio problem\u0103 cu a zice \u0219i pretinde, afirma, c\u0103 Fatboy Slim este \u00een mare m\u0103sur\u0103 responsabil cu \u0219i pentru <strong><em>Big Beat<\/em><\/strong>. Este totul din vina lui. Eu nu re\u021bin asta \u00eempotriva lui.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/fatboyslim.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Mdap, este vina \u0219i doar vina acestui tip.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Big Beat<\/em><\/strong> a luat structura esen\u021bial\u0103 a <strong><em>Chemical Breaks<\/em><\/strong> \u0219i a scos \u0219i \u0219ters elementele Chemical, drog\u0103cioase, din el (gen Litiu, Poloniu \u0219i Bismut), \u00eenlocuindu-le cu linii de bas, bassline-uri family-friendly \u0219i prietenoase, con\u021binut liric de c\u00e2ntat \u00een grup, laolalt\u0103, \u0219i strig\u0103te vocale, melodii calde \u0219i c\u0103lduroase cu hook-uri sau c\u00e2rlige f\u0103cute din tropi \/ figuri de stil accesibile, precum riff-uri de chitar\u0103, fanfare de corn \u0219i corzi, chit\u0103ri, zg\u00e2riere \u0219i sample-uri de zg\u00e2riere, \u0219i chiar sample-uri de blues vechi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O a\u0219a combina\u021bie iremediabil\u0103 \u0219i irecuperabil\u0103, \u00eensemna c\u0103 <strong><em>Breaks <\/em><\/strong>putea s\u0103 break (joc de cuvinte neinten\u021bionat), s\u0103 rup\u0103 \u0219i s\u0103 sparg\u0103 ghea\u021ba, ca \u0219i unul dintre genurile comerciale care s\u0103 c\u0103l\u0103reasc\u0103 \u0219i s\u0103 conduc\u0103 explozia &#8220;Electronica&#8221; de la finalul anilor &#8217;90.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Big Beat<\/em><\/strong> \u00eenc\u0103 adera la caden\u021ba \u0219i ritmul, mersul lui Funky Drummer, a progenitorilor s\u0103i, str\u0103mo\u0219ilor, cu toate c\u0103 infamul drum break al lui Clyde Stubblefield, de la sf\u00e2r\u0219itul anilor &#8217;90, era rar \u0219i rareori sampluit iar produc\u0103torii doar \u00eel recreau pe al lor echipament, gear, cu o groaz\u0103 de compresie (compression), distorsiune (distortion), EQ (equalization) \u0219i filtrare (filtering). \u00cens\u0103 sunetul de semn\u0103tur\u0103 al <strong><em>Big Beat<\/em><\/strong> a venit de la bass kick-ul, kick-ul de bas puternic, \u0219i \u00een for\u021b\u0103, \u0219i mare, de pe 1, primul timp al fiec\u0103rei m\u0103suri &#8211; mai greu, mai gros, mai plin, \u0219i mai proeminent dec\u00e2t restul percu\u021biei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Asta se cheam\u0103 &#8220;jammin on the 1&#8221; (&#8220;joaca pe 1&#8221;), ca s\u0103 \u00eensemne s\u0103 se bage tare mereu pe primul beat al fiec\u0103rei m\u0103suri. Tu probabil c\u0103 i-ai putea \u00eenvinui pe Chemical Brothers pentru popularizarea lui, \u00eens\u0103 ei nici nu l-au inventat, \u0219i nici nu au venit cu asta. Este o \u0219mecherie \u0219i schem\u0103 de <strong><em>Funk<\/em><\/strong>, veche, a anilor &#8217;70.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Big Beat<\/em><\/strong> a fost genul oficial ca \u0219i alegere pentru reclamele de la finalul de ani &#8217;90, jocurile video, evenimentele sportive, \u0219i desigur filmele de ac\u021biune. De la Matrix la Resident Evil la Blade la Mortal Kombat, de fiecare dat\u0103 c\u00e2nd o scen\u0103 a cerut o femel\u0103 \u0219i femeie sprinten\u0103 \u0219i supl\u0103, de 49-50 de kg, foarte fit, skinny, numai piele \u0219i os, \u00eembr\u0103cat\u0103 \u00een latex, cu mulan\u021bi pe ea (mula\u021bi + colan\u021bi), care \u00een mod obi\u0219nuit \u0219i \u00een mod normal nu putea s\u0103 loveasc\u0103 cu pumnul \u0219i s\u0103 rup\u0103 o pung\u0103 umed\u0103 de h\u00e2rtie, f\u0103r\u0103 efort \u0219i cu u\u0219urin\u021b\u0103 face slalom \u0219i \u00ee\u0219i face loc pur \u0219i simplu printre multitudini de golani cu ajutorul s\u0103riturilor prin rostogolire, \u0219i lovindu-i \u0219i pocnindu-i \u00een fa\u021b\u0103, din aplec\u0103ri, \u00eenclin\u0103ri \u0219i leg\u0103n\u0103ri, totul f\u0103r\u0103 a-\u0219i strica p\u0103rul ei sau machiajul, <strong><em>Big Beat<\/em><\/strong> este acolo ca s\u0103 o fac\u0103 s\u0103 arate \u0219i s\u0103 par\u0103 cool, tare, \u0219mecher\u0103, \u00een timp ce o face (sau m\u0103car s\u0103 fac\u0103 scena s\u0103 sune cool).<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"http:\/\/music.ishkur.com\/videos\/charliesangels.mp4\"><\/video><figcaption class=\"wp-element-caption\">Filmele de ac\u021biune din ziua de ast\u0103zi au tobele taiko, \u00eens\u0103 filmele de ac\u021biune ale finalului de anii &#8217;90 \u0219i \u00eenceputul de anii &#8217;00, erau totul despre break-urile <strong><em>Big Beat<\/em><\/strong>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Datorit\u0103 \u0219i mul\u021bumit\u0103 Chemical Brothers \u0219i The Prodigy c\u0103 au c\u00e2\u0219tigat Grammy-uri, <strong><em>Big Beat<\/em><\/strong> a fost pentru o scurt\u0103 perioad\u0103 arena rock al muzicii electronice. \u0218i atunci au preluat afaceri\u0219tii \u0219i managerii \u0219i bo\u0219ii, dilu\u00e2ndu-l \u00een a sa esen\u021b\u0103, cu build-uri masive \u0219i beat-uri str\u0103lucite \u0219i str\u0103lucitoare \u0219i mari, \u0219i v\u00e2nz\u00e2ndu-l \u00een mall-uri de cump\u0103r\u0103turi \u0219i MTV, iar totul a devenit plictisitor, plicticos, predictibil, \u0219i formulaic, structurat. Exist\u0103 o \u00eentreag\u0103 genera\u021bie care a crescut idolatriz\u00e2nd aceast\u0103 l\u0103tur\u0103 \u0219i gogoa\u0219\u0103, \u0219i au decis 10 ani mai t\u00e2rziu s\u0103 fac\u0103 acela\u0219i lucru cu <strong><em>Dubstep<\/em><\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/prodigy-spin.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">C\u00e2nd un act electronic apare tr\u00e2ntit \u0219i aterizeaz\u0103 pe coperta unei reviste rock, tu \u0219tii c\u0103 lucrurile au devenit meteorice.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Big Beat<\/em><\/strong> ar mai putea fi pe aici, prin jur, dar cu siguran\u021b\u0103 c\u0103 s-a supradozat pe sine dup\u0103 anul 2000. Reminiscen\u021bele, r\u0103m\u0103\u0219i\u021bele \u0219i resturile lui Big Beat au mers c\u0103tre ceva chiar \u0219i mai de neiertat &#8211; <strong><em>Nu Skool Breaks<\/em><\/strong>.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Big Beat <\/em><\/strong>&#8211; <strong><em><strong><em>Breakbeat<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-9fc06211 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-b778aa3a\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Dirty Beatniks &#8211; Beatnik Bounce<\/li>\n\n\n\n<li>The Chemical Brothers &#8211; Electrobank<\/li>\n\n\n\n<li>Messenger &#8211; Subsonic Interface<\/li>\n\n\n\n<li>Lunatic Calm &#8211; Leave You Far Behind<\/li>\n\n\n\n<li>Cirrus &#8211; Break In (Transatlantic Move mix)<\/li>\n\n\n\n<li>Catalyst &#8211; Lay It Down<\/li>\n\n\n\n<li>Grumpyhead &#8211; Radioactive<\/li>\n\n\n\n<li>Sniper &#8211; Kool Kalm Killer<\/li>\n\n\n\n<li>Jan Johnston &#8211; Unafraid (Paul Oakenfold mix)<\/li>\n\n\n\n<li>Bassbin Twin &#8211; Out Of Hand (Fonk Vibe)<\/li>\n\n\n\n<li>Atomic Hooligan &#8211; Seven 10 Split<\/li>\n\n\n\n<li>Bengston &#8211; Jump (Circuit Breaker&#8217;s Headbangers Ball mix)<\/li>\n\n\n\n<li>Banco De Gaia &#8211; How Much Reality Can You Take (Jack Dangers mix)<\/li>\n\n\n\n<li>Clint Mansell &#8211; We Got The Gun<\/li>\n\n\n\n<li>Girl Eats Boy &#8211; Napalm Bohemia<\/li>\n\n\n\n<li>Tipper &#8211; Bass Gunner<\/li>\n\n\n\n<li>Wreckage Inc. &#8211; Salvage (Alkaline &#8217;95 mix)<\/li>\n\n\n\n<li>Cirrus &#8211; Stop And Panic<\/li>\n\n\n\n<li>Skeewiff &#8211; Overdrive<\/li>\n\n\n\n<li>Expansion Union &#8211; Playing With Lightning<\/li>\n\n\n\n<li>Spec X-Ray &#8211; Not Children Of God (Spec X-Ray Funky Breaks mix)<\/li>\n\n\n\n<li>Hyper &#8211; We Control<\/li>\n\n\n\n<li>Dylan Rhymes &#8211; Don&#8217;t Want You Anyway<\/li>\n\n\n\n<li>Boom Boom SatelIItes &#8211; Soliloquy<\/li>\n\n\n\n<li>Wildchild &#8211; Renegade Master (Fatboy Slim Old Skool mix)<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-d1fad062\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"26\">\n<li>The Prodigy &#8211; Smack My Bitch Up<\/li>\n\n\n\n<li>Trip Theory &#8211; Time&#8217;s Up (The Bomb mix)<\/li>\n\n\n\n<li>Audioweb &#8211; Policeman Skank (Freestylers Rinse Out mix)<\/li>\n\n\n\n<li>Pizzaman &#8211; Gottaman<\/li>\n\n\n\n<li>Propellerheads &#8211; Dive! (Long One)<\/li>\n\n\n\n<li>Shades Of Rhythm &#8211; Psycho Base (Ceasefire mix)<\/li>\n\n\n\n<li>The Chemical Brothers &#8211; Loops Of Fury<\/li>\n\n\n\n<li>Overseer &#8211; Zeptastic<\/li>\n\n\n\n<li>Freddy Fresh &#8211; Go Kat Go<\/li>\n\n\n\n<li>DJ Stew feat The Boddha Monks &#8211; Funky Fresh<\/li>\n\n\n\n<li>The Future Sound Of London &#8211; Herd Killing<\/li>\n\n\n\n<li>Lee Coombs &#8211; Air Guitar 2<\/li>\n\n\n\n<li>Hardwire &#8211; Conskank<\/li>\n\n\n\n<li>2 Inda Bush &#8211; The Lick<\/li>\n\n\n\n<li>Fluke &#8211; Absurd (Landslide)<\/li>\n\n\n\n<li>Roger S &#8211; Wrek Tha Discotek<\/li>\n\n\n\n<li>El Loco Gringo &#8211; Watchuwanna<\/li>\n\n\n\n<li>Pepe Deluxe &#8211; Just Let Go<\/li>\n\n\n\n<li>Lo-Fidelity Allstars &#8211; Battleflag<\/li>\n\n\n\n<li>The Bloodsuckas &#8211; Radio Athletico<\/li>\n\n\n\n<li>Overseer &#8211; Supermoves<\/li>\n\n\n\n<li>Fatboy Slim &#8211; Illuminati<\/li>\n\n\n\n<li>Junkiexl &#8211; Billy Club<\/li>\n\n\n\n<li>Eboman &#8211; Donuts With Buddah<\/li>\n\n\n\n<li>Filter Section &#8211; Action-8<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.1.1. Nu Skool Breaks<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Nu Skool Breaks<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Tearout Breaks, Nu Breaks, NuSkool Breaks, Nu Skool Breakbeat, Nu-Nu-Nu-Nu-Nu-Nu-Nu-Nu Skool Breakbeat bwa bwa bwa bwa<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Breakbeat<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nu Skool Breaks a fost \u0219i s-a \u00eent\u00e2mplat deoarece \u0219i din cauz\u0103 c\u0103 <strong><em>Big Beat<\/em><\/strong> a frecat o mul\u021bime de oameni \u0219i sc\u0103rpinat, \u00een modul gre\u0219it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Big Beat era efectiv \u0219i pur \u0219i simplu prea corporate, prea \u00een\u0103l\u021b\u0103tor, prea celebrator, prea de succes, prea Hollywood. A f\u0103cut oamenii s\u0103 strige \u0219i s\u0103 fac\u0103 &#8220;ahhh!&#8221; precum concertele de metal de alt\u0103dat\u0103. A fost foarte popular, \u0219i, dup\u0103 cum \u0219tim cu to\u021bii, succesul atrage hateri, care sunt probabili s\u0103 fac\u0103 exact opusul, din \u0219i de ciud\u0103 (asta se \u00eent\u00e2mpl\u0103 mult \u0219i o groaz\u0103 \u00een muzica electronic\u0103: <strong><em>Darkside <\/em><\/strong>este o reac\u021bie la <strong><em>Happy Hardcore<\/em><\/strong>, <strong><em>Progressive <\/em><\/strong>este o reac\u021bie la <strong><em>Eurotrance<\/em><\/strong>, <strong><em>Detroit Techno<\/em><\/strong> este o reac\u021bie la <strong><em>Detroit Techno<\/em><\/strong>, etc.).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Nu Skool Breaks<\/em><\/strong> a \u00eenceput ca \u0219i anti-<strong><em>Big Beat<\/em><\/strong>. Era tot ce nu era <strong><em>Big Beat<\/em><\/strong>: Dark, \u00eenchis, negru, sumbru, capricios \u0219i indispus, moroc\u0103nos, plin de pad-uri atmosferice \u0219i linii de bas chior\u0103ite \u0219i zdruncin\u0103toare. Nu existau niciun sample <strong><em>Hip Hop<\/em><\/strong> sau refrene de benzi, grupuri, strigate, sau hook-uri \u0219i c\u00e2rlige catchy de &#8220;manevra \u0219i joaca pe 1&#8221; (&#8220;jammin on the 1&#8221;).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A fost original inventat de Rennie Pilgrim ca \u0219i o cale \u0219i modalitate de a se distan\u021ba pe sine de la sunetele ce zguduiau blocurile \u0219i care umpleau \u0219i \u00eembuibau topurile de \u00eenregistr\u0103ri, iar \u00een timp ce a p\u0103strat \u0219i \u021binut ceva interes ca \u0219i un micro gen cu un nume \u00eenlocuitor pentru ceva vreme, substituent, nu ar fi putut ajunge nic\u0103ieri dac\u0103 nu ar fi fost Adam Freeland care s\u0103 lanseze acest mix seminal \u0219i influent, de melodii <strong><em>Nu Skool<\/em><\/strong>, \u00een &#8217;99:<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/freeland-tectonics.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Un altul din mix-urile alea care nu este foarte bun, \u00eens\u0103 este un schimb\u0103tor de joc, totu\u0219i. \u0218i numai jum\u0103tate din el l-a\u0219 clasifica drept <strong><em>Nu Skool<\/em><\/strong>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Aceast\u0103 compila\u021bie mix a inversat absolut scenariul, complet, \u0219i a injectat <strong><em>Breaks <\/em><\/strong>cu o atitudine \u0219i o murd\u0103rie satisf\u0103c\u0103toare, pe care nu o mai explorase \u00eenainte vreodat\u0103 cu adev\u0103rat. Odat\u0103 ce produc\u0103torii <strong><em>Breaks <\/em><\/strong>\u0219i-au b\u0103gat asta \u00een min\u021bile \u0219i capetele lor, c\u0103 ei puteau pune <strong><em>DnB <\/em><\/strong>(<strong><em>Drum n Bass<\/em><\/strong>) \u00een c\u00e2ntecele lor, s-a terminat \u0219i a fost gata, aia a fost. <strong><em>Big Beat<\/em><\/strong> nu putea competi\u021biona \u0219i concura cu furia \u0219i m\u00e2nia posac\u0103, ursuz\u0103, moroc\u0103noas\u0103 \u0219i acr\u0103, m\u00e2r\u00e2ind\u0103, ce erupea din underground.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen scurt\u0103 vreme, a p\u0103rut c\u0103 <strong><em>Nu Skool Breaks<\/em><\/strong> a concurat cu <strong><em>Darkstep<\/em><\/strong>, pentru a vedea cine putea s\u0103 scoat\u0103 \u0219i s\u0103 pompeze afar\u0103 liniile de bas cele mai obraznice, murdare, obscene, cele mai negre \u0219i sumbre, \u0219i cele mai \u0219mechere, pentru ringul de dans. Era precum o competi\u021bie \u00eentre Dieselboy vs Dieselbreaks, \u0219i totul depindea de \u00een ce tempo \u00ee\u021bi pl\u0103cea muzica ta. C\u00e2nd singura perspectiv\u0103 sau monopolul devine goal-ul \u0219i scopul \u0219i obiectivul \u00een loc de acela de a face muzic\u0103 decent\u0103, toat\u0103 lumea sufer\u0103 \u0219i are de suferit. Deoarece atunci este doar un concurs \u0219i o competi\u021bie de m\u0103surarea sculei \u0219i a instrumentului, a penisului, gen un echivalent electronic al banjo-urilor care se dueleaz\u0103 sau concursurilor de t\u0103iere (cutting), iar genul \u0103la de rahat \u0219i prostie, mizerie, ruineaz\u0103 \u0219i distruge genuri(le) (vezi <strong><em>Anthem House<\/em><\/strong>, <strong><em>Eurotrance<\/em><\/strong>, <strong><em>Jumpup<\/em><\/strong>, <strong><em>Brostep<\/em><\/strong>, <strong><em>Hardcore<\/em><\/strong>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Precum <strong><em>Big Beat<\/em><\/strong> de dinaintea lui, <strong><em>Nu Skool<\/em><\/strong> a fost de asemenea imolat, jertfit \u0219i sacrificat de c\u0103tre propriul s\u0103u succes. Formula de breakdown-build-imn a f\u0103cut lucrurile banale \u0219i predictibile, cu imnuri de linii de bas m\u00e2r\u00e2ite \u0219i l\u0103trate, de 16 m\u0103suri, \u00eentrerupte de breakdown-uri de 16 m\u0103suri, pe toat\u0103 durata nop\u021bii. O ras\u0103 \u0219i mostr\u0103 mutant\u0103 a <strong><em>Nu Skool<\/em><\/strong>, numit\u0103 <strong><em>Tearout Breaks<\/em><\/strong> era majoritar \u0219i \u00een principal, \u00een primul r\u00e2nd, responsabil\u0103 pentru asta. Furia \u0219i agresiunea era perfect\u0103 pentru cultura fr\u0103\u021biilor care s-au ag\u0103\u021bat de ea p\u00e2n\u0103 c\u00e2nd au g\u0103sit o mai bun\u0103 chemare \u0219i aplecare, prin <strong><em>Brostep <\/em><\/strong>(\u0219i \u00eentr-o mai mic\u0103 m\u0103sur\u0103, <strong><em>Pendulum<\/em><\/strong>).<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/tearoutbreak.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Cum ar ar\u0103ta un break de tearout, smuls, ca o ruptur\u0103 smuls\u0103.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Nu Skool Breaks<\/em><\/strong> \u00eenc\u0103 mai sunt pe aici, \u0219i domin\u0103 scena <strong><em>Breaks<\/em><\/strong>, \u00een majoritatea cazurilor, \u00eens\u0103 ele abia dac\u0103 mai sunt <strong><em>Nu<\/em><\/strong>. Dar aia e okay &#8211; odat\u0103 ce numele sunt stabilite, e greu s\u0103 le mai schimbi. Doar uit\u0103-te la Newfoundland iar aia era acum 500 de ani. Nu mai este Newfoundland. \u0218i efectiv unde este originalul Newfoundland, oricum? Am pierdut noi cumva Foundland? A\u0219a c\u0103 noi dac\u0103 \u00eel g\u0103sim iar, \u00eel vom numi Lostandfoundland?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Acela este Ad\u00e2ncul \u0219i Profundul meu G\u00e2nd.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Nu Skool Breaks <\/em><\/strong>&#8211; <strong><em><strong><em>Breakbeat<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-28bfddfb uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-7ea063f8\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Shimon &amp; Nixon &#8211; Whitenoise<\/li>\n\n\n\n<li>Terminalhead &#8211; Mind Of Your Own<\/li>\n\n\n\n<li>Red Star &#8211; Pretender<\/li>\n\n\n\n<li>Stefan Anion &amp; Starfire &#8211; Inferior<\/li>\n\n\n\n<li>Krafty Kuts &#8211; Funky Ass Beats<\/li>\n\n\n\n<li>Rennie Pilgrem &#8211; Dutty Work<\/li>\n\n\n\n<li>Koma &amp; Bones &#8211; Powercut (Rewired mix)<\/li>\n\n\n\n<li>Circuit Breaker &#8211; Ruthless (Breaks mix)<\/li>\n\n\n\n<li>Silencer &#8211; Rollin&#8217; And Controllin&#8217;<\/li>\n\n\n\n<li>Buckfunk 3000 &#8211; Jump<\/li>\n\n\n\n<li>Digital Base &#8211; Precision<\/li>\n\n\n\n<li>Platinum Mules &#8211; The Hammer<\/li>\n\n\n\n<li>Kosheen &#8211; Hungry<\/li>\n\n\n\n<li>Hackney Soldiers &#8211; Hold Tight<\/li>\n\n\n\n<li>Platinum Mules &#8211; Fresh Start (Mesmer mix)<\/li>\n\n\n\n<li>Scissorkicks &#8211; Everyday Thing (Stabilizer mix)<\/li>\n\n\n\n<li>Drumattic Twins &#8211; Rock Steady<\/li>\n\n\n\n<li>Brainkiller &#8211; Destroy The World<\/li>\n\n\n\n<li>Brothers Bud &#8211; Don&#8217;t Stop<\/li>\n\n\n\n<li>Rennie Pilgrem &amp; BLIM &#8211; Traffid<\/li>\n\n\n\n<li>Afrika Bambaataa feat Tc Izlam &#8211; Almighty Ra<\/li>\n\n\n\n<li>Agent K &#8211; Come Again (Deep Impact mix)<\/li>\n\n\n\n<li>Baitercell &amp; Schumacher &#8211; Lock And Load<\/li>\n\n\n\n<li>Chris Carter &#8211; Siren<\/li>\n\n\n\n<li>Specimen A &#8211; Exodus RIP.<\/li>\n\n\n\n<li>Plump DJs &#8211; Big Groovy Funker<\/li>\n\n\n\n<li>Nubreed &#8211; Beats N Rhymes<\/li>\n\n\n\n<li>Sol_Dat &#8211; The Duke Arrives<\/li>\n\n\n\n<li>Brainiac &#8211; Neuro<\/li>\n\n\n\n<li>Azzido Da Bass feat Roland Clark &#8211; Speed (Breakspeed mix)<\/li>\n\n\n\n<li>Trisco &#8211; Southpaw (Fluke Glassjaw mix)<\/li>\n\n\n\n<li>Plastic Faces &#8211; Dirty<\/li>\n\n\n\n<li>Factor-E &#8211; Move This Bass (Infiniti mix)<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-842e9378\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"34\">\n<li>Tipper &#8211; Furlong<\/li>\n\n\n\n<li>Themroc &#8211; The Boy Can&#8217;t Take It<\/li>\n\n\n\n<li>Madox &#8211; Plasticfunk<\/li>\n\n\n\n<li>Christian J &#8211; Night Fighter<\/li>\n\n\n\n<li>Baobinga &#8211; Nukka<\/li>\n\n\n\n<li>Mind Muggaz &#8211; Get Funky<\/li>\n\n\n\n<li>Uberzone &#8211; Rhythm Device<\/li>\n\n\n\n<li>Drumattic Twins &#8211; Don&#8217;t Be So Drumattic<\/li>\n\n\n\n<li>Deekline &amp; Wizard &#8211; All Your Love (Ils mix)<\/li>\n\n\n\n<li>Disco Assassins &#8211; Visions Of You (Rhythm Division&#8217;s Assassinated mix)<\/li>\n\n\n\n<li>Chop Shop &#8211; Blue Steel<\/li>\n\n\n\n<li>DJ 43 &#8211; Pepper Spray (Infiniti mix)<\/li>\n\n\n\n<li>Shimon &amp; Nixon &#8211; Brainstorm<\/li>\n\n\n\n<li>Tsunami One &amp; Bt &#8211; Hip Hop Phenomenon<\/li>\n\n\n\n<li>Megatron &#8211; Shook Onez<\/li>\n\n\n\n<li>Eddie Richards &#8211; Dark 1.3<\/li>\n\n\n\n<li>DJ Distance &#8211; Replicant<\/li>\n\n\n\n<li>B-Phreak &#8211; Repeated Groove<\/li>\n\n\n\n<li>BT &#8211; Fibonacci Sequence<\/li>\n\n\n\n<li>Brothers Bud vs Z2 &#8211; Herbgrinder (Drumattic Twins Remx)<\/li>\n\n\n\n<li>Stanton Warriors &#8211; Break Me With You<\/li>\n\n\n\n<li>The Slag Brothers &#8211; Everybody<\/li>\n\n\n\n<li>Pmt &#8211; Gyromancer (False Prophet mix)<\/li>\n\n\n\n<li>Groove Allegiance &#8211; Beats N Bobs<\/li>\n\n\n\n<li>T-Power feat Blade &#8211; Dangerous (Sons Of Mecha vs Digital Pimp mix)<\/li>\n\n\n\n<li>DJ Mutiny &#8211; Sign Of The Times<\/li>\n\n\n\n<li>Freeflow 45 &#8211; Substantial<\/li>\n\n\n\n<li>Atlus Plug &#8211; Around The World<\/li>\n\n\n\n<li>Meat Katie &#8211; Rotten Dot Com<\/li>\n\n\n\n<li>Proper Filthy Naughty &#8211; Stitch Up<\/li>\n\n\n\n<li>2 Inda Bush &#8211; In Effect (Krafty Kuts mix)<\/li>\n\n\n\n<li>Waveform &#8211; Proteus 4<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.1.1.1.1. Freeland Breaks<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Freeland Breaks<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">dook-dook-chak, dook-dook-chak<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Breakbeat<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">early 00s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Este vina lui Adam Freeland c\u0103 avem <strong><em>Nu Skool Breaks<\/em><\/strong>. \u00cens\u0103 el nu s-a oprit acolo. El de asemenea ne-a dat asta, care din c\u00e2te \u0219tiu eu, nu are un nume, a\u0219a c\u0103 eu \u00eel numesc dup\u0103 el.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/freeland.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Dap, acest tip.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Freeland Breaks<\/em><\/strong> este un microgen, \u00eens\u0103 unul prea hilar \u0219i vesel pentru a-l sc\u0103pa \u0219i rata. A fost un moft \u0219i o fi\u021b\u0103 \u00een scena <strong><em>Breaks <\/em><\/strong>a jum\u0103t\u0103\u021bii anilor &#8217;00, de a face ceva tineresc, iresponsabil \u0219i copil\u0103resc, \u0219i progressivo-rock, f\u0103r\u0103 nonsens-ul \u0219i prostia de Tearout, \u0219i uneori f\u0103r\u0103 vreun break (multe piese sunt de 4\/4. Doar ascult\u0103). Efectiv doar a\u0219a cum <strong><em>Nu Skool<\/em><\/strong> a fost o reac\u021bie la <strong><em>Big Beat<\/em><\/strong>, la fel \u0219i <strong><em>Freeland <\/em><\/strong>este o reac\u021bie la <strong><em>Nu Skool<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ca \u0219i trend, nu s-a dus nic\u0103ieri de fapt \u0219i \u00een realitate \u0219i cu adev\u0103rat, \u0219i nici nu a atins status de &#8220;gen&#8221; oficial, \u00eens\u0103 produc\u0103torii de <strong><em>Breaks <\/em><\/strong>au continuat s\u0103 fac\u0103 \u00een mod constant muzic\u0103 care adera la o tem\u0103 comun\u0103, odat\u0103 cu trecerea anilor, \u00eencerc\u00e2nd s\u0103 o fac\u0103 o chestie \u00eens\u0103 nu ajung\u00e2nd chiar acolo. Las\u0103-m\u0103 s\u0103-\u021bi explic:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Totul a \u00eenceput cu o pies\u0103 single: Smells Like Freeland, un remix \u00een cheie joas\u0103, low key, anti-tearout \u0219i conform trendului, precum oaia care urmeaz\u0103, al Smells Like Teen Spirit, al lui Nirvana, care a preluat \u0219i luat pe sus scena <strong><em>Breaks<\/em><\/strong>, \u00een 2003. Din cauza \u00eenc\u0103lc\u0103rii drepturilor de autor, nu a fost lansat niciodat\u0103 comercial, a\u0219a c\u0103 a r\u0103mas &#8211; \u0219i din c\u00e2te \u0219tiu eu, \u00eenc\u0103 r\u0103m\u00e2ne &#8211; una dintre cele mai populare m\u0103rci \u0219i etichete albe (case de discuri) vreodat\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Piesa \u00een sine nu e mare lucru, mare br\u00e2nz\u0103, cine \u0219tie ce. \u00cemprumut\u0103 estetice de la <strong><em>Progressive <\/em><\/strong>(<strong><em>Prog<\/em><\/strong>) cu reverb \/ echo la greu, pe sample-uri, \u0219i un beat drog\u0103cios \u0219i aproape apatic, antipatic, neatent, nep\u0103s\u0103tor, indiferent (tobe reale, nu vr\u0103jeli \u0219i ratatat-uri de drum machine procesate), care tr\u0103deaz\u0103 \u0219i \u00een\u0219al\u0103 \u00eentregul concept de muzic\u0103 breakbeat. Poate era datorit\u0103 sau din cauza nostalgiei, c\u0103 odat\u0103, oamenii petrec\u0103re\u021bi au recunoscut sample-ul surs\u0103 de la ceva care a existat, c\u00e2nd ei erau \u00een via\u021b\u0103. Sau poate c\u0103 lor doar le-a pl\u0103cut c\u0103 era diferit de monotonia de Tearout.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen orice caz, Adam Freeland a avut o alt\u0103 lovitur\u0103 \u00een m\u00e2ini, un alt as \u00een m\u00e2nec\u0103. El deja a trecut mai departe de <strong><em>Nu Skool<\/em><\/strong>, oricum, \u00eenc\u00e2t b\u0103ga direct muzic\u0103 rock \u00een set-urile sale, ocazional. Piesa lui de noutate \u0219i prospe\u021bime, Teen Spirit, ar fi r\u0103mas ca o chestie de o-singur\u0103-dat\u0103, cu excep\u021bia faptului c\u0103 el l-a urmat cu o alt\u0103 pies\u0103, care a folosit The White Stripes. Iar apoi 1 an mai t\u00e2rziu, cineva i-a replicat formula lui folosind 1799 al Smashing Pumpkin. Iar apoi cineva a f\u0103cut-o din nou cu What Time Is Love, al KLF. Clar c\u0103 este un pattern ce se \u00eent\u00e2mpl\u0103 aici.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen c\u0103utarea acestui fenomen, am descoperit de fapt proto-instan\u021be mai timpurii ale sale, sampluirea lui Blue Oyster Cult \u0219i un mashup dintre Age Of Love \u0219i Daft Punk. Aia \u00eel face pe Freeland nu originatorul \u0219i ini\u021biatorul, ci doar \u0219i numai, pur \u0219i simplu, popularizatorul acestui trend specific (popularizatorii mereu \u0219i \u00eentotdeauna primesc \u0219i ob\u021bin creditul \u0219i meritele \u00een muzic\u0103. Efectiv pur \u0219i simplu a\u0219a e, cam a\u0219a merge).<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/freemer.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Acesta este Adam Freemer, un produc\u0103tor de o dat\u0103 \u00een via\u021b\u0103, \u0219i DJ, care nu face niciun <strong><em>Freeland Breaks<\/em><\/strong>. Cu toate c\u0103, de\u0219i, el ar trebui.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Dup\u0103 cum se pare \u0219i se dovede\u0219te, \u0103sta este destul de comun pentru a fi stabilit drept ceva \u00een <strong><em>Breaks<\/em><\/strong>, destul de fascinant pentru a m\u0103 obliga s\u0103 urm\u0103resc toat\u0103 muzica f\u0103cut\u0103 \u00een acest stil \u0219i posibil s\u0103 fac un mix cu ea \u00eentr-o bun\u0103 zi. \u00cens\u0103 dac\u0103 nu era pentru hit-ul monstru al lui Freeland, acest stil nu ar fi fost suficient de important pentru a fi pus \u00een acest ghid. De aia este numit <strong><em>Freeland Breaks<\/em><\/strong>, \u0219i nu Sampluie\u0219te Un C\u00e2ntec Vechi Grunge Sau Rock \u0218i Reverbuie\u0219te To\u021bi Dracii Din El Cu Un Kick De 4\/4 <strong><em>Breaks<\/em><\/strong>.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Freeland Breaks <\/em><\/strong>&#8211; <strong><em><strong><em>Breakbeat<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-008697a5 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-ac91c605\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>The Doors &#8211; Hello, I Love You (Adam Freeland Fabric mix)<\/li>\n\n\n\n<li>Nirvana vs Adam Freeland &#8211; Smells Like Freeland<\/li>\n\n\n\n<li>The White Stripes vs Adam Freeland &#8211; 7th Nation Freeland<\/li>\n\n\n\n<li>Nitro &#8211; Violence<\/li>\n\n\n\n<li>Blue Oyster Cult &#8211; Burning For You (DJ Icey mix)<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-4d6d478e\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"6\">\n<li>The New Originals &#8211; 1799<\/li>\n\n\n\n<li>Split Loop vs Stereo Mcs &#8211; Connected (Split Loop mix)<\/li>\n\n\n\n<li>Tricknology &#8211; no. 6 (What Time Is Love) (K Boy Zee&#8217;s 2ci Dub)<\/li>\n\n\n\n<li>Phil Kieran &#8211; Chunka Funk<\/li>\n\n\n\n<li>Daft Love &#8211; The Age Of Punk (Breaks mix)<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><strong>1.2. Progressive Breaks<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table class=\"has-text-color has-background\" style=\"color:#4d7263;background:linear-gradient(135deg,rgb(225,225,165) 0%,rgb(150,190,247) 100%)\"><tbody><tr><td>Gen Muzical Electronic<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Progressive Breaks<\/em><\/strong><\/td><\/tr><tr><td>Alte Denumiri<\/td><td class=\"has-text-align-left\" data-align=\"left\">Atmospheric Breaks, Balearic Breaks, Deep Progressive Breaks, Ambient Breaks, Intelligent Breaks, Breaktrance, Vocal Progressive Breaks<\/td><\/tr><tr><td>Sfera \/ Scena<\/td><td class=\"has-text-align-left\" data-align=\"left\"><strong><em>Breakbeat<\/em><\/strong><\/td><\/tr><tr><td>An Apari\u021bie<\/td><td class=\"has-text-align-left\" data-align=\"left\">late 90s<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Fiecare scen\u0103 are partea sa sensibil\u0103 \u0219i matur\u0103, unde vrea s\u0103 fie privit\u0103 \u0219i \u00een\u021beleas\u0103 drept o serioas\u0103 \u0219i important\u0103 oper\u0103 de art\u0103; c\u0103 muzica sa este mai mult dec\u00e2t doar frecven\u021be joase ce cl\u0103n\u021b\u0103ne din\u021bii, pentru copiii zdrobi\u021bi \u0219i f\u0103cu\u021bi praf, pr\u0103ji\u021bi, rod\u00e2ndu-le fe\u021bele.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen scena <strong><em>Breakbeat<\/em><\/strong>, acest gen este <strong><em>Progressive Breaks<\/em><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poate fi argumentat c\u00e2nd anume, mai exact, toat\u0103 asta a \u00eenceput. Tu po\u021bi spune c\u0103 a \u00eenceput cu Orbital (sau chiar Scott Hardkiss), dar eu nu a\u0219 vrea s\u0103 fac asta deoarece Orbital pare s\u0103 sfideze \u0219i \u00eenfrunte clasificarea \u0219i gruparea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O mai bun\u0103 rela\u021bie pare s\u0103 se alinieze cu ceea ce se \u00eent\u00e2mpl\u0103 \u00een <strong><em>Progressive House<\/em><\/strong> \u0219i <strong><em>Trance<\/em><\/strong>, la vremea respectiv\u0103 (\u00een special \u00een UK). Sau orice Sasha \u0219i Digweed c\u00e2ntau din moment ce ei erau purt\u0103torii \u0219i transportatorii de ap\u0103 pentru acest tip de sunet pe tot parcursul \u00eentregimii anilor &#8217;90.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/progressivebreaks2.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\"><strong><em>Progressive Breaks<\/em><\/strong> ador\u0103 s\u0103 foloseasc\u0103 o groaz\u0103 de imagini, imagistic\u0103 \u0219i ilustra\u021bii sci-fi fericite \u0219i pline de bucurie, de realit\u0103\u021bi poten\u021biale, care nu se vor \u00eent\u00e2mpla niciodat\u0103, precum transcrackeri venind peste scena <strong><em>Breaks <\/em><\/strong>prin genul portal \u0219i poart\u0103 de acces, al <strong><em>Progressive Breaks<\/em><\/strong>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cele mai timpurii \u0219i printre primele \u00eenregistr\u0103ri <strong><em>Progressive Breaks<\/em><\/strong>, erau clasificate drept <strong><em>Breaktrance<\/em><\/strong>, iar o groaz\u0103 dintre primii arti\u0219ti (precum Hybrid, General Midi, Way Out West, \u0219i poate chiar \u0219i BT), \u0219i-au t\u0103iat \u0219i tocat din\u021bii \u00een <strong><em>Progressive Trance<\/em><\/strong> \/ <strong><em>House<\/em><\/strong> \u0219i explorau noi posibilit\u0103\u021bi sonice care nu presupuneau \u0219i implicau un kick de 4\/4. \u0218i o mul\u021bime de \u00eenregistr\u0103ri de la \u00eenceput, timpurii, de <strong><em>Progressive Breaks<\/em><\/strong> erau pur \u0219i simplu remix-uri de <strong><em>Progressive House<\/em><\/strong> \u0219i <strong><em>Trance<\/em><\/strong> &#8211; remix-ul de <strong><em>Breaks<\/em><\/strong>, b-side, pe care DJ-ii de <strong><em>Trance <\/em><\/strong>nu l-au c\u00e2ntat niciodat\u0103 dac\u0103 numele lor nu era Sasha.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A\u0219a c\u0103 o jum\u0103tate din acest gen sun\u0103 precum <strong><em>Progressive House<\/em><\/strong> \/ <strong><em>Trance<\/em><\/strong>, cu break-uri. Cealalt\u0103 jum\u0103tate sun\u0103 de parc\u0103 \u00eencearc\u0103 s\u0103 fie Orbital. Poate deveni siropos pe alocuri, cu pad-urile diluate, slabe, \u0219i f\u0103r\u0103 putere, \u0219i lead-urile sclipitoare, iar uneori, c\u00e2teodat\u0103, chiar \u0219i voci etnice (f\u0103r\u0103 a deveni complet <strong><em>Worldbeat<\/em><\/strong>), \u00eens\u0103 cu siguran\u021b\u0103 c\u0103 nu sun\u0103 precum orice alt <strong><em>Breaks<\/em><\/strong>, renun\u021b\u00e2nd la mofturile, modelele \u0219i motivele <strong><em>Hip Hop<\/em><\/strong>, cu totul, de tot.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Poate c\u0103 ajut\u0103 faptul c\u0103 chiar \u0219i pe bune \u00ee\u0219i trage influen\u021bele din alte scene pentru inspira\u021bie, precum \u0219i \u00een felul cum un c\u00e2ine hot-dog, cu picioare scurte \u0219i corp lung, dachshund, \u00eencearc\u0103 s\u0103 arate ca \u0219i un c\u00e2ine. Iar pe l\u00e2ng\u0103 asta: Ce e \u00een neregul\u0103 cu un mic set de cobor\u00e2re, pe ici, pe colo, dup\u0103 o noapte de b\u0103tai \u0219i scuturat de cap la \u0219i pe imnuri <s>White Snake<\/s> Tearout?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Progressive Breaks<\/em><\/strong> are un num\u0103r masiv de subgenuri diverse \u0219i amestecate: <strong><em>Atmospheric Breaks<\/em><\/strong>, <strong><em>Balearic Breaks<\/em><\/strong>, <strong><em>Deep Progressive Breaks<\/em><\/strong>, <strong><em>Intelligent Breaks<\/em><\/strong> &#8211; \u00een esen\u021b\u0103, un echivalent <strong><em>Breaks <\/em><\/strong>al fiec\u0103rui gen <strong><em>Progressive<\/em><\/strong>, care exist\u0103, inclusiv <strong><em>McProg <\/em><\/strong>&#8211; este numit <strong><em>Vocal Progressive Breaks<\/em><\/strong>. Este un truism, un adev\u0103r comun, general, \u00een muzica electronic\u0103, cum c\u0103 orice gen cu &#8220;vocal&#8221; \u00een nume, este rahat, b\u0103legar de m\u0103gar.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/music.ishkur.com\/images\/progbreaks.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Viitorul este o distopie infernal\u0103 \u0219i diabolic\u0103, satanic\u0103 \u0219i satanist\u0103, unde nevoile tuturor sunt \u00eengrijite \u0219i conteaz\u0103, sunt rezolvate, \u0219i ei cu to\u021bii tr\u0103iesc \u00een ceruri, printre nori, \u0219i ascult\u0103 <strong><em>Progressive Breaks<\/em><\/strong>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Progressive Breaks<\/em><\/strong> \u00eenc\u0103 mai e pe aici prin jur, ast\u0103zi, deoarece fiind o versiune <strong><em>Breaks <\/em><\/strong>a unei alte scene, \u00een esen\u021b\u0103, primordial \u0219i \u00een primul r\u00e2nd, \u00eei asigur\u0103 supravie\u021buire nedefinit\u0103 \u0219i nelimitat\u0103, precum un animal domestic care niciodat\u0103 nu va muri sau va deveni sau ajunge pe cale de dispari\u021bie, sau disp\u0103rea, deoarece omul depinde de el prea mult, ca \u0219i o surs\u0103 preg\u0103tit\u0103 \u0219i u\u0219oar\u0103, la \u00eendem\u00e2n\u0103, de m\u00e2ncare \u0219i hran\u0103. Aia e <strong><em>Progressive Breaks<\/em><\/strong>: Puiul muzicii electronice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dintr-un punct de vedere \u0219i perspectiv\u0103 evolutiv\u0103 \u0219i evolu\u021bionar\u0103, nu exist\u0103 ceva mai sigur dec\u00e2t asta.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-default\" style=\"background-color:#4d7263;color:#4d7263\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-background wp-block-paragraph\" style=\"background-color:#247464\">Amprente sonore &#8211; <strong><em>Progressive Breaks <\/em><\/strong>&#8211; <strong><em><strong><em>Breakbeat<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n<section class=\"wp-block-uagb-columns uagb-columns__wrap uagb-columns__background-gradient uagb-columns__stack-mobile uagb-columns__valign- uagb-columns__gap-10 align uagb-block-f5cc6256 uagb-columns__columns-2 uagb-columns__max_width-theme\"><div class=\"uagb-columns__overlay\"><\/div><div class=\"uagb-columns__shape uagb-columns__shape-top\"><svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 283.5 19.6\" preserveAspectRatio=\"none\"><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 18.8 141.8 4.1 283.5 18.8 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 12.6 141.8 4 283.5 12.6 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" opacity=\"0.33\" d=\"M0 0L0 6.4 141.8 4 283.5 6.4 283.5 0z\"><\/path><path class=\"uagb-columns__shape-fill\" d=\"M0 0L0 1.2 141.8 4 283.5 1.2 283.5 0z\"><\/path><\/svg><\/div><div class=\"uagb-columns__inner-wrap uagb-columns__columns-2\">\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-595e91c7\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\">\n<li>Fluke &#8211; Expo<\/li>\n\n\n\n<li>Stereo 8 &#8211; Can&#8217;t Stop<\/li>\n\n\n\n<li>Alterring &#8211; Intinitely Gentle Blows (Scott Hardkiss&#8217; Aural Hallucination mix)<\/li>\n\n\n\n<li>Under This &#8211; Back To Roots<\/li>\n\n\n\n<li>Siberian Son &#8211; Venus<\/li>\n\n\n\n<li>Zymosis &#8211; Summer Twilight<\/li>\n\n\n\n<li>Solid Ground &#8211; Never Let It Go (C83 mix)<\/li>\n\n\n\n<li>Space Manoeuvres &#8211; Division Six<\/li>\n\n\n\n<li>Arc-En-Ciel &#8211; The Juice (Andy Greenfingers mix)<\/li>\n\n\n\n<li>Blake Jarrell &amp; Starkid &#8211; Apricot<\/li>\n\n\n\n<li>Deep Cover &#8211; Beatstalker (General Midi mix)<\/li>\n\n\n\n<li>GusGus &#8211; Purple<\/li>\n\n\n\n<li>Meat Katie &amp; Elite Force &#8211; The Answer (Force Mass Motion Phunk-Acid mix)<\/li>\n\n\n\n<li>Deep Cover &#8211; Breakthrough<\/li>\n\n\n\n<li>Miro &#8211; Paradise (Farmatronic Creeping mix)<\/li>\n\n\n\n<li>Q-Burns Abstract Message &#8211; Doublecross<\/li>\n\n\n\n<li>Christian J &#8211; Understand<\/li>\n\n\n\n<li>Orchid &#8211; Technicolour<\/li>\n\n\n\n<li>Ultraviolet &#8211; Sleeps In Eysium<\/li>\n\n\n\n<li>Petter &#8211; These Days<\/li>\n\n\n\n<li>Zenon &#8211; September Rain (Ozgur Can Break It Free mix)<\/li>\n\n\n\n<li>Waveform &#8211; D-Tox<\/li>\n\n\n\n<li>Stefan Anion &#8211; Imagine<\/li>\n\n\n\n<li>Pavliga &#8211; Horizon (Pavliga&#8217;s Summer Breaks mix)<\/li>\n\n\n\n<li>Lostep &#8211; Burma<\/li>\n\n\n\n<li>DJ Brayks &#8211; Do You Wanna Ride (West City All Stars mix)<\/li>\n\n\n\n<li>Quivver vs Audio Magnetics &#8211; Digital Music (Seth Vogt mix)<\/li>\n\n\n\n<li>Ozgur Can &#8211; Irony (Probspot Break A Leg mix)<\/li>\n\n\n\n<li>Jiva &#8211; Strange Dimensions<\/li>\n\n\n\n<li>Jeff Devas &#8211; Everything Is Fine<\/li>\n\n\n\n<li>Hi-Fi Bugs &#8211; Lydian &amp; The Dinosaur<\/li>\n\n\n\n<li>Jason Sparks &#8211; I&#8217;m In U<\/li>\n<\/ol>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-column uagb-column__wrap uagb-column__background-undefined uagb-block-420bc30a\"><div class=\"uagb-column__overlay\"><\/div>\n<ol class=\"wp-block-list\" start=\"33\">\n<li>Raven Maize &#8211; The Real Life (Fatboy Slim mix)<\/li>\n\n\n\n<li>Bifrost &#8211; Song For A Heart<\/li>\n\n\n\n<li>Al Azar &#8211; Shattered Dreams<\/li>\n\n\n\n<li>Derek Howell &#8211; I&#8217;ll Never Forget To Remember (Emissary mix)<\/li>\n\n\n\n<li>Junitoshi &#8211; Reborn Of Eclipse<\/li>\n\n\n\n<li>Digital Witchcraft &#8211; Kaylee&#8217;s Blanket<\/li>\n\n\n\n<li>Koma &amp; Bones vs Databass &#8211; Wideroller (Databass Original mix)<\/li>\n\n\n\n<li>Rob-E &amp; Security &#8211; Tyme Piece<\/li>\n\n\n\n<li>Way Out West &#8211; Intensify, Part 2<\/li>\n\n\n\n<li>Hybrid &#8211; Altitude<\/li>\n\n\n\n<li>Diamondback Kid &#8211; Coma<\/li>\n\n\n\n<li>Blue Room Project &#8211; 5b (Madokas Metasound mix)<\/li>\n\n\n\n<li>Luke Chable &#8211; Melburn<\/li>\n\n\n\n<li>Force Mass Motion vs Dylan Rhymes &#8211; Vanquish (Beats mix)<\/li>\n\n\n\n<li>Aquasky vs Masterblaster &#8211; 777 (Vip mix)<\/li>\n\n\n\n<li>Lp feat Ashley Lawson &#8211; Clique (Seth Vogt mix)<\/li>\n\n\n\n<li>Momu &#8211; One<\/li>\n\n\n\n<li>Starfire &#8211; Freq Out<\/li>\n\n\n\n<li>Syna &#8211; Face Of God<\/li>\n\n\n\n<li>Bruce Aisher &#8211; Darker<\/li>\n\n\n\n<li>Agent K &#8211; Sweet Sweet Love (Screwface mix)<\/li>\n\n\n\n<li>Oriol &#8211; Lw<\/li>\n\n\n\n<li>Sphinx vs Plexland &#8211; Milenia (Arabica mix)<\/li>\n\n\n\n<li>Wrecked Angle &#8211; Back To Babylon (Burufunk mix)<\/li>\n\n\n\n<li>Hybrid &#8211; We Are In Control<\/li>\n\n\n\n<li>Atomic Babies &#8211; Cetch Da Monkey<\/li>\n\n\n\n<li>Motive feat Abagale Fischer &#8211; ABE<\/li>\n\n\n\n<li>The Strike Boys &#8211; Jet Set (Buckfunk 3000 mix)<\/li>\n\n\n\n<li>Parallax Breakz &#8211; Asteroid<\/li>\n\n\n\n<li>General Midi &#8211; Outa Orbit<\/li>\n\n\n\n<li>Sonorous &#8211; Last Sunday<\/li>\n\n\n\n<li>Mara &#8211; Desanitize (Terminalhead mix)<\/li>\n<\/ol>\n<\/div>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Breakbeat &#8211; termen folosit pentru a descrie o colec\u021bie de subgenuri a muzicii electronice, de obicei caracterizate prin folosirea unui ritm de tobe sincopat, de 4\/4, spre deosebire de beat-ul house, techno sau trance, ce con\u021bine 4 sunete de tob\u0103 mare, a\u0219ezate la distan\u021b\u0103 egal\u0103 \u00een cadrul unei m\u0103suri; 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